Premiering at DOC NYC is Monsieur Le President,” a film by New York-based visual artist, photographer and filmmaker Victoria Campbell. Check out the trailer above and the DOC NYC description below: Volunteering in Haiti in the immediate aftermath of the devastating 2010 earthquake, Victoria Campbell encounters Gaston, a charming voodoo priest who shows leadership during the emergency, and later manages to open a small, much-needed medical clinic with the support of a foreign funder. He becomes a local hero, a symbol of ingenuity in defiance of the failure of conventional relief efforts. Over three years, he also becomes the filmmaker’s […]
The School Project is a series of six, 10-minute documentary video pieces about the Chicago Public School system following the closure of 49 schools. It’s also an unprecedented collaboration between five of the city’s top documentary production companies. The first episode premiered today, and it can be watched above. Below is the statement from the five companies — Free Spirit Media, Media Process Group, Kartemquin Films, Kindling Group. and Siskel/Jacobs Productions — about their reasons for this collaboration. Statement on The School Project Collaboration The School Project is an unprecedented, collaborative, multiplatform documentary series on public education in Chicago. The […]
According to the Institutional Theory of Art, a work becomes Art only after it has been validated by institutions and other taste maintainers (festivals, exhibitions, etc.). Given that Turkish director Nuri Bilge Ceylan’s latest film, Winter Sleep, earned him the Palme d’Or at Cannes in May, you could build a case that, officially anyway, his was the best of the 2014 harvest. Now MoMA is hosting a complete retrospective October 29-November 5 of his relatively small body of work (seven features, one short). Nuri Bilge Ceylan (pronounced “noo-ree beel-gyeh jay-lan”) will be present to introduce Winter Sleep and Once Upon […]
Gone Girl marks d.p. Jeff Cronenweth’s fourth feature film collaboration with David Fincher, a stretch that began with Fight Club in 1999 and has continued through The Social Network and The Girl with the Dragon Tattoo. (He also worked 2nd and 3rd unit on Se7en and The Game.) It’s a partnership that has transitioned the pair to digital cinematography, with Cronenweth creating cool, precisely visualized environments for stories plumbing the complexities of life in our globalized, media-saturated information age. To speak with Cronenweth, we asked Jamie Stuart, whose short films have frequently appeared on this site, and who has interviewed […]
Cinephiles on both coasts were rattled by Julia Marchese’s blog post last Friday entitled “I Will Not Be Censored,” concerning her departure from Los Angeles’ beloved New Beverly Cinema. Anyone who’s been to the New Bev within the last dozen years will recognize Marchese, for many the welcoming public face of the recently beleaguered rep house. But following a steady trickle of involvement from Quentin Tarantino — first paying the theater’s bills out of love, then becoming its owner, and finally, in September, announcing he’ll be directing a majority of the programming — Marchese was isolated within the staff, and […]
Jamie Wilkinson, CEO of the direct-to-fan online video platform VHX, had some words to filmmakers on Peter Katz’s Hollywood 2.0 podcast. Specifically: amp up your social media game. In the conversation, which also discusses some of the platform’s early successes, the role of filters and gatekeepers, and VHX’s partnerships with distributors, he preaches the virtues of building an audience online. “How do we get people promoting each other’s works?” he asks. “You may have made the most amazing film in the world, but you have zero followers on Twitter. How are you going to get the word out? In the […]
Ricardo Gaona is in the final days of a crowdfunding campaign for his feature, Parque Central, on Kickstarter. Visit his Kickstarter page for more information and please consider donating. — Editor Nonfiction filmmaking is hard work. There are the technical aspects, of course, and (especially right now) the financial concerns that can make you lose your mind a little bit. In the case of our film, Parque Central (now funding on Kickstarter!), which follows children who work in a park in Antigua Guatemala, there’s an extra level of stress that comes with the questions of ethics and representation. I’ve got […]
Nominees were announced this morning for the 24th Annual Gotham Independent Film Awards by IFP, with Richard Linklater’s Boyhood receiving the most nominations, including Best Picture. Birdman received two awards, including Best Director (for Alejandro G. Iñárritu) and Best Actor (Michael Keaton). The Best Picture nominations were rounded out by Ira Sachs’ Love is Strange, Wes Anderson’s The Grand Budapest Hotel and a left-field pick, Jonathan Glazer’s unsettling tale of alien visitation, Under the Skin. The Gothams are also awarding a Special Jury Award to the three lead actors of Foxcatcher: Steve Carell, Mark Ruffalo, and Channing Tatum. “Each year […]
Portrait of Jason Milestone Films — November 11 One-man show, fueled by one scotch bottle, in Shirley Clarke’s living room, one tough night only: Portrait of Jason is a spontaneous monologue delivered by hustler/aspirant cabaret artist Jason Holliday. Prompted and interrogated by a sometimes-exasperated crew, Jason is sharp on race and sex and self-deluding about himself. If his bravado is a necessary survival skill for survival as a queer black man in mid-20th-century America, there’s still a queasy charge in experiencing repeated whiplash as a viewer pinging back and forth between empathy and revulsion. This second volume in Milestone’s restorations […]
Toronto Film Festival 2014 By Scott Macaulay Early in Richard Glatzer and Wash Westmoreland’s resolutely unsentimental Still Alice, the eponymous Columbia University linguistics professor (Julianne Moore) visits a neurologist to discuss the memory issues she’s been having. “I’m going to tell you a name and address, and I want you to remember it,” he says. “John Black, 42 Washington Street, Hoboken.” After a few basic cognitive tests, he asks Moore to repeat the address. She stumbles, apologizes; she just got distracted. The doctor smiles and nods. Moore is brilliant in this scene, as she is throughout the film capturing, Kübler-Ross- […]