Like many Filmmaker readers, I first encountered the work of Elaine McMillion Sheldon a decade ago, when the West Virginia native landed on our annual 25 New Faces of Independent Film list in 2013. She’d just completed Hollow, which began as a documentary about her home state’s struggling McDowell County, and ultimately transformed into a sprawling interactive project; and per Randy Astle’s profile, “a community portrait that includes about three hours of video — including a lot shot by members of the community — audio recordings, text, photographs and user-generated material via Instagram.” Sheldon then popped back onto my radar two […]
When you make your living in production, the relationship between work and time off can be a complicated one. After months of Fraturdays and Second Meal pizza at 2 a.m., you need to rest, decompress and resume the parts of your life that have been essentially paused during shooting. But stay off set too long and dread can fester—a fear of dwindling bank accounts, falling short on days for insurance and being usurped in your market’s hiring hierarchy. Cinematographer Paul Yee is acutely aware of that delicate balance and how it feels when the equilibrium becomes askew. He took a self-imposed […]
A Hong Kong documentary crew travels to Borneo to dig up the grave of an ancient “evil dwarf sorcerer” for a mondo film on black magic; as you might imagine, protracted supernatural revenge is exacted for the next 70 minutes. This is the gist of Red Spell Spells Red (1983, d. Titus Ho), the second of two Hong Kong exploitation films written by Amy Chan Suet-Ming (the first being the previous year’s Centipede Horror, directed by Keith Li), of whom little is known beyond her proclivity for bug-based horror. Neither film is a major studio production, perhaps because Hong Kong’s […]
Today, Film at Lincoln Center unveils the Main Slate lineup for the 61st New York Film Festival, taking place from September 29 through October 15. This comes after previous announcements concerning the festival’s 2023 gala titles, with Todd Haynes’s May December opening this year’s NYFF, Sofia Coppola’s Priscilla as the centerpiece selection and closing with Michael Mann’s Ferrari. “The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” […]
On this special episode, I visit the picket line at each of the four SAG/AFTRA strike sites in New York City, in one continuous, unbroken audio “take.” Actors Michael Gaston, Clarissa Thibeaux, and others talk to me about what’s at stake, and en route to each location I share my own thoughts on the issues at hand, make some predictions, voice concerns, and offer up my total and complete solidarity to the cause, all supported by the loud and never-ending symphony of the New York City streets! Get ready for the strangest, but definitely most sonic-rich, episode of this podcast […]
In November 2022, the Maryland Film Festival announced it would stop public-facing operations the following year, including the following year’s edition of the festival and new and repertory screenings at Baltimore’s Parkway Theater, in order to “prioritize a planning process to develop a new business model and plan that will chart the future trajectory of the organization.” Barely six months later, the New/Next Film Festival was announced, running from August 18 to 20 in the festival’s previous home, The Charles Theater, just a few blocks south of the Parkway. Leading the charge, or at the very least facilitating it, is […]
This week Filmmaker is publishing three diaries from writers and directors who attended the 2023 Sundance Directors Lab. We’ve already published writer-director Dania Bdeir’s as well as director-writer-producer Masami Kawai‘s. Next up is writer-director Walter Thompson-Hernández, who traveled to the Lab with If I Go Will They Miss Me. (He’s also a Filmmaker 2022 25 New Face.) Here’s the description: “Twelve-year-old Lil Ant begins to see mysterious figures — eerie men with their arms spread like wings — around his home. When his father, Big Ant, realizes his son sees these “airplane people” too, their family history emerges and reveals deeper meaning and […]
The Rockaway Film Festival announces today the full lineup for its sixth annual edition, to take place between August 19-27. The 2023 program features premieres, repertory screenings and live performances amid the sand and sea at Rockaway Beach. Screenings will be held at the festival’s flagship outdoor theater Arverne Cinema, which was constructed using pieces from the boardwalk that were destroyed during Hurricane Sandy. The opening night selection is Walt Disney’s Fantasia, with shorts by “cine-magician” Oskar Fischinger preceding the film. Other highlights of the festival include the New York premiere of Luke Lorentzen’s A Still Small Voice, which won […]
Gaining access to an underrepresented community comes with a great amount of responsibility. There are countless examples of a director visiting a site for a few days, getting what they need, then hightailing it out only to use their subsequent press tour to emphasize the “raw grittiness” they observed while filming on location. It’s crucial to question who benefits from this exchange. Does the filmmaker gain authenticity for their work merely by virtue of who they put in front of the camera? Does the portrayed community benefit from being used to confirm an outsider’s predetermined perception? Gina Gammell and Riley […]
Just announced as the world-premiering opening night title of TIFF’s Midnight Madness program, a trailer arrives for Borat director Larry Charles’s latest film Dicks: The Musical. The first musical to be distributed by A24, the film was written by Aaron Jackson and Josh Sharp, based on their stage play Fucking Identical Twins: The Musical. Jackson and Sharp also star in the film, supported by Nathan Lane, Megan Mullally, Megan Thee Stallion and Bowen Yang. A brief synopsis reads: Two self-obsessed businessmen (Jackson and Sharp) discover they’re long-lost identical twins and come together to plot the reunion of their eccentric divorced […]