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What It Means to Shoot New Orleans: Location Scout Elston Howard on Causeway
The title of the new film Causeway refers to the 24-mile strip of road that cuts over Lake Pontchartrain to connect the New Orleans suburbs of Mandeville and Metairie, a thoroughfare holding the honor of the world’s longest bridge over water. It’s the site of a formative trauma for James (Brian Tyree Henry), one of two rudderless souls drifting through Lila Neugebauer’s low-key drama; convalescing Afghanistan vet Lynsey (Jennifer Lawrence) is the other. They tentatively come together for the sort of downbeat healing not uncommon in the American indie, the process’s credibility bolstered by a lucid, precise awareness of the […]
by Charles Bramesco on Nov 16, 2022 -
Trailer Watch: Magic Mike’s Last Dance
Longtime AD Gregory Jacobs took over the director’s chair for Magic Mike XXL, but Steven Soderbergh is back to hammer home Magic Mike’s Last Dance, the third (and final, all involved swear) part of the Magic Mike series. The film is out February 10, 2023—”just in time for Valentine’s Day,” the advertising copy notes.
by Filmmaker Staff on Nov 15, 2022 -
“Stories That Need to Be Told”: Elwira Niewiera and Piotr Rosołowski on Ukrainian Documentary The Hamlet Syndrome
One of the more unusual projects to play this year’s DOC NYC (also concurrently screening at IDFA in the Best of Fests section), Elwira Niewiera and Piotr Rosołowski’s The Hamlet Syndrome follows five young men and women as they develop an experimental stage piece based on Shakespeare’s tragedy—as well as their own. The quintet questioning “to be or not to be” are all Ukrainians who have been engaged, to varying degrees, in the war Russia launched back in 2014. (This theater-as-therapy session even predated Putin’s full-scale invasion by several months.) Soldiers Slavik and Katya, along with paramedic Roman, all saw […]
by Lauren Wissot on Nov 15, 2022 -
“Each Second Meant the Difference Between Life or Death”: Rory Kennedy on The Volcano: Rescue from Whakaari
Forget social and political issues—in documentaries, 2022 is shaping up to be the year of the volcano. There was Sara Dosa’s exquisite Fire of Love (which I fell in love with back at CPH:DOX in March, also screening at DOC NYC), in which a pair of lovestruck vulcanologists are quite literally consumed by their passion. Now we have not one, but two volcano-centric films debuting at this year’s DOC NYC. While I’ve not seen Herzog’s (pre-festival premiering) The Fire Within: A Requiem for Katia and Maurice Krafft, its title naming Dosa’s aforementioned protagonists, I’m guessing it’s likely the polar opposite of […]
by Lauren Wissot on Nov 15, 2022 -
Back to One, Episode 22: Grace Van Patten
You may know Grace Van Patten from Nine Perfect Strangers, Under The Silver Lake, or Tramps. I first took note of her in The Meyerowitz Stories, where her youth belied a seemingly effortless command of her character among the likes of Adam Sandler, Ben Stiller, and Dustin Hoffman. In her latest, the hit Hulu series Tell Me Lies, she stars as Lucy Albright, and now she commands the screen with the same effortlessness, mixed with a complexity and nuance that is compelling viewers who are begging for a second season. On this episode, she breaks down one important scene from […]
by Peter Rinaldi on Nov 15, 2022 -
“The Film Is Full of Ghosts”: Diana Bustamante on Her DOC NYC-debuting Our Movie (Nuestra película)
Diana Bustamante’s Our Movie (Nuestra película) feels like both a departure and a homecoming for the Latin American producer credited on numerous Cannes winners, most recently Apichatpong Weerasethakul’s Jury Prize-awarded (and Tilda Swinton-starring) Memoria. Comprised entirely of news footage from the Medellín-born Bustamante’s childhood—who grew up in the ’80s and ’90s when kidnappings, political assassinations and blood-soaked streets were as common as choir practice—the “essay documentary” is, as the producer/director puts it, “a collage of images, repetitions and memories, built through the intervention of the Colombian news archive.” And what a visceral collage it is—from closeups of bullet holes to a […]
by Lauren Wissot on Nov 14, 2022 -
“Either It Blows Up or It Doesn’t”: DP Eliot Rockett on Pearl
Despite their dissimilar filmographies, I have great affection for both the arthouse friendly A24 and the drive-in exploitation of American International Pictures. That’s why I’m such a sucker for the story behind the making of A24’s Pearl, which follows AIP’s old philosophy that if you’re going to go to the trouble of hauling a cast and crew out to a remote location, you might as well make two pictures while you’re there. Pearl began life in a New Zealand hotel room in October of 2020. While in a government-mandated two-week quarantine ahead of making the 1970s-set horror film X, writer/director […]
by Matt Mulcahey on Nov 11, 2022 -
Fire of Love and The Territory Lead the 16th Annual Cinema Eye Honors Nominations
Cinema Eye Honors, a leading awards body that celebrates nonfiction filmmaking, announced today its full list of nominees for 2022. Sara Dosa’s Fire of Love (Filmmaker’s summer issue cover) and Alex Pritz’s The Territory both lead with seven nominations each across several categories, including editing, cinematography, sound design, direction and Outstanding Nonfiction Feature. Other films with multiple nominations are Laura Poitras’s All the Beauty and the Bloodshed (our recent fall issue cover), Shaunak Sen’s All That Breathes and Brett Morgen’s Moonage Daydream, among others. Women are particularly well-represented among this year’s nominees, including five out of six filmmakers highlighted in […]
by Filmmaker Staff on Nov 10, 2022 -
“The Natural World Is a Savage Place”: Frederick Wiseman on A Couple
Frustrated by her marriage, Sophia Tolstoy addresses her husband Leo in a series of letters that veer from bitter to defiant to pleading. Delivered by the French performer Nathalie Boutefeu, the letters and diary entries detail years of resentment and misunderstandings. A Couple marks a rare turn to narrative filmmaking by Frederick Wiseman, one of the world’s great documentarians. Shot over 17 days by Wiseman’s longtime collaborator John Davey—largely on Belle Ile, an island off the coast of Brittany—the film sets Sophia’s turmoil against the plants and animals that form a seaside garden. Wiseman spoke with Filmmaker before a screening […]
by Daniel Eagan on Nov 10, 2022 -
Apartment Stories: Aaron Moorhead and Justin Benson on Something in the Dirt
While the line “I want to believe” is most associated with The X-Files, today’s onslaught of conspiracy theorists and ravenous fact-deniers change that mantra to the more desperate “I need to believe.” After all, who needs objectivity or visual proof to confirm a preconceived notion that we wish to be true when some dude on Reddit can easily prove it for you? With a flare for endless questioning, tinfoil hat conspiracies and alternative views of history, Justin Benson and Aaron Moorhead’s two-hander, the 2022 Sundance Film Festival NEXT selection Something in the Dirt, burrows in and digs deep. Here the […]
by Erik Luers on Nov 9, 2022
