“Cinema is a driving force in my life. I don’t want it to leave us, nor do I want to have to leave it behind; it’s provided me with hope and inspiration, and an incredibly fulfilling livelihood. It is also a one hundred year old industry, and, in my opinion, damn close to both a perfect art form and a perfect entertainment, but is also one whose applicability to our lives and livelihoods must now be completely reevaluated.” That’s Ted Hope delivering his keynote address at Power to the Pixel. Yesterday in my Filmmaker weekly newsletter I suggested that rather […]
Monty Python fans rejoice, airing on IFC beginning Sunday is Monty Python: Almost The Truth (Lawyer’s Cut), a six-part documentary on the legendary Brit comic troupe. A very thorough examination of the six members (with new, refreshingly frank, interviews from all five living members) directors Bill Jones, Ben Timlett and Alan G. Parker leave no stone unturned as they examine everything from the troupe forming while writing sketches for David Frost, how they came up with the name Monty Python, their fights with the BBC, George Harrison fronting the money to make Life of Brian, and finally what they’ve done […]
My posting of a strange letter from the future I received from an independent filmmaker has prompted a diverse group of reactions throughout the blogosphere. Ted Hope kindly called it “brilliant” over at his blog while an Anonymous poster here said he was “revolted” by it and hoped it was a Jon Reiss parody. One producer/distribution executive accused us of revealing his business plan. And at Film Utopia, filmmaker Clive Davies-Frayne called it “one of the most depressing articles” he’s ever read and posted a response not to the author (who, after all, is both redacted and from the future) […]
The following is our first report by Lance Weiler from Power to the Pixel. I’ve just arrived in London for the third annual digital innovation forum Power to the Pixel which consists of a conference, project pitch forum, day of workshops and a think thank. Tomorrow the conference phase of the event kicks off. I’ll be taking part in each of the phases of the event. Starting tomorrow with a presentation on Story Architecture — a look how storytelling is evolving in the age of connected devices and the real-time web. I look forward to Power to the Pixel each […]
As you may have read, Four-Eyed Monsters co-creator Arin Crumley has launched a new project, OpenIndie, that aims to create a new model for the distribution of independent film. I’ll let Crumley explain it: As Crumley notes, OpenIndie is using Kickstarter to fundraise towards its goal of $10,000. With 17 days to go, OpenIndie needs just over $7,000. If you’re intrigued after seeing the video, please consider heading over there and contributing. A $100 contribution gets you a one-hour consulting session with Crumley on the distribution of your own film. Also, check out this latest podcast from Lance Weiler and […]
Paramount‘s grass-roots Internet marketing of Oren Peli‘s low budget horror Paranormal Activity looks to be working. According to Variety, the film pulled in $7.1 million over the weekend at 160 screens, beating the 22-year-old record of the highest weekend grosser at 200 locations or less, held previously by Platoon ($3.7 million at 174 locations). The film also grossed the weekend frame’s highest per screen average of $44,163, edging out An Education ($40,595 per screen). Without question the film has turned into the hottest ticket for not only the horor fan but college kids who’ve been constantly clicking the DEMAND IT […]
Film Independent‘s Filmmaker Forum is underway this weekend, and we asked writer/director Zak Forsman to attend and report back. Here’s the first of his posts. I’ve just locked picture on my first feature-length motion picture and it seems I couldn’t be entering the world of distribