Over the transom comes this press release from Killer Films and Moxie Pictures, who have combined forces to create KillerMoxie Management. With offices in L.A., New York and London, the company will rep filmmakers, actors and recording artists across various media and branded entertainment ventures. (Interestingly, and appropriately, the announcement makes clear that a broad range of media formats, not just feature films or conventional advertising, will be the focus of the company.) The venture will be headed by Brian Young, who leaves Untitled Entertainment to join KillerMoxie. Here’s the press release: New York-based indie film powerhouse Killer Films (Christine […]
Via Slash Film is this very cool machinima feature by Mathieu Wechsler that’s entirely comprised of shards from Rock Star Games’ Grand Theft Auto 4. Rock Star has given the film a page on their site, summarizing: The “trashmaster” divides his time between collecting garbage and cleaning up other forms of trash fouling up New York City’s streets: dealers, small-time criminals… When the dancers in his favourite strip club are mysteriously killed, the trashmaster finds himself hot on the trail of a particularly twisted serial killer. Apparently Wechsler spent two years on the project. I have it playing in the […]
In person, Abel Ferrara is a whirlwind of gestures and jokes, of quick smiles and vulgar asides, digressions piled upon digressions, even if he’s much sharper and in control of his staccato New Yorkese vernacular than he lets on. Ferrara, who will turn 60 this year, has had one of American indie cinema’s strangest and most fascinating careers, one which has taken the Bronx native from the old 42nd Street’s row of exploitation and porn cinemas to the Croissette in Cannes. Often we talk of middle-aged artists mellowing, but Ferrara maintains a manic, youthful energy that is both infectious and […]
This week we hear from the Micro-Budget Filmmaker Blake Eckard. After I had put my first feature up on the web for free downloading, Blake contacted me and we began a three-year conversation on the highs and lows of micro-budget filmmaking. I think Blake’s take on the subject is one of importance and it needs to be shared. “Orson Welles, by his own admission, didn’t believe in artists so much as “works.” He also hated (or liked people to believe he hated) talking about himself and his films. Although it may be fashionable to say it, I don’t think there’s […]
Things didn’t bode well from the beginning. The crowd in the theater was restive. People shifted uncomfortably in their seats even before the movie began. I was alone, and sat in the back, the projector whirring somewhere above and behind me. But that was only the beginning. As it turns out, I had been editing Alla Gadassik’s remarkable video-essay for the Requiem // 102 project, and had learned of an obscure Italian Jennifer Connelly film from 1988, Etoile (directed by Peter Del Monte), which also happens to be a nightmarish film about Swan Lake that also features a monstrous black […]
Those in London the first week of February can witness the Toneelgroep Amsterdam theater company’s stage adaptation of three films by Michelangelo Antonioni. From the Barbican Theater’s website: Love affairs, isolation, heartache. Internationally renowned theatre director Ivo van Hove leads his powerful ensemble in an exploration of award-winning, Italian film director Michelangelo Antonioni’s groundbreaking 1960s film trilogy (L’Avventura, La Notte, L’Eclisse), in this epic adaptation for the stage. Simultaneously performed, filmed and projected onto a giant screen, the show reinvents Antonioni’s portraits of bourgeois relationships in public and private settings. Multiple perspectives provide an intimate and visceral insight into the […]
Here are some articles of interest I’ve sent to my Instapaper this week. At Script Shadow, Carson Reeves lists the 10 ways he knows he’s reading an amateur script. All of these are quotable, but here’s one: BORING ON-THE-NOSE DIALOGUE – This is probably the biggest clue that you’re dealing with an amateur. The dialogue is really straightforward and boring. Characters say exactly what they mean: “You make me so angry!’ Characters get way more specific than people in real life would: “I’m going to head over to get a cheeseburger at Portillo’s and then call my mom.” (instead of […]
It’s 12:01 as I type this, and Lucas McNelly’s Kickstarter project “A Year Without Rent” has just closed out its successful campaign, raising $12,178 from 243 backers — $178 over the project’s goal. What’s absolutely remarkable about the project’s success is that the great majority of its money — over 75% — was raised in the final days and hours of the campaign. Now, come-from-behind Kickstarter successes are not that uncommon as many filmmakers line up backers ready to cinch their campaigns with large, last-minute donations. But I don’t think that’s what McNelly pulled off. In fact, looking at the […]
Filmmaker and artist Cauleen Smith, one of our “25 New Faces of 1998,” is premiering a new video installation at New York’s The Kitchen this week. Remote Viewing will be on view January 7 – March 5, 2011. Admission is free. There will be an opening reception for the exhibition at The Kitchen on Friday, January 7 from 6:00-8:00pm, and a special screening curated by the artist on Monday, February 28 at 7:00pm. From the catalog: California-based filmmaker, screenwriter, and video installation artist, Cauleen Smith is best known for Afro-futurist cinematic works that weave intimate narratives of love, yearning, and […]
The fashion and culture site Nowness has been generating some cool design-oriented videos lately, including this one — “Everglade,” the first of a four-parter based around surveillance camera footage of Kate Moss shot during a recent photo shoot. From a single side angle, Moss is captured while modeling the 2011 Balmain campaign by filmmakers Inex Van Lamsweerde and Vinoodh Matadin. They brought in artist and animator Jo Ratcliffe to work with the footage and set it all to music by Antony and the Johnsons. Said Van Lamsweerde, “Surrealism is always there in our work, whether it’s in camera or through […]