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Cannes 2023: About Dry Grasses, The Sweet East
Cannes official competition has grandfathered-in filmmakers—Pedro Almodóvar, the Dardennes, Arnaud Desplechin—who will keep being included no matter what, and Nuri Bilge Ceylan, whose every feature since 2002’s Distant has premiered here, is definitely among them. After receiving the Grand Prix for 2011’s Once Upon a Time in Anatolia, Ceylan introduced his “three-plus-hours only” mode with 2014’s Winter Sleep and 2018’s The Wild Pear Tree, and reception was what you might call “respectfully muted.” Outside the festival, his reputation seems to have fallen off: it’s a long way from the 2007 Coen brothers short World Cinema, in which a cowboy played by Josh Brolin goes to see […]
by Vadim Rizov on May 21, 2023 -
Cannes 2023: The Goldman Case, The Delinquents
On trial in 1975 for three robberies, plus a fourth in which he’s accused of also killing two people, Pierre Goldman (Arieh Worthalter) makes his opening statement, explaining that he’s declining to call any character witnesses because he wants to be judged on the facts rather than emotional appeals. “I will stand before you in my sole innocence,” he declares, “without the pomp or theatricality” that normally accrue themselves to trials, “which disgust me.” This is very funny given that what follows is a true-story courtroom drama of nonstop rhetorical flourishes and screaming matches between opposing counsels, witnesses, the jury […]
by Vadim Rizov on May 19, 2023 -
Cannes 2023: Jeanne du Barry, Monster, Youth (Spring)
Maïwenn’s Jeanne du Barry, the opening film of this year’s Official Selection, is at least the eighth feature-length biopic to center around Louis XV’s final maîtresse-en-titre, and the first significant film to feature her as a prominent character since Sofia Coppola’s famously booed 2006 Palme d’Or contender, Marie Antoinette (portrayed therein by Asia Argento). As with most Cannes openers, Maïwenn’s film is most notable for its cast: Johnny Depp, stunt-cast as Louis XV; Melvil Poupaud as the Count du Barry; and Maïwenn herself as the titular titillator. The film screened amidst ongoing national protests over pension reform, which almost certainly […]
by Blake Williams on May 19, 2023 -
WYPR Announces Baltimore’s New/Next Film Festival
Eric Allen Hatch, who contributed the “Why I am Hopeful” piece to our site in 2018 among other pieces, is announcing today the New/Next Film Festival, to take place in Baltimore from August 18-20. New/Next was organized in response to the news that the Maryland Film Festival, founded in 1999 and where Hatch previously worked as Director of Programming between 2010 and 2018, would not be having a 2023 edition. To take place at the Charles Theater, New/Next will spotlight emerging works from international filmmakers with a concerted emphasis on presenting new and repertory titles from the Baltimore film community. […]
by Filmmaker Staff on May 19, 2023 -
“A Shifting Metaphor for a Lost Dream of Society”: Srđan Keča on The Museum of the Revolution
Investigating the death of a utopian vision coalesces with a survey of a “developing” dystopian hellscape in Museum of the Revolution, the sprawling, meditative effort from filmmaker, researcher and educator Srđan Keča. Through a series of charming vignettes that are nonetheless thick with human despair (and radical joy in the face of it), Keča’s documentary examines the crumbling remains of the titular edifice in the otherwise rapidly evolving city of Belgrade, Serbia. Construction of the building originally commenced in 1961, and the never-formally-erected Museum of the Revolution was conceived as a grand tribute to then-socialist Yugoslavia. Yet the project was […]
by Natalia Keogan on May 19, 2023 -
Trailer Watch: Martin Scorsese’s Killers of the Flower Moon
Martin Scorsese’s first film to world premiere at Cannes since After Hours in 1986, the trailer finally arrives for Killers of the Flower Moon shortly before it screens at the festival. Adapted from David Grann’s book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, the film’s script was co-penned by Scorsese and Eric Roth. The western boasts a 206-minute runtime and stars Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Scott Shepherd and John Lithgow. The plot revolves around a series of murders in 1920s Oklahoma of the oil-rich Osage Nation and the […]
by Filmmaker Staff on May 18, 2023 -
“I Sort of Became the Festival Therapist”: Writer-Director Jamie Sisley on Addiction Drama Stay Awake
The delicate coming-of-age process is curbed by one family’s struggle with a so-called “crisis” in Stay Awake, writer-director Jamie Sisley’s feature debut. Of course, the crisis at hand is the opioid epidemic, and the afflicted party is a tight-knit family living in a small Virginia town. Michelle (Chrissy Metz, best known for her role on NBC’s This Is Us) is a single mother who undeniably loves her two sons Ethan (Wyatt Oleff) and Derek (Fin Argus). But unfaltering devotion on its own cannot keep Michelle sober, particularly when her doctor keeps refilling her highly-addictive prescription. Most nights, the brothers find themselves desperately […]
by Natalia Keogan on May 18, 2023 -
Cannes 2023: Occupied City
Cannes Film Festival director Thierry Frémaux is not good at playing defense. When asked at Monday’s pre-opening day press conference about an open letter published by (retired) actress Adèle Haenel accusing the festival of protecting “its rapist chiefs,” among them Roman Polanski and Gérard Depardieu, Frémaux responded that “if you thought that it’s a festival for rapists, you wouldn’t be here listening to me, you would not be complaining that you can’t get tickets to get into screenings.” “Festival for rapists” is a clunkily phrased self-own for Frémaux and his subsequent leap to ticketing problems is equally ungainly—but the access problems […]
by Vadim Rizov on May 17, 2023 -
13 Films to Anticipate at the 2023 Cannes Film Festival
With the Cannes Film Festival underway and Vadim Rizov and Blake Williams readying their first dispatches, here, from our team, are 13 films that we think should be on your radar here on the Croisette. Asteroid City. Following Moonrise Kingdom and The French Dispatch, Wes Anderson’s newest film is his third to premiere at Cannes. Asteroid City boasts a typically sprawling ensemble cast of both returning regulars (Jason Schwartzman, Adrien Brody, Willem Dafoe) and high-profile new additions (including Tom Hanks and Scarlett Johansson). While the thematic elements are familiar—dead and disappointing parents, extremely ambitious playwrights and a dedicated elementary school […]
by Scott Macaulay on May 17, 2023 -
The Academy Releases “The Art of Documentary” Podcast Hosted by Crip Camp Co-Director Jim LeBrecht
The Academy of Motion Picture Arts and Sciences has ventured into the realm of audio storytelling with “The Art of Documentary,” a six-episode podcast hosted by Jim LeBrecht, who co-directed and co-produced Crip Camp with Nicole Newnham. Each episode will feature LeBrecht engaging in a discussion with a different documentarian about their individual experiences while crafting their films. “I was approached by Randy Haberkamp and Dina Michelle at the Academy if I’d be interested in hosting and developing this podcast,” LeBrecht told Filmmaker. “To be honest, I was honored. I’ve been an Academy member for a few years but my […]
by Natalia Keogan on May 17, 2023
