Open | Filmmaker Magazine

Duane Baughman, Bhutto

Benazir Bhutto, the two time Pakistani prime minister who in 2007 was assassinated just days after she returned from military imposed exile in Dubai to once again attempt to take control of the country, was the countries’ most significant civilian political figure of her generation. Using the tragic life and times of the Muslim world’s most dynamic and successful female politician as a lens through which to capture the larger political machinations and social upheaval that has led to the sixty-seven year old Pakistani state constantly being handed back and forth between an imperiled civilian government and a conservative military establishment, […]

by Brandon Harris on Dec 1, 2010

21st STOCKHOLM FILM FESTIVAL EMBRACES INDIE TALENT ON THE RISE

For ten days every November, cinephiles of every stripe are afforded an opportunity to revel in a crowd- and critic-pleasing smorgasbord of plucky international programming at the Stockholm International Film Festival, now in its 21st season. Yes it’s cold and the sun sets early in the afternoon, but what better excuse to take refuge in one of the capital city’s well-appointed, old-fashioned movie halls? Under director Git Scheynius, who co-founded the annual festival in 1990, the main focus of the competition is to provide a showcase for rising young talent, directors like Aaron Katz (Cold Weather) or Xavier Dolan (whose […]

by Damon Smith on Nov 30, 2010

PAIRING FILMS AT IDFA

For a docu-phile, attending the International Documentary Film Festival Amsterdam — with its nearly 300 films to choose from — feels less like being a kid in a candy store and more like being stuck in Willy Wonka’s chocolate factory for a week and a half. In addition to being Europe’s biggest fest for nonfiction flicks IDFA boasts round the clock events. (Literally — if you were still revved at three in the morning after IDFA Dance Night a program called “Docs Around The Clock” continued until 9AM, breakfast included.) In between screenings at the Pathe de Munt or the […]

by Lauren Wissot on Nov 29, 2010

TRAILER WATCH: ADAM PENDLETON’S “BAND”

Artist Adam Pendleton has created a new large-scale video installation at New York’s The Kitchen inspired by Jean-Luc Godard’s Rolling Stones’ deconstruction, Sympathy for the Devil. It features the band Deerhoof and runs through December 23. From the catalog copy: This solo exhibition presents the U.S. premiere of Adam Pendleton’s new large scale video installation. Pendleton’s BAND is a form and content refashioning of Jean-Luc Godard’s Sympathy for the Devil, which stands in open contrast to the earlier film. Modeling Godard’s belief that radical formal complexity can undermine the bourgeois logic implicit to narrative filmmaking, BAND tracks the indie-rock band […]

by Scott Macaulay on Nov 27, 2010

BLACK FRIDAY DEALS FOR FILMMAKERS

Black Friday — the shopping day after Thankgiving that is supposed to tip retailers’ balance sheets into the black — has been a staple of holiday consumerism for years, but I’m not sure I ever remember it quite like this. Not only did chain stores open in the dead of night this year, but every small, specialty and online dealer I buy from has flooded my in-box with discount offers. After this email deluge I feel a little silly that I didn’t move up Filmmaker‘s annual subscription deal a week to take advantage of all the shopping frenzy. Oh well, […]

by Scott Macaulay on Nov 26, 2010

CHARLES BURNETT, “KILLER OF SHEEP”

Originally published in the Spring 2007 issue of Filmmaker. Killer of Sheep plays this week as part of the Milestone Films 20th Anniversary series at the IFC Center. “When I stumbled across a 16mm print of Killer of Sheep at film school in North Carolina, it was like finding gold. I had never seen an American film quite like it…raw, honest simplicity that left me sitting there in an excited silence. It echoed throughout George Washington, the first film that David Gordon Green and I made together.” — Tim Orr, cinematographer (All the Real Girls, Raising Victor Vargas) What sort […]

by James Ponsoldt on Nov 24, 2010

JUST NORTH OF THE BORDER, A NEW FESTIVAL THRIVES

Although it might be surprising to learn that it isn’t actually held in a loft, the first annual edition of Tucson’s Loft Film Festival, centered at this southern Arizona college town’s venerable, long running Art House the Loft Cinema, maintains the home made, speakeasy vibe that the title implies. Its inaugural run having come to a close with a Thursday night screening of The Girl Who Kicked the Hornet’s Nest, this first edition was a glimpse at the type of festival the regional circuit needs more of. Lets hope they keep it going, as it proved to be a welcome […]

by Brandon Harris on Nov 20, 2010

Thoughts On Amazon Studios

As most of you know, I write a weekly newsletter that contains a letter that’s not usually posted on this blog. Sometimes it consists of thoughts that coalesce into an article or blog post down the line, and sometimes it consists of of-the-moment reactions to events just hitting the news. Often the newsletter poses questions that I’d like our readers to comment on. Yesterday I wrote about the newly announced Amazon Studios and solicited feedback. I hope to, in the next few days, write about the provocative new venture, which has good elements (a new financing source for independent filmmakers […]

by Scott Macaulay on Nov 19, 2010

A SHORT TRIP TO CPH:DOX

Invited to deliver a master class seminar on doc/fiction hybrid films at the CPH:DOX Labs, I attended the festival for the first time this year. At the Labs, now in its second year, filmmakers from the Nordic countries and around the world were brought together in teams and charged with collaborating on a film. Because I was teaching the day-long seminar, which took place days before the well-attended Forum (a market for docs seeking financing) opened up, I missed the great majority of the festival’s programming as well as business activity. So, I can’t offer a detailed roundup of the […]

by Scott Macaulay on Nov 18, 2010

“12TH AND DELAWARE” AT STRANGER THAN FICTION

When I was in a high school in Tennessee, a classmate of mine started crying while discussing a short story about Vietnam. Through her tears, she explained that the soldiers battling for their lives reminded her of all the unborn babies who’d been killed that week. What those of us not on the frontlines of the abortion battle often forget is that for those who feel passionately on the subject, abortion is not just an issue, it’s the only issue. In 12th and Delaware, last night’s entry into the Stranger than Fiction canon, directors Heidi Ewing and Rachel Grady take […]

by Mary Anderson Casavant on Nov 17, 2010

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