Tied to this weekend’s opening of The Limits of Control, the FilmInFocus site (which, full disclosure, I co-edit) has posted quite a bit of content relating to writer/director Jim Jarmusch and the movie. Below is an excerpt from Lea Rinaldo’s documentary on the making of The Limits of Control. FilmInFocus will be posting sections of this piece, and, having seen the whole thing I can recommend it both as intriguing glimpse into Jarmusch and his production method as well as film in its own right. And, also, I interviewed Jarmusch about the movie’s striking score, which is compiled of tracks […]
Francis Ford Coppola’s Tetro, which opens this year’s Cannes Film Festival Directors Fortnight, has just premiered online. The film stars Vincent Gallo, newcomer Alden Ehrenreich, Y Tu Mama, Tambien’s Maribel Verdu, Carmen Maura and Klaus Maria Brandauer, and it is posted below.
JOHANNES KRISCH AND URSULA STRAUSS IN DIRECTOR GÖTZ SPIELMANN’S REVANCHE. COURTESY JANUS FILMS. Contemporary Austrian cinema has been dominated by the works of its two best known names, Michael Haneke and Ulrich Seidl, but now the name of the prodigiously talented Götz Spielmann can be added to that list. Spielmann was born in 1961 in the town of Wels, but grew up in the country’s capital, Vienna. As a child he was drawn to film and he began writing and directing in his teens; when he was just 17, he had his first film shown on television. Between 1980 and […]
There comes a time in every star’s career when he or she has to come to terms with the fact that they may not be relevant anymore. Most often actors don’t have to come to this career roadblock as quickly as actresses because, frankly, it’s a sad fact no one wants to write roles for a 30-plus women, though they have no trouble finding roles men that age — except if they are action stars. In the time Jean-Claude Van Damme was roundhouse kicking his way into the worshiping teens in the 90s he was as big a box office […]
The 2009 Cannes Film Festival lineup was announced in Paris today. Opening the fest will be Pixar’s latest, Up. Notable titles in competition for the Palme d’Or include Lars Von Trier’s Antichrist, Gasper Noe’s Enter The Void, Quentin Tarantino’s Inglorious Basterds, Ken Loach’s Looking For Eric, Ang Lee’s Taking Woodstock and Michael Heneke’s The White Ribbon. Terry Gilliam’s The Imaginarium of Doctor Parnassus, Sam Raimi’s Drag Me To Hell and Lee Daniels’s Sundance winning film Precious (formerly titled Push) will screen out of competition. The full line up is below. Competition Line Up Abrazos Rotos (Broken Embraces), directed by Pedro […]
The Tribeca Film Festival opens its eight year with the world premiere of Woody Allen‘s Whatever Works, marking his return to NYC after a four film absence. Screening earlier this evening at the Ziegfeld in Manhattan (though Allen did show up, sadly he did not introduce the film or do a Q&A afterwards), Allen’s latest work can hardly match his earlier ones shot in his beloved city, so we won’t even go there, instead he constructs an entertaining, conventional (for Allen’s standards) comedy about an eccentric named Boris (Larry David) who describes himself as a “Nobel Prize-worthy thinker” with a […]
Over at The New Breed, which is a section of the Workbook Project, a number of filmmakers are engaging in an interesting virtual video panel that discusses the issue of managing expections while traversing the festival circuit. There’s been a lot of talk recently about how film festivals are the new theatrical for many filmmakers whose work will not otherwise see the darkened inside of a movie theater. But is just showing your film at a festival enough? What about a deal? Or about networking? And should one worry about all of these things or simply visit festivals with an […]
MICHAEL CAINE AND BILL MILNER IN DIRECTOR JOHN CROWLEY’S IS ANYBODY THERE? COURTESY STORY ISLAND ENTERTAINMENT. Along with Martin McDonagh and Conor McPherson, John Crowley is part of a recent wave of Irish theater influx into film. Born in 1969, Crowley is a philosophy graduate from the University of Cork in Ireland who first became involved in theater as a student, seeing it as a way to get into directing film. He began directing plays in Dublin in the early 90s and was successful enough that already in 1996 he was working in London’s West End. After a few years, […]
In the new issue of Filmmaker, out next week, I think Peter Bowen has the perfect take on Eran Riklis’s Lemon Tree: it’s an allegory. The question then becomes, what does Riklis do with the allegorical form to make it cinematically resonant and appropriate in dealing with the current state of affairs between Israel and Palestine? Here’s a section from Bowen’s interview with Riklis: Filmmaker: While Lemon Tree was based on a real story, the structure is so specific that it appears to be pure allegory. Rikilis: Once I wrote the first few lines of the synopsis, I thought, “Oh […]
That’s how Stephen Holden opens his preview of this year’s Tribeca Film Festival in today’s New York Times. Beginning next Wednesday with the world premiere of Woody Allen‘s Whatever Works, Allen’s first film in four years set in Manhattan, the 8th edition of TFF will be a smaller and less serious in theme than its previous years, as Holden points out: The 12-day festival’s identity as a hybrid of serious film forum and family-friendly community celebration catering to cinéastes and tourists alike is now firmly established. At Tribeca highbrow meets no-brow with everything in between. Leaner means smaller but more […]