(Gun Hill Road world premiered in the U.S. Dramatic Competition at the 2011 Sundance Film Festival, which is when the original version of this review was first published at Hammer To Nail. It was picked up for distribution by Motion Film Group and opens theatrically in New York City on Friday, August 5, 2011, and Los Angeles on Friday, August 12th. Visit the film’s Facebook page and official website to learn more.) A late work by the Cuban director Tomas Gutierrez Alea called Strawberry And Chocolate is one of the few films I’ve ever seen to confront the strange relationship […]
A few weeks ago I attended the third Sundance ShortsLab, a day-long event about short filmmaking organized and conducted by the folks from Sundance (primarily, from what I could see, from the festival side of the house.) Sundance has previously put on two other Shortslabs, one in LA and one in Chicago. This was their first event in New York, and those of us in attendance spent the day in an auditorium at the Brooklyn Academy of Music as a variety of speakers and panels unfolded, and several short films were shown. The day started with Trevor Groth, Sundance’s director […]
I have come across many folks who have allowed the completion of a perfect script to derail their entire production. I have also sat through (I’m including my own films here) more films that I can remember in which the filmmakers hoped improv will create something magical. In microbudget the latter is a necessity, in large indie films, it’s risky, and in Hollywood, no one but a select few can pull it off. I recently started a conversation with an Austin filmmaker in the very thick of making her second feature film, What’s the Use (pictured below), and this battle […]
Memphis-based filmmaker Kentucker Audley (Team Picture, Open Five), selected for Filmmaker’s “25 New Faces” list in 2007, is releasing today online his new film, Holy Land (pictured here, with stars Bunny Lampert and Cole Weintraub), and with it a platform for fellow directors working in the no-budget trenches. The site is called “No Budge Films,” and it is described simply as “a place to watch no-budget films… Post your short film or feature // for a short run or indefinitely.” Why such a simple site? “Because most films don’t get distributed + it’s cool to give away your film for […]
I first met Caspar Sonnen last November while covering the International Documentary Film Festival Amsterdam, where he serves as New Media Coordinator and launched IDFA DocLab three years ago. I was new in town and hadn’t heard about Pluk de Nacht, Amsterdam’s annual answer to NYC’s Rooftop Films, founded eight years ago by its current artistic directors Sonnen and Jurriaan Esmeijer, and its managing director Henne Verhoef. So when I returned to The Netherlands for the summer I decided to contact Sonnen to learn more. The indie spirit-driven curator was kind enough to take me to coffee, and then generously […]
Koran by Heart, premiering on HBO today, comes out at a time when it couldn’t be more necessary. In the wake of July’s attacks in Norway and the Islamophobic response in Western media outlets, the film offers a composed perspective of life in the Muslim world. Koran by Heart follows three Muslim youths — Nabiollah from Tajikistan, Rifdha from the Maldives, and Djamil from Senegal — as they enter into an annual Koran-reciting competition in Cairo, Egypt. The competition attracts hundreds of Muslims from all over the world, many of whom don’t speak Arabic, but are able to recite the […]
(sleep furiously opens theatrically in NYC at Cinema Village on Friday, July 29, 2011. More importantly: FANDOR IS MAKING IT AVAILABLE FOR 24 HOURS ONLY ON FRIDAY, JULY 29TH! Go here to learn more.) It’s tempting to read Gideon Koppel’s sleep furiously as a bittersweet ode to the antiquated community in which he was raised, or, God forbid, to view it as some sort of call-to-arms to not let this slow, quiet way of life fade into oblivion. The truth is that it isn’t either of those things. By refusing to make any grand, preachy statements, Koppel has achieved something far […]
You’ve seen it all before. Amidst a sea of police corruption, one last honest, wisecracking cop and an improbable sidekick unravel a series of criminal entanglements.They’re an unlikely pair and one of them is surely way out of his natural element. There will be chases, usually with cars, although likely on foot too, and gunplay, half quotable one-liners, and maybe a dash of suspense, although it’s highly unlikely either of our leads will meet an untimely demise. How could anyone possible make a tired scenario like this fresh? Just ask John Michael McDonagh, brother of Martin, the lauded Irish playwright […]
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For this opening day of Myth of the American Sleepover, which I hope you will all go see this weekend, I thought I’d repost this short Flip interview I did with director David Robert Mitchell at Cannes last year. Also, make sure to check out James Ponsoldt’s interview with Mitchell and his producing and creative team.