The SXSW Film Festival, unspooling in Austin, Texas from March 13 – 21, has just announced its line-up. Without further adieu… NARRATIVE FEATURE COMPETITIONThis year’s 8 films were selected from 737 submissions. Films screening in Narrative Feature Competition are: Artois the GoatDirector: Kyle Bogart. Writer: Cliff and Kyle BogartLab technician Virgil Gurdies embarks on an epic quest to craft the greatest goat cheese the world has ever known and reclaim the heart of his beloved Angie. Cast: Mark Scheibmeir, Sydney Andrews, Stephen Taylor Fry, Dan Braverman (World Premiere) Bomber Director/Writer: Paul CotterA bittersweet comedy about love, family and dropping bombs […]
Congrats to director Barry Jenkins and stars Wyatt Cenac and Tracey Heggins — their film, Medicine for Melancholy, featured on the cover of the new Filmmaker, scored the #1 spot on the Indiewire per-screen average chart this weekend. Writes Peter Knegt, “IFC Films’ one-screen debut of Barry Jenkins’ Medicine For Melancholy narrowly led all per-theater-averages this weekend, according to estimates provided this afternoon by Rentrak. Its $14,700 haul from New York’s IFC Center became the best opening for a 2009 limited release so far, and beat out Laurent Cantet’s The Class in its first week of release outside of December’s […]
I discovered while in Rotterdam that Karina Longworth at Spout tagged me to take part in the Sundance 8 Favorites Meme. So, I’m a bit late with this, but here it goes. First, the rules: 1. We have to post these rules before we give you the facts.2. Players start with listing their Sundance favorites, separated into 8 categories.3. People who are tagged write their own blog post about their 8 favorites and include these rules.4. At the end of your blog, you need to choose 8 people to get tagged and list their names. Don’t forget to leave them […]
From Nikki Finke’s Deadline Hollywood Daily: The Super Bowl, pirated copies circulating on the web, and a lovable mall cop heating up the box office all should have depressed the North American grosses for 20th Century Fox’s thriller Taken opening. But the Liam Neeson-starrer, directed by District B13‘s Pierre Morel, and produced by Luc Besson, tackled those obstacles and turned in a super performance of $9.5 million Friday and $12M Saturday (+30%) from 3,183 theaters. That’s way more than what Hollywood expected the film would make all weekend. Now wait a minute… the film that was released in many non-North […]
Screenwriter and director John August was asked to give a commencement address at a film school, and he has posted the speech, which contains a couple of observations and simple but essential pieces of advice, on his blog. After making the observation that being able to shoot and cut together images for the web is an important skill these days (and thus speaks to the worth of a film school education), he offers another super vital recommendation: And let’s talk about your classmates. You probably have some good friends and some people you kind of hope to never see again. […]
I’ve posted previously on this blog about The Long Tail author Chris Anderson’s recent series of articles (and forthcoming book) on the economics of free. Briefly, Anderson’s proposition is that digital production and delivery, which decreases the marginal cost of goods, drives their purchase price down to zero. For most, this means adapting to the idea of distribution being ad-supported in some way, and this type of revenue scheme is what has dominated Anderson’s previous writings on the subject. But as I noted in a previous post on the Google Book Settlement, the problem with free models for the producer […]
BORCE NACEV AND VESNA STANOJEVSKA IN DIRECTOR MILCHO MANCHEVSKI’S SHADOWS. COURTESY MITROPOULOS FILMS. Writer-director Milcho Manchevski has only made three features over the course of his 15-year film career, yet the multi-talented Macedonian rarely allows himself a moment to catch his breath. Born in 1959 in the Macedonian capital of Skopje, Manchevski studied History of Art and Archeology at his hometown university before going to film school at Southern Illinois University on a scholarship. Following his graduation, he relocated to New York and began making commercials, music videos, documentaries, shorts and experimental films. In 1992, he won several major awards […]
Over at Splice Today, John Lingan has interviewed legendary d.p. Gordon Willis. An excerpt: ST: To what do you ascribe the simultaneity of directorial and cinematographic talent during those years? Was there a greater level of artistic freedom afforded to filmmakers then? Or was it the momentum of ’60s counterculture finally reaching the film industry? Hall and Wexler have credited “accidents” like sunspots in the lenses for spurring their perceived innovations; what was it about the industry climate that allowed those kinds of accidents to stand? GW: The studio system was beginning to buckle, but I think it’s more like […]
Over on Web Exclusives page and coinciding with the Lincoln Center “Mavericks and Outsides: Positif Celebrates American Cinema” (beginning today), Jamie Stuart interviews Positif editor Michel Ciment about the magazine and also his long relationship with Stanley Kubrick. One film that’s part of the Positif series is Barbara Loden’s Wanda, which was one of Filmmaker‘s 50 Most Important Independent Films back when we did that list in 1998. Long difficult to see, it was re-released on DVD a year or so ago and has been claiming its place as an inspiration for a new generation of independent filmmakers. Over at […]
In connection with the Film Society of Lincoln Center’s new series “Mavericks and Outsiders: Positif Celebrates American Cinema,” Jamie Stuart spoke recently with Positif‘s editor, the noted French film critic and author Michel Ciment. FILMMAKER: I probably know you best from your Kubrick book. What was that like, having the ability to interview him over the years? CIMENT: Well, it came very naturally. I don’t know why. I think he had a piece of mine translated from 1968 — a long essay I did on the work of Kubrick. It was probably the first essay in France to try to […]