Here’s writer/director John Magary’s (pictured here with Robert Redford and Vilmos Zsigmond) second dispatch from the Sundance Directors’ Lab: This is my first stab at blogging, okay? I’ve never been a self-starting chronicler, never had a personal essay phase, or a journal, or a sketchbook. I’m not wired that way. I don’t really know how to steal away time in bars or cafes, to reflect on my day in an endearingly scruffy little notebook—even a grocery list is a chore. Long story short, I’m finishing up my second week here, and I have no notes. It’s blurs on top of […]
If you are in Chicago this next month — or, perhaps, if you’ve got frequent flier miles or simple wanderlust — then I highly recommend checking out Enter Dream, a photo show by writer, photographer and critic Ray Pride, whose work is well known to readers of Filmmaker as well as those of his own Movie City Indie blog. Ray’s evocative photos are visually stunning and haunted by the idea of cinema — they contain potent traces of storytelling, whiffs of dramatic atmosphere, and suggestions of character. Here’s the official spam: The photographs in “Enter Dream” anatomize the geography of […]
GAY MUSLIM REFUGEES MEET IN DIRECTOR PARVEZ SHARMA’S A JIHAD FOR LOVE. COURTESY FIRST RUN FEATURES. After a distinguished career as a print and television journalist, Parvez Sharma has made a notable transition to documentary filmmaker. Born and raised in India, Sharma studied English at the University of Calcutta before gaining three film and journalism related masters degrees at universities in India, Britain and the U.S. He spent the nineties as a newspaper reporter in India and then moved on to working for his country’s premier news network, Star News Channel, using his position to draw attention to human rights […]
Brooks Barnes has a funny article in The New York Times about Sanjay Sanghoee, a novelist, hedge-fund employee, and would-be writer/director/producer, who is out there in the wilds of film finance trying to make an adaptation of his book Merger. Let’s just say that a rolodex full of multi-millionaire contacts can’t buy happiness — or an independent feature. An excerpt recounting Sanhoee’s arrival in L.A. to pitch his movie: Mr. Sanghoee landed in a boomtown. More than $12 billion was in the midst of flowing into 150 movies, according to trade estimates. Hedge funds, awash in cash, were eager to […]
AMERICA FERRERA, LUCY GALLARDO AND ELIZABETH PEÑA IN DIRECTOR GEORGINA RIEDEL’S HOW THE GARCIA GIRLS SPENT THEIR SUMMER. COURTESY MAYA RELEASING. Like her friends Azazel Jacobs, Gerardo Naranjo and Goran Dukic, Georgina Riedel is a distinctive new voice in American independent filmmaking. A first generation Mexican American who grew up in Arizona, Riedel studied film at the University of Arizona where she made a series of shorts. She gained her MFA at the American Film Institute, where she became friends with fellow directing students Jacobs, Naranjo and Dukic. Riedel’s graduation film, One Night It Happened (2002), a black-and-white romance about […]
Will you see a huge billboard of Robert Downey Jr. in blackface. The promotion is for the upcoming summer release Tropic Thunder, which also stars Jack Black and Ben Stiller (who co-wrote-directed) as a group of actors making the most expensive Vietnam War film and finding themselves in real combat. Downey Jr. plays super serious actor Kirk Lazarus who’s been cast in the role of a black solider. Not enough? Tom Cruise has a cameo as a bald, foul-mouthed studio head. Image courtesey of Variety’s The Circuit.
The New Yorker this week reports on a Hollywood job opening in this generally deteriorating entertainment economy. The “Talk of the Town” piece by Lizzie Widdicombe quotes an “unofficial” email about what is apparently a real position: cultural attache to Oscar-winning producer Brian Grazer. Here’s the email: This person would be responsible for keeping Brian abreast of everything that’s going on in the world; politically, culturally, musically. . . . They’re also responsible for finding an interesting person for Brian to meet with every week . . . an astronaut, a journalist, a philosopher, a buddhist monk. . . . […]
With the demise of New Line — one of the two partners behind the creation of Picturehouse (HBO is the other) — speculation has arisen over what’s going to happen to the specialty shingle now that it, like New Line, has been absorbed into Warner Brothers. Warner, you remember, has Warner Independent already on its lot. Anne Thompson penned a piece in Variety stating that WIP head Polly Cohen and Picturehouse head Bob Berney “are likely to accept a bicoastal co-head arrangement.” Stu Van Airsdale at Defamer ran his own story, saying that there are rumors that Berney will be […]
WILL POULTER AND BILL MILNER IN DIRECTOR GARTH JENNINGS’ SON OF RAMBOW. COURTESY PARAMOUNT VANTAGE. When you meet Garth Jennings, it is immediately apparent where much of the energy, enthusiasm and imagination in his films comes from. The effervescent Jennings, born in Essex, England in 1972, attended the Central St. Martin’s College of Art & Design in London where he met Nick Goldsmith with whom he formed the creative partnership Hammer & Tongs. Though the pair have always collaborated closely on everything, over time Goldsmith has taken on production duties while Jennings now directs. The pair are most famous for […]
Here are a few noteworthy links from the last few days. First, a must-read (or must-listen) is an interview with Matt Zoller Seitz on his blog, The House Next Door. (The hour-long talk is available as a transcript or as a download.) In the piece, Seitz discusses his decision to abandon print criticism and concentrate on both moviemaking and things other than movies. Here’s how he opens: Well, the short of it is: I’m out of print criticism. I’ve been thinking about it for a while and for a variety of reasons. One of them is that I’ve been doing […]