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  • “Each Episode is Like Its Own Movie”: DP Benji Bakshi on Star Trek: Strange New Worlds
    L-R Rong Fu as Mitchell, Melissa Navia as Ortegas and Anson Mount as Capt. Pike appearing in Star Trek: Strange New Worlds streaming on Paramount+, 2023. Photo Credit: Michael Gibson/Paramount+

    In December of 1964, principal photography finished on the pilot of Star Trek, featuring captain Christopher Pike (played by The Searchers’ Jeffrey Hunter) as the commander of the Enterprise. When the show’s first episode finally aired almost two years later, Pike was nowhere to be found. The initial pilot had been scrapped and re-shot, with William Shatner’s James T. Kirk taking the helm and a different crew boldly going where no man had gone before. However, that wasn’t the end of Christopher Pike. The character returned as a Kirk mentor in the J.J. Abrams-directed reboot films. Now, with the Paramount […]


    by Matt Mulcahey on Aug 31, 2023
  • Fantasia International Film Festival 2023: State of the Genre Nation
    Isabel Alamin in Zach Clark's The Becomes

    The conclusion of Fantasia International Film Festival’s 27th edition brings the temptation to paint a “big picture overview” of the state of the film industry in general, in particular the genre community. The Montréal-based three-week event has never been about blinding star power (while Nicolas Cage was scheduled to be onhand to receive this year’s Cheval Noir Career Achievement Award, the actor had to cancel due to the ongoing SAG-AFTRA strikes), instead putting directors and audiences front and center. Like last year, a highly anticipated A24 horror release made an appearance just days before opening theatrically (last year Halina Reijn’s […]


    by Erik Luers on Aug 31, 2023
  • Trailer Watch: Wim Wenders’s Anselm
    Anselm

    Check out the trailer for Wim Wenders’s Cannes-premiering 3D documentary Anselm, which follows German painter and sculptor Anselm Kiefer. His fourth feature shot in the format (with a fifth already in the works), Anselm will have its North American premiere at Telluride tomorrow. An official synopsis reads: In Anselm, Wim Wenders creates a portrait of Anselm Kiefer, one of the most innovative and important painters and sculptors of our time. Shot in 3D and 6K-resolution, the film presents a cinematic experience of the artist’s work which explores human existence and the cyclical nature of history, inspired by literature, poetry, philosophy, […]


    by Natalia Keogan on Aug 30, 2023
  • Trailer Watch: Michael Mann’s Ferrari
    A man in a stylish gray suit walks down the street. He has cropped gray hair and wears black sunglasses.

    A teaser has landed for Michael Mann’s Ferrari ahead of its Venice world premiere tomorrow. Mann’s long-awaited return will then screen at the New York Film Festival before it hits theaters just in time for the holidays. Based on Brock Yates’s book Enzo Ferrari: The Man, The Cars, The Races, The Machine, the film stars Adam Driver as the eponymous race car driver and entrepreneur, Penélope Cruz as his wife Laura and Shailene Woodley as his mistress Lina Lardi. Sarah Gadon, Gabriel Leone, Jack O’Connell and Patrick Dempsey also star. Per an official synopsis: It is the summer of 1957. […]


    by Filmmaker Staff on Aug 30, 2023
  • Trailer Watch: David Fincher’s The Killer
    A shadowy man in a hat and trench coat peers through a telescope at the street below.

    The first trailer has arrived for David Fincher’s The Killer ahead of its imminent Venice Film Festival premiere. Based on Alexis Nolent’s graphic novel series, the film stars Michael Fassbender as a professional assassin embarking on an international manhunt and also features Tilda Swinton, Charles Parnell, Arliss Howard, Kerry O’Malley, Sophie Charlotte, Sala Baker, Emiliano Pernía and Gabriel Polanco. Fincher’s follow-up to Mank has the director reuniting with Se7en screenwriter Andrew Kevin Walker. Ahead of the film’s Venice debut, read Fincher’s director’s statement from the Biennale website: The Killer is my attempt to reconcile notions I’ve had for years about cinematic […]


    by Filmmaker Staff on Aug 29, 2023
  • “If We’re All Gonna Die…Then Why Wouldn’t You Take a Risk as an Artist?” Onur Tukel (Back To One, Episode 265)

