In the first major deal at Toronto, the Weinstein Company has picked up Tom Ford‘s A Single Man in a seven-figure deal for U.S. and German rights, according to Variety. An adaptation of the Christopher Isherwood novel, the fim’s star Colin Firth recently received the Best Actor award at the Venice Film Festival. Follow our coverage of the Toronto International Film Festival here.
“What’s the state of the market here?” I asked a sales rep last night. “Well, the first deal announced during Toronto is for a film that already sold at Sundance.” He was referring to Antoine Fuqua’s Brooklyn’s Finest, which sold at Sundance, sat in a distribution limbo while a new cut was readied (and while Senator tried to come up with funds for its release) and now, following Senator’s collapse, has moved over to Overture. Anne Thompson has the details at Indiewire, and the story of unpaid labs, films sitting on the shelf, and general financial malaise at Senator is, […]
Plastic bags cost $.05 here in Toronto this year, a determinedly “pro-agri” city if ever there was one. In the second Wavelengths program, five directors explored themes of, in, and around the natural world. A sputtering soundtrack accompanied a tiny, spunky film, Lumphini by Thai director Tomonari Nishikawa, a speedy, black-and-white collection of still photographs documenting trees, plants, and leaves from a 140-acre Bangkok park in on gorgeous 35mm. In Cordão Verde (Green Belt, pictured above), Hiroatsu Suzuki and Rossana Torres document the pastoral Portugal countryside, while in Tamalpais, Canadian filmmaker Chris Kennedy uses a draughtsman’s landscape grid to break […]
In this excerpt of our interview with Lee Daniels on his award-winning film Precious, which will be in the upcoming Fall issue, Jason Guerrasio talks to the director-producer about his connection with the book the film is based on, molding first-time actor Gabby Sadibe into Precious and his conflicts with the crew while making the film. Precious screens at the Toronto International Film Festival this evening and will be in theaters in November. Filmmaker: Did reading Push bring back any memories of what you went through growing up in Philly? Lee Daniels: I had not experienced the things that Precious […]
“I don’t know whether I liked the film because it’s a good film, or because I think I’m that guy,” a colleague said to me the other night here in Toronto about Jason Reitman’s Up in the Air and its lead character, George Clooney’s smooth-talking, frequent flying, no-attachments corporate road warrior. (In actuality, my colleague is nearly 20 years shy of being able to call himself “that guy.”) Or, he continued, “Maybe it’s just that the film is such a perfect fit for a film festival,” a thought that had occurred to me too. As film festival attendees, we fly […]
The first 2009 Wavelengths Program (or Programme, as the Canadians say) was held at the Art Gallery of Ontario (AGO). It’s a sophisticated building, one that spent years shrouded in mystery and scaffolding, and has only just revealed its new Gehry glory. Organized this year by talented film programmer Andréa Picard, Wavelengths is an annual extensive program of avant-garde cinema that is screened in six parts during the course of the Toronto International Film Festival. The Festival’s first installment, titled Titans, was an artful collection of films that that varied widely in technique, from an architectural piece by Heinz Emigholz […]
Even big time festivals goof up sometimes, Steven Soderbergh has finished his documentary on Spalding Gray and buzz builds for Tom Ford’s A Single Man.
Over at our Toronto page, check out interviews with Bright Star‘s Jane Campion and Jennifer’s Body‘s Karyn Kusama. Both films are currently screening at the festival and will be out in theaters next week.
Chaste is not a word often associated with the films of Jane Campion. From the boudoirs of The Portrait of a Lady to the rough frontier bedrooms of The Piano (1993), Campion is known for her steamy, sultry visions of intimacy. But in her latest film, Bright Star, the only female filmmaker to win the Palme d’Or puts the gloves on, telling the tale of British poet John Keats and his love, Fanny Brawne, with modesty and restraint. Keats died at the age of 25, before he could find the critical and financial success to wed his beloved. Yet Brawne, […]
indieWIRE has compiled a list of 145 titles that will be for sale at Toronto. Some of them with big name talent attached — Don Roos’ Love and Other Impossible Pursuits, with Natalie Portman, Atom Egoyan’s Liam Neeson-Julianne Moore thriller Chloe and Todd Solondz’s Life During Wartime. TIFF ’09 has the makings of a buying bonanza. We’ll be on the scene if anything goes down. Head over to our dedicated page throughout the fest.