Here’s the just released redband trailer for Nicholas Winding Refn’s Drive, which stars Ryan Gosling and picked up the Best Director award at this year’s Cannes’ Film Festival. I flat out loved this smart throwback to the neon lit, stylish and smart genre movies of the ’80s. More Drive (2011) Videos
For this opening day of Myth of the American Sleepover, which I hope you will all go see this weekend, I thought I’d repost this short Flip interview I did with director David Robert Mitchell at Cannes last year. Also, make sure to check out James Ponsoldt’s interview with Mitchell and his producing and creative team.
Our friend and contributor Mike Plante has just launched a podcast series at his Cinemad site. Below listen to conversations with directors Nina Menkes and Aza Jacobs. Here’s how he intros them: Called “Brilliant, one of the most provocative artists in film today” by The Los Angeles Times, Nina Menkes’s radical and pioneering work synthesizes inner dream-worlds with harsh, outer realities. Her seven films are a body of work Sight and Sound has called “Controversial, intense and visually stunning.” We talk about her films, the notion of the avant-garde tag, her teenage witch school, violence in cinema, freaky animals and […]
It’s easy to be judgmental about the characters of David Robert Mitchell’s teen drama, The Myth of the American Sleepover, about the escapades of several adolescents on their last night of summer. You can judge one girl for betraying her friend for their shared object of affection; or one guy for stalking a pair of twins whom he once had a crush on. But to do so would be to sell the film and its characters short. The Myth of the American Sleepover isn’t about actions and events, but moments and gestures. Through the impressionable eyes of a handful of […]
Lauren Wissot’s report on arthouse viewing in Amsterdam inaugurates a new occasional, rotating column, “Foreign Correspondent.” In this space find reports on film cultures around the world, covering everything from production to distribution to exhibition. Bookmark this first edition for your next trip to Amsterdam. — Editor Besides the Dutch no-nonsense approach to everything from healthcare to vice, what I find most impressive about this Venice of the North is that there’s an actual cinema culture here — which is not the case in my hometown NYC, where there are only a handful of repertory screening rooms to serve a […]
Asked when he realized he wanted to become a filmmaker, moments quickly came to Alrick Brown’s mind. The first time was while taking a summer course in college on Hitchcock. Another was when, while substitute teaching at a middle school in his hometown of Plainfield, N.J., he realized the only thing his kids paid attention to were movies and music videos. But the defining moment came in the early 2000s during his time in the Peace Corps when he was brought to the slave castles in Ghana. Setting foot in these atrocious landmarks, Brown realized what his calling was. “I […]
Select stories from our Summer issue are now available, including this year’s 25 New Faces of Independent Film. You can also read online our interviews with Steve James on his new film The Interrupters, Evan Glodell talks about Bellflower and doc filmmaker Paul Devlin looks at the battle between documentary filmmakers and the IRS. Plus, columns Culture Hacker, Industry Beat and more. The issue hits stands next week, but you can read it now on your desktop by subscribing to our digital issue. Learn more here. Enjoy.
Dean Fleischer-Camp and Jenny Slate came up with the idea for their utterly charming and unexpectedly poignant lo-fi animation, Marcel the Shell with Shoes On, while at a friend’s wedding. Slate remembers, “We were in a hotel sleeping six to a room because most of us were really broke, and I was beginning to feel really small. I had been doing this little voice over the weekend, so I started talking like Marcel: [in a squeaky, slightly forlorn voice] ‘I’m just feeling really squished here.’” “We were both feeling unfulfilled in our jobs,” Fleischer-Camp adds. “We were coming from a […]
Welcome to the 14th edition of Filmmaker’s “25 New Faces of Independent Film.
Yance Ford was a sophomore at Hamilton College 19 years ago when her brother was murdered. “My brother’s death picked up my life and put it down somewhere else,” Ford says. “I had an image of myself in my mind as a working artist, and when he died, all of that changed.” By her senior year, Ford, who made images as a photographer, decided she wanted to make a film about her brother’s death. She moved back to her hometown New York, worked as a p.a. and took a Third World Newsreel production workshop. Then in 2002 she became series […]