    Onur Tukel is a boldly independent writer-director-actor who, for more than a decade, has been making cutting edge comedies in New York City that sometimes land in the horror category, sometimes social satire, are often absurd, mostly hilarious and always thoughtful—Catfight, Applesauce, Summer of Blood, The Misogynists, Scenes From An Empty Church, to name just a few. His latest, Poundcake, about a serial killer who only targets straight white men, is maybe his boldest yet, which says a lot. In this hour, he talks about his reluctant approach toward acting in his own films, the ways he has navigated low […]


    by Peter Rinaldi on Aug 29, 2023
  • Heart of Darkness (and Light): The 29th Sarajevo Film Festival
    A small film crew records a man in an underpass filled with graffiti.

    Taking place from August 11-18, this year’s 29th edition of the Sarajevo Film Festival, the largest film fest in (and focused on) Southeast Europe, unsurprisingly presented a wealth of cinematic gems to choose from. (And in a variety of venues, from the storied National Theater, built during the Austro-Hungarian takeover, to the evening-only Open Air Cinemas.) That is, when one wasn’t scrambling to catch the numerous talks and masterclasses—taught by this year’s Honorary Heart of Sarajevo recipients/hot tickets Mark Cousins, Lynne Ramsay and Charlie Kaufman—or attending the equally busy CineLink Industry Days (which, like the festival itself, is smartly geared […]


    by Lauren Wissot on Aug 29, 2023
  • How to Explode a Car: John Wilson on How To with John Wilson‘s Final Season

    “How To Watch Birds,” episode five of How To with John Wilson’s final season, presents a familiar trajectory: eponymous documentarian follows through with stated premise before being diverted into a completely different context. Not more than seven minutes into Wilson’s episode about birding he’s interviewing UFO expert Travis Walton, whose alleged abduction story inspired Fire in the Sky (1993), and not long after that he voluntarily agrees to a lie detector test. “Have you ever lied to someone on your show?” asks the administrator. “No,” Wilson replies, following a pregnant pause. When informed he is lying, Wilson quietly mutters, “Fuck.” […]


    by Vikram Murthi on Aug 25, 2023
  • “The Pitch Is a Performance”: Emily Mackenzie and Noah Collier on Carpet Cowboys
    A man wearing a suit with a retro '90s carpet design tilts his head down as he sits in a tropical-themed motel room. His 10-gallon cowboy hat covers his face as he gazes downward.

    A ten-gallon hat floating in the ocean and psychedelically patterned polypropylene western wear wandering empty hotel halls might not seem like images from a documentary about the changing nature of American commerce, but those costumes define the dreams at the heart of Emily Mackenzie and Noah Collier’s Carpet Cowboys. After becoming obsessed with the seemingly drug-induced carpet designs lining every banal conference room and casino floor in the United States, Mackenzie and Collier stumbled upon Dalton, GA, known then as the “Carpet Capital of the World.” The pair went in, Mackenzie holding the boom and Collier the camera, with little […]


    by Alex Lei on Aug 25, 2023
  • Punching Down: Emma Seligman on Bottoms
    Ayo Edebiri and Rachel Sennott in Bottoms (Photo by Patti Perret)

    The following interview was published in Filmmaker‘s Summer 2023 issue and is being reposted today as Bottoms arrives in theaters via Metro-Goldwyn-Mayer. Bottoms, the sophomore feature from Shiva Baby writer-director Emma Seligman, takes the concept of blood and guts in high school to a queer, campy pinnacle. Co-written by Seligman and Rachel Sennott—who starred in Shiva Baby and returns to act in Bottoms alongside frequent comic collaborator Ayo Edebiri—the project embraces a streak of absurdist satire that’s been present in Sennott’s sensibility since launching her highly popular, if now infrequent, Twitter presence. Coupled with Seligman’s directorial desire to “always do […]


    by Natalia Keogan on Aug 25, 2023
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Videos

  • A boy and his phone. "A Lot of Movies Right Now are Just Shrugs": Frederic Da on iPhone-Shot Found Footage film Isaiah’s Phone Video
  • Maya Hawke records voiceover as her own portrayal of a video store clerk looks on. “Everybody Involved in This Was a Total Loser”: Alex Ross Perry on His Exhaustive Essay Doc Videoheaven Video
  • A man in a sweatshirt on a mountain. Sundance Institute Directors Lab 2025: Chheangkea Video

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