If you go to the website of Zac Stuart-Pontier (zac-edits.com), your browser heading will display the following: “Zac edits really, really, really well.” This cheeky claim was earned in early 2010 when the three feature documentaries that Zac had been working on since he graduated NYU in 2006 premiered within a month of each other: Jody Lee Lipes and Henry Joost’s NY Export: Opus Jazz, which premiered on PBS and took to the festival circuit with gusto in March, via SXSW; James Rasin’s biographical doc Beautiful Darling, about the Warhol superstar Candy Darling and the loves she left behind, which […]
Early on in Rebecca Richman Cohen’s career in film she worked in the edit suites of Michael Moore’s Fahrenheit 911 as an assistant editor. But when the movie was over, rather than pursue film through further editorial work, she decided to go to law school. “I was ready to sink my teeth into something concrete,” she says. “Going to Harvard Law School was a tough decision because I loved film. But I felt that the law would ground me in social issues and add something substantive if I decided to return to film.” While in law school she worked one […]
After living in London as a child, Sean Durkin spent his final year before moving back to the States in the English countryside. For the then 11 year old, the sprawling, beautiful landscape was a world away from the hectic streets of the city. But when night came, so did dark seclusion and feelings of fear and anxiety — feelings heightened by the scary movies Sean and his mother would spend their evenings watching. “As a child I built this irrational fear of home invasion,” Durkin, 28, recalls. “All of these unsolved mysteries seemed to always happen in Southern California, […]
When we caught up with filmmaker Jason Byrne to include him in this year’s “25,” it was via e-mail from Tanzania. At the same time Byrne’s hypnotic experimental documentary Scrap Vessel winds its way along the festival circuit, he is working as an audio/visual archivist for the United Nations Criminal Tribunal for Rwanda. “Living in East Africa for the last two years has been a deeply rich experience, and this job has been fascinating but psychologically difficult at times, especially when listening to the many graphically explained testimonies from witnesses to the genocide,” he writes. Byrne has worked previously as […]
A number of new talents have come from the University of North Carolina School of the Arts in recent years, and one recurring theme has been the face of Trieste Kelly Dunn. Aaron Katz’s Cold Weather and Brett Haley’s The New Year made significant festival splashes this year, and beach-party styled Vacation!, by Zach Clark, seems positioned to do the same. Despite very different tones and directing styles, Dunn is each film’s center, and she makes perfect sense in every movie. “In college, the professors used to talk about knowing what play you’re in,” says Dunn. “You do Ibsen, French […]
When they met as undergrads at CSU Monterey Bay, Robert Machoian and Rodrigo Ojeda-Beck had different styles but found a third when working together. “A lot of my early work was pushing what people can process with quick cuts and juxtaposition of image,” Ojeda-Beck says. And “I was really exploring duration,” Machoian adds — “what can be done in a single shot and really raw, raw sound, mainly straight off the mic.” Their short films together display a handle on classic arthouse film style. Visuals are the key, along with luscious colorful imagery and solitary characters in simple situations, with […]
Sara Colangelo’s Little Accidents is one of the more arresting shorts on the festival circuit at the moment, both immediate and restrained in its tale of a woman working in a Massachusetts soda drink factory who fears that she’s become pregnant. She recruits her mentally disabled ex-boyfriend to shoplift a pregnancy test for her and bonds again with him as she struggles with what to do. “I was interested in the juxtaposition of two people, one of whom is recently disabled and trying to reintegrate himself into society and who is the stable one, and the other a woman who […]
Possessor of a sneaky sort of charm that hides his utter tenaciousness, Rashaad Ernesto Green, a promising directorial talent from the Bronx, makes movies that get under your skin with what, upon reflection, seems like relative ease. His pictures, a trio of shorts and a forthcoming feature, openly seek to reveal the humanity within the taboos and faux pas of people of color. Green is clearly out to surprise us with his unusual depictions of equally unusual milieus, and he isn’t much for asking permission. “I was in a black box theater in St. Louis, reading The Seven Habits of […]
“This project has been like what musicians call ‘woodshedding,’” says Alex Jablonski about his collaborative venture with Michael Totten, Sparrow Songs. “We are finding our voice, trying out different styles, and learning so much.” Adds Totten, “In the past I’ve let this idea of ‘I don’t have the right money or equipment or subject matter’ prevent me from moving forward. Sparrow Songs has taught me to get rid of the idea of perfection because it doesn’t exist.” What is Sparrow Songs? Simply, it’s a year-long filmmaking project in which director-editor Jablonski and d.p. Totten make and upload one short doc […]
Writer-director Victoria Mahoney began her artistic career as an actress in theater and then film. “Shelly Winters was my teacher,” Mahoney says. “If you touched your hair too many times in her class, she’d come over and cut off your bangs. She taught me the gift of stillness.” After working off-off Broadway, Mahoney went to L.A., did a number of pilots, a few European films, and a season of Seinfeld (she played Gladys Mayo, owner of the clothing store Putumayo). But then there were all those “ridiculous films I did to sustain myself. And that’s when I began to feel […]