Open | Filmmaker Magazine

CINEMATIC BORDER CROSSINGS

Over at the main page there are two new web-only pieces that both interview directors whose films open this week and who both quite consciously explore in them issues of borders and identity in a globalist age. One is a new director, Patricia Riggen (a Filmmaker 25 New Face discovery in 2005) and the other is a veteran, Olivier Assayas, and their films couldn’t be more different. Damon Smith interviews Riggen about her La Misma Luna, an emotional and affecting mother-son tale that draws from both the Mexican telenovela and the American indie road movie genres. And then there’s Olivier […]

by Scott Macaulay on Mar 18, 2008

Carnal Knowledge

Over the course of eight feature films, Olivier Assayas has built a solid international reputation as a director of stylish, naturalistic thrillers and social dramas that team with sensuality. Assayas is a boundlessly resourceful director and in his most recent film, Boarding Gate, a lower key, appealingly absurd riff on the same erotic, globalization-era techno thriller he first brought us in 2002’s explosive Demonlover, the fifty-two year old French filmmaker uses his signature loose, montage-y style to tell what is essentially a lurid and oblique crime story, full of people with secrets and double agendas, whose longings to fulfill the […]

by Jason Guerrasio on Mar 18, 2008

A Child’s Journey

Though her short-film and documentary projects have a clearly articulated social conscience, director Patricia Riggen says she prefers to make moving films that tell a story with “big emotions.” Born in Guadalajara, Mexico, Riggen began writing scripts for television after a stint in the world of newspaper journalism, and eventually became vice chairman of short-film production at the Mexican Film Institute. In 1998, she moved to New York City and attended Columbia University’s MFA program in film studies, focusing on screenwriting and directing. While still a student, she made La Milpa, a 27-minute narrative short set during the Mexican Revolution, […]

by Damon Smith on Mar 17, 2008

“TRIGGER MAN”

Inspired by true events, director Ti West (The Roost) throws out the typical elements and traps of the horror genre to create what he calls an “experimental horror.” Shot with one HD camera, West uses sparse dialogue, long takes and a haunting score to tell the story of three friends who travel from New York City to the woods of Delaware to hunt deer. Similar to films like Deliverance, The Decent or Open Water — ordinary people thrust into extraordinary circumstances — the hunters become the hunted when a sniper begins to shoot them down one by one. But instead […]

by Jason Guerrasio on Mar 15, 2008

Michael Haneke, Funny Games U.S.

NAOMI WATTS AND TIM ROTH WITH UNWELCOME VISITORS MICHAEL PITT AND BRADY CORBETT IN DIRECTOR MICHAEL HANEKE’S FUNNY GAMES U.S. COURTESY WARNER INDEPENDENT PICTURES. Michael Haneke is a director who makes films strictly on his terms, and — as his new movie demonstrates — writes his own rules if he doesn’t like the existing ones. The son of an actor-director father and an actress mother, Haneke was born in Munich, Germany, and grew up just outside the Austrian capital, Vienna. He attended the University of Vienna, where he studied philosophy, psychology and theater. Over the course of the 70s and […]

by Nick Dawson on Mar 14, 2008

NO COUNTRY’s INVISIBLE MAN

Jamie Stuart emailed the following observation about No Country for Old Men after rewatching the film on DVD: I rented No Country yesterday. I’d read a few complaints on Anne T.’s blog about the scene where Bell goes to the motel room — and Chigurh is supposed to be behind the door (people were complaining that Chigurh seemed to have vanished). I always thought Chigurh was simply hiding behind the door, since that’s where he’s shown during the initial cross-cutting. But watching the DVD — and even brighting the image all the way — Chigurh IS NOT THERE when the […]

by Scott Macaulay on Mar 13, 2008

SMALL CAN BE GOOD

Over at his CinemaTech blog, Scott Kirsner responds responds to an article in the Wall Street Journal by Joe Morgenstern entitled “Size Matters.” In the article, Morgenstern questions whether the viewing medium of handheld devices will lead to artistic cinematic innovation and seems to think it will not. I’m incredibly interested in this subject and will be writing more on it in the future. I said at my SXSW panel that I’m mystified why more independent filmmakers haven’t tried to create innovative content for the web, but, unlike Morgenstern, I don’t think the answer is because the medium of the […]

by Scott Macaulay on Mar 11, 2008

SXSW #1

Here at Filmmaker you’ll read about the films playing at the South by Southwest Film Festival (SXSW) at Austin, Texas, but to get the festival you need to understand that films aren’t the only game in town. There’s of course music — SXSW started as a music fest, and, mid-week, when it changes over, the crowded streets will really explode –- but there’s also SXSW Interactive, which focuses on new media and gaming. And then there’s the conference part of SXSW. In the huge Austin Conventional Center, which is the hub of the festival, panels and small group discussions with […]

by Scott Macaulay on Mar 10, 2008

MARY BRONSTEIN ON THE RENART PODCAST

Okay, I’ve posted, MySpace’d and Facebooked you all to death about Ronnie Bronstein’s Frownland, which opens tomorrow at the IFC Center. You know you have to see it, right? You will be graded on it on the upcoming final. And if you’re in Austin for SXSW, as I’ll be, you can score some extra credit by seeing Mary Bronstein’s debut feature Yeast, which premieres there. Mary is Ron’s wife, she co-starred in Frownland, and he was one the cinematographers of her movie. Greta Gerwig also stars. If you want to learn more about it, listen to Mary on the Renart […]

by Scott Macaulay on Mar 6, 2008

DUNGEONS AND DRAGONS’ GARY GYGAX, R.I.P.

Gary Gygax, co-creator of the fantasy role-playing game Dungeons and Dragons (with Dave Arneson), died on March 4th. He had been in poor health for some time, and apparently died of heart problems. I saw notice of his death on Boing Boing earlier in the week, took a second to recognize Gygax’s name, and then kept on surfing through the site. Later, though, I thought a bit more about Gygax and his cultural contribution and decided to write something here for a couple of reasons. First, I’ll cop to having been a bit of a D&D geek for a couple […]

by Scott Macaulay on Mar 6, 2008

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