Here’s our final Sundance Creative Producing Lab blog from producer Mynette Louie, who collects her thoughts after a night’s sleep back in New York. I flew home from the Sundance Resort late last night and just woke up after a 10-hour slumber. The weeklong experience of the Creative Producing Lab and Summit was intense, to say the least! Each day of the four-day Lab and 2.5-day Summit started at 8am and ended at 11pm, and we barely had any breaks. The range of what we covered with our producing advisers — Lynette Howell, Paul Mezey, Mary Jane Skalski, Jay Van […]
When a film is labeled controversial on its release, often times with the passage of time things that made it risqué become tamer, leaving the story less effective. Abel Ferrara’s Bad Lieutenant is not one of those films. 17 years after being released, Ferrara’s disturbing look at a dirty cop (played by Harvey Keitel in one of his most powerful performances) running rampant on the streets of New York City is still as gritty, horrifying and powerful as when it premiered at the Toronto International Film Festival in 1992. Receiving a much needed special edition, out this week through Lions […]
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Ross Kauffman. Filmmaker: How did you support yourself during the production of your last movie/movies? Kauffman: About 14 years ago, I took long term leases on a raw space, built apartments, and rented them. I supported myself by being a landlord. Filmmaker: What was good/not good about this […]
TV ad for a Film Four mumblecore movie week. Hat tip: Karina Longworth.
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. Over the next few days on the blog we’ll run the unedited responses we received that were then condensed for the piece. First up: Joe Swanberg. Filmmaker: How did you support yourself during the production of your last movie/movies? Swanberg: Now I’m able to support myself as a filmmaker, but during the making of my first two features I worked as a web designer, and I worked […]
As some of you noticed and commented upon back in the early Summer, our previous message boards fell apart due to rampant spam. We decided to completely raze the boards and start from scratch, and our new boards have just gone up in what we are considering a soft-launch while we work out any unexpected bugs or kinks. If you click over there you’ll see expanded and more specific categories covering the wide range of filmmaking as well as members of our editorial staff answering questions and taking part in the conversation. So, if you are a message-board kind of […]
Proving that sometimes you just have to a) show up and b) ask, writer/director Oren Moverman sent the below email detailing how it came to be that Oscilloscope picked up distribution rights to his Sundance-premiering film, The Messenger. Six months after the film screened in Park City, a distribution deal emerged when Moverman happened to attend an IFP reception held at Deluxe Laboratories in New York to welcome Adam Yauch to its Board of Directors. Around 7.45 that night I met Adam and David Fenkel of Oscilloscope for the first time. I had wine. They told me they liked The […]
PETER CAPALDI AND JAMES GANDOLFINI IN DIRECTOR ARMANDO IANNUCCI’S IN THE LOOP. COURTESY IFC FILMS. Scottish writer-director Armando Iannucci has made a slow and steady progression toward becoming a film director. The Glasgow-born Italian Scot originally was planning to become a priest (like Martin Scorsese) but the lure of the entertainment world won out over the less glamorous prospect of a life of piety and celibacy. Iannucci attended the University of Glasgow then studied English at Oxford University, where he discovered his passion for comedy. He next got a job as a radio producer on comedy shows for the BBC, […]
The production community is stunned by the sudden passing this weekend of well respected Montana Artists senior feature and television agent Jon Furie. A memorial service will be held Thursday, July 23, at 3:00pm at the Large Chapel at the Hillside Memorial Park and Mortuary in Los Angeles. In lieu of flowers or gifts, his family is asking that donations be made to Good Beginnings at Cedars-Sinai Medical Center.
The 8th Berlinale Talent Campus will take place Feb. 13-18, 2010 under the theme “Cinema Needs Talent: Looking for the Right People.” Application deadline is Oct. 7. Producers, directors, actors, cinematographers, screenwriters, editors, production designers, film composers, sound designers, film journalists and visual artists from all over the world are invited to apple at, www.berlinale-talentcampus.de. Here’s more from the release: For many filmmakers, teaming up with the right people to inspire and support them and to create a collective vision is the essential element of successful filmmaking. The upcoming Berlinale Talent Campus will tap into these thoughts and ask how […]