6300 Results for “Open ”
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The Blue Velvet Project, #76
Second #3572, 59:32 Back at the Slow Club, Jeffrey has just poured himself a Heineken, and Dorothy has noticed something that has caused a shadow of fear to cross her face. In a subtle relay of looks captured in nine shots that last just over one minute, this happens: Shot 1: Jeffrey, having poured a Heineken, watches Dorothy perform “Blue Velvet.” Shot 2: (second #3572, the frame above) Dorothy sees something in the audience that spooks her. Shot 3: Jeffrey notices Dorothy’s fear, and turns his head to where she is looking. Shot 4: We see Frank, the object of […]
by Nicholas Rombes on Feb 6, 2012 -
STANDING KNEE-DEEP IN WATER — THE AFTER-SUNDANCE BLOG
I empty my pockets of biz cards, coffee receipts and contacts written on scraps of napkins and sing-think to myself, ala Rosemary Clooney – “Is that all there is?…” “Let us know when you want to have dinner” a filmmaker Sundance vet texts. “The post Sundance blues are real. Believe it.” These thoughts must be truthfully reported in this blog even though reading about luxury problems like this would typically make me want to punch the writer. I was secretly expecting that once you got into Sundance you simply had to hand out butcher tickets to distributors and dig out […]
by Erin Greenwell on Feb 6, 2012 -
Ten Lessons on Filmmaking From Director Abel Ferrara
The original King of Indie Abel Ferrara made a stop at Emir Kusturica’s Küstendorf Film and Music Festival this January to screen his latest film 4:44 Last Day on Earth. The Loisaida-set film paints a picture of addiction at the end of the world, starring Willem Dafoe and Shanyn Leigh. Ferrara felt very welcome at Küstendorf, Emir Kusturica’s wooden village high in the mountains of Mokra Gora. “We just kinda have a connection, other than I look like him,” Ferrera told me of the famed Serbian director, minutes before entering a workshop to discuss the film with students who had descended […]
by Ariston Anderson on Feb 6, 2012 -
DON CORNELIUS, R.I.P.
Sad to hear this week of the death of Don Cornelius, whose Soul Train is burned into my adolescent TV memory. From Bruce Handy at Vanity Fair (who opens with a quote from “American Pie”). I know it’s corny quoting from “American Pie.” But it is February, and like a lot of people, I felt a genuine sense of loss and sadness at the news that Don Cornelius, the creator and host of Soul Train, died of gunshot wounds Wednesday morning in Los Angeles—a possible suicide at the age of 75. The show premiered in Chicago in 1970 and aired […]
by Scott Macaulay on Feb 4, 2012 -
ROTTERDAM PHOTOS AND NOTES
For almost two decades I’ve been traveling to the International Film Festival Rotterdam immediately following Sundance, struggling to keep my jet lag at bay while I attend a few Cinemart meetings, hit the informal but productive Cinemart cocktail hours, and delve into the fest’s always excellent and eclectic program. This year several fellower Sundancers made the trip as well, including sales agent Ryan Kampe, producer Adele Romanski, the IFP’s Amy Dotson, the Sundance Institute’s Anne Lai, and director Terrence Nance, whose An Oversimplification of Her Beauty was programmed here and was one of the Park City’s true discoveries. Above is […]
by Scott Macaulay on Feb 3, 2012 -
The Blue Velvet Project, #75
Second #3525, #58:45 A classic two-shot, Jeffrey and Dorothy looking at each other across the open space of the screen. Dorothy is framed within the frame by the impossible closet (a sort of black screen) in the background. No longer dressed in black, Jeffrey’s character begins to separate itself from the hinted-at idea that he is somehow another, younger version of Frank. Although Blue Velvet is not alone in taking viewers into a sealed-off fictive world, it does so, strangely, by referring to the outside, “real” world (our world) not directly, but indirectly, through archetypes. There is a detective, a […]
by Nicholas Rombes on Feb 3, 2012 -
John Bailey A.S.C., on Shooting The Big Chill
John Bailey was a graduate film student at USC studying film criticism when he discovered a passion for cinematography while working on a school production. His first feature-length credit was for a 1972 horror movie Premonition, and since then he has accumulated a long and impressive list of credits, including such classics as: Groundhog Day, The Accidental Tourist, Swimming to Cambodia, Silverado, The Big Chill, and American Gigolo. More recently, he’s worked on projects as diverse as Divine Secrets of the Ya-Ya Sisterhood, Must Love Dogs, The Producers, and Country Strong. I first heard John speak at an event organized […]
by Michael Murie on Feb 3, 2012 -
An Interview With The Invader Director Nicholas Provost
A sort of Taxi Driver set within the world of European immigrant culture, Nicolas Provost’s The Invader is one of the most intriguing and seductive films currently on the festival circuit. It premiered in Venice before screening in Toronto (where the below interview was conducted) and now Rotterdam, and it marks the feature debut of Provost (pictured above), a Belgian video and installation artist whose work has always taken as its subject the way cinema orders images into narrative. The story opens with the camera fixed on the vagina of a beautiful blonde woman, sunbathing nude on a Southern European […]
by Scott Macaulay on Feb 2, 2012 -
Bad Fever — A Hammer to Nail Review
(Bad Fever opens in New York City at the reRun Gastropub beginning Friday, January 3, 2011. It world premiered at the 2011 SXSW Film Festival and is being distributed by Factory 25. Visit the film’s official website to learn more.) For those viewers with a deep-seated fondness for the character-based New Hollywood dramas that were churned out in the 1970s, Dustin Guy Defa’s Bad Fever will feel like a welcome return to that glorious past (I should know, as I am guilty of said deep-seated fondness). From the spare opening title card—complete with a copyright tag at the bottom!—to its […]
by Michael Tully on Feb 2, 2012 -
SXSW REVEALS FULL 2012 FEATURE FILM LINEUP
SXSW has announced their complete 2012 feature film slate. Over 90 films will screen across the festival’s ten categories, including the already announced opening night premiere of Joss Whedon’s Cabin in the Woods and a special preview screening of Lena Dunham’s new HBO series Girls. New additions include the sixteen films premiering in narrative and documentary competition. The eight films competing on the narrative side include Booster, directed by Matt Ruskin, Eden, directed by Megan Griffiths, Gayby, directed by Jonathan Lisecki, Gimme the Loot, directed by Adam Leon, Los Chidos, directed by Omar Rodriguez Lopez, Pilgrim Song, directed by Martha […]
by Jane Schoenbrun on Feb 1, 2012
