6300 Results for “Open ”
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Berlin International Film Festival 2013
It was the festival of bear traps, digital ghosts and love battles. The 63rd Berlinale featured a strong competition lineup bolstered by great new films from Jafar Panahi, Denis Côté, Hong Sang-soo and Steven Soderbergh, none of which received major awards. However, Côté’s Vic+Flo Saw a Bear picked up a Silver Bear, known as the Alfred Bauer Prize, which, if you examine its history, has a better track record than the more questionable Golden Bear. Last year, this prize “for a feature film that opens new perspectives” went to Miguel Gomes’ Tabu. One of the best Canadian films in recent […]
by Adam Cook on Apr 23, 2013 -
Load & Play
Side Effects Open Road – May 21 Perhaps Steven Soderbergh’s swan song as a theatrically distributed director (his Liberace biopic with Michael Douglas and Matt Damon will premiere on HBO this spring), Side Effects is a masterfully made noir thriller, although one that, at least initially, obscures its genre coding by deploying a setup that has “mental illness TV movie of the week” written all over it. Rooney Mara is a depressed, downwardly mobile young woman whose formerly high-rolling financier husband (Channing Tatum) went to jail for insider trading. When she goes on some new antipsychotic for her clinical depression […]
by Brandon Harris on Apr 23, 2013 -
Relative Truths
Over the course of two narrative features, and now a documentary, Sarah Polley has made a habit of taking on unexpected subjects, all the while managing to produce a remarkably consistent body of work. Polley’s films explore the vagaries of relationships and intimacy, and in particular, the challenges of marriage. Filled with tonal shifts and narrative reveals, Polley’s naturalism is always accompanied by flights of fancy and spontaneous moments of romance that may twist against the viewer’s sympathies. Her 2006 debut, Away from Her, stars two aging icons of cinema, Canadian actor Gordon Pinsent and the ever-radiant Julie Christie, as […]
by Paul Dallas on Apr 23, 2013 -
Failure, Brian Eno, the Vanishing Gallery Show and More: Sunday Links
At Vulture, Jerry Saltz bemoans the “Death of the Gallery Show,” particularly the effect new ways of seeing and purchasing art are having on the discourse around art itself: Gallery shows: light of my life, fire of my eyes. I love and long for them. I see maybe 30 a week, every week of the year. Much of what I know about contemporary art I learned from hanging around artists and from going to galleries. Bad shows teach me as much as good ones. A great thing about galleries—especially for someone who spends most of his time alone at a […]
by Scott Macaulay on Apr 21, 2013 -
Five Questions with Cutie and the Boxer Director Zachary Heinzerling
Zachary Heinzerling’s debut film, Cutie and the Boxer, has been one of the documentary hits of the festival circuit this year following its world premiere at Sundance, where Heinzerling won a directing award. A narrative study of the relationship between famed boxing painter Ushio Shinohara and his artist wife, Noriko, the film explores their creatively exorbitant marriage and all of the intimacies therein – from their quirky flirtations to the darkness of Ushio’s alcoholic past. Heinzerling’s background in philosophy and his five years working on documentaries for HBO have made the director equally focused on honesty and quiet questioning as photographic beauty, attributes […]
by Gabrielle Lipton on Apr 20, 2013 -
Five Questions with Hide Your Smiling Faces Director Daniel Patrick Carbone
In Daniel Patrick Carbone’s Hide Your Smiling Faces, two young brothers wrestle with the meaning of mortality following the mysterious death of a friend. Paying little mind to the root of the accident, Carbone readily positions the death as a catalyst, allowing its existential domino effect to reverberate across the conscience of Eric, Tommy, and their equally curious cohorts. The lush and expansive woodland landscape where most of the narrative unfolds belies the intimacy of the film, as the viewer is able to peer inside a series of identity shaping interactions that function more like memories than plot points. In […]
by Sarah Salovaara on Apr 20, 2013 -
“You Think I Should Die?”: François Ozon on In the House
When François Ozon first started making features some 15 years ago, with films like Sitcom, Criminal Lovers and the Fassbinder adaptation Water Drops on Burning Rocks, he showed himself to be a raw, edgy and insistent talent. His ambition and style were at the fore in those early efforts, but over the years as he has continued to make movies — at the breakneck pace of almost one per year — he has visibly matured as a filmmaker. During his career he has done everything from colorful, large-scale retro musicals (8 Women) to bleak, formally rigorous relationship dramas (5×2) to lavish […]
by Nick Dawson on Apr 18, 2013 -
25 Picks for the 2013 Tribeca Film Festival
In the world of film festivals, “12” isn’t a particularly notable number. “Ten” — connoting if not institutional status than at least permanent residence — has come and gone. So too the after party of “11.” “Twelve” should just be rolling along, business as usual, dependent more on the quality of that year’s cinema than anything else. So, while it would be a stretch to say that Tribeca has reinvented itself for its twelfth edition, which opens today, I can’t help but note that something seems pleasantly different. Maybe it’s the lack of celebrity bloat — gone are the tin-ear […]
by Scott Macaulay on Apr 18, 2013 -
Five Questions for The Genius of Marian Directors Banker White and Anna Fitch
Banker White’s first feature, Sierra Leone’s Refugee All Stars, followed the titular group of musicians from a refugee camp in Guinea to their home and back again; his second feature, The Genius of Marian, is much closer to home. After his mother was diagnosed with early onset Alzheimer’s, White came back home to help with caretaking. In 2009 he began shooting conversations with his mother for therapeutic purposes, eventually realizing he was working on his next project. Shot over three years, the resulting film was co-directed by White’s wife (then-girlfriend) Anna Fitch. Arriving in New York in advance of the […]
by Vadim Rizov on Apr 18, 2013 -
Five Questions with Big Men Director Rachel Boynton
Oil. We can’t live with it. We can’t live without it. For some, this is the major environmental predicament of our times. For a few countries in Africa, it’s an unexpected windfall, the consequences of which are still not entirely known. While researching what was to become her second feature Big Men, Rachel Boynton traveled to Nigeria to find out what exactly was going on in the oil fields there, only to discover that the story was much bigger than just one country or even one continent. It was a story that would take her to nearby Ghana all the […]
by Mary Anderson Casavant on Apr 18, 2013
