The South By Southwest Film Conference and Festival announced today the lineups for its Midnighters, SXFantastic and short films sections. Midnighters has always been a popular section at SXSW having highlighted the talents of Eli Roth and Ti West in the past, but its notoriety grew a few years ago when the fest added the SXFantastic sidebar, which are midnight films programmed by the largest genre fest, Fantastic Fest. Last year, the section had the world premiere of Gareth Edwards‘ impressive debut feature Monsters. The complete list of Midnighters, SXFantastic and short films titles are below. SXSW will take place […]
Here’s something I didn’t know: Jean-Luc Godard once did a Schick commerical. Nicholas Rombes writes about it over at the Rumpus in his Art Film Roundup: Schick was owned by ultra-Conservative, capitalist extraordinaire Patrick Frawley. Does this matter, that Godard made a commercial to help sell products for a company whose profits supported political causes antithetical to his own? We are all complicit in these hypocrisies, small and large, as we use and consume objects each day whose sources in the global matrix are often obscure. If Godard made the commercial to help fund his more radical projects (perhaps Tout […]
Hope is easy to sell, but fear is easier. Billing itself as a “climate change solutions” movie, Peter Byck’s Carbon Nation doesn’t want you to panic. If fear of the consequences of climate change has been the primary emotional content associated with the slew of climate-themed docs that have found their way to screens in the wake of An Inconvenient Truth, Carbon Nation dwells more on the possibilities that technological innovation, communitarian initiative and an end to political gridlock could have on our world. Time is short, but in Byck’s telling, the means to stymie the long-term catastrophes associated with […]
Sundance is over. Ditto, Rotterdam. With Berlin right around the corner, it seems a good time to ask the question: When is it okay to walk out of a movie? I saw over 25 features at Sundance this year. Many of those films will receive serious releases in 2011 and wind up on “Best of” lists at the year’s end. Some of my favorites are still seeking distribution. I interviewed directors of a number of films. Of the features I haven’t already written about, personal favorites include Pariah, Terri, Catechism Cataclysm, The Mill and the Cross, Hell and Back Again, […]
In film we are used to starting with the character (the protagonist who faces conflict in order to achieve his goal) or simply the concept (which usually yokes together the bare bones of character with a simply stated narrative). But what if you started elsewhere — with, for example, the world? Mike Mignola is creator of Hellboy and the new Baltimore and a visual consultant to director Guillermo del Toro on Hellboy, Hellboy 2, and Blade 2. From an interview at BLDGBLOG titled “Ruin, Space and Shadow.” BLDGBLOG: … Have you ever found yourself in a situation where a setting […]
Todd Cole directed this short film, The Curve of Forgotten Things, for Rodarte starring Elle Fanning and with music by Deerhunter. The film was shot by Matthew J. Lloyd on the RED using Cooke lenses from the 1970s. From Nowness: As for the title, Cole explains: “It’s the title of a Richard Brautigan poem. The poem and the film are about forgotten things—circles and the curve of time.” The film follows on from last spring’s intergalactic project that Cole shot with Rodarte and comes at an extraordinary moment for the designers, whose dazzling costume contributions to Darren Aronofsky’s Black Swan […]
Writer/director Jentri Chancey emailed to tell me about her and producer Lorrie Marsh’s approach to developing their independent film project, Lost in Sunshine. She writes: We’ve been continuously working to lift this project from its feet for the past two years. Our approach is to reach out to our (target) audience before the movie’s ever made. And creating an online prequel by expanding narratives, and enhancing audience participation via games, etc., is how we’re attempting to do it. Instead of raising money for actual film production costs right now, we’re raising funds so that we can use fan input, digital […]
Filmmaker Christopher Boghosian has a great post up today at Truly Free Film. Titled, “I am a Nobody Filmmaker,” it’s not a self-pitying whine but rather a rational discussion of what a young and relatively unknown filmmaker can expect from the independent film marketplace as well as audience. He writes: I’m a nobody filmmaker: I don’t have a recognizable name nor a recognizable film. In essence, most of the world couldn’t care less about me nor my movies. This sounds pathetic, I know, but coming to grips with this reality has truly liberated me and provided an invaluable perspective on […]
I had put off seeing The King’s Speech, and for good reason it turns out, though not the reason I expected. The movie is proudly what it is, and it is hard not to fall under the spell of the story. In some ways, it’s a very old-fashioned film, in the same way that True Grit is old-fashioned. The complete absence of irony. Both films simmer at the same ahistorical temperature. On the big screen, movies still have a certain scale of force absent from smaller screens. The reason to go to the movies is to be dominated, and yet […]
From the shards of our experience shooting interviews and seeing movies at Sundance 2011 comes Jamie Stuart’s “Masterpiece.” With appearances by: Miguel Arteta, Alrick Brown, David Carr, Paddy Considine, Nekisa Cooper, Phife Dawg, Danfung Dennis, Andrew Donsunmu, Sean Durkin, Liz Garbus, Paul Giamatti, Megan Griffiths, Colin Goddard, Rutger Hauer, John Hawkes, Azazel Jacobs, Miranda July, Tom McCarthy, Peter Mullan, Adepero Oduye, Elizabeth Olsen, Jessica Oreck, Lindsay Pulsipher, Michael Rapaport, Calvin Reeder, Dee Rees, Amy Seimetz, Kim Wayans, Vilmos Zsigmond. Shot on the Canon 7D. Download the Quicktime here. (Contains adult language — NSFW.) Look for the longer edits of these […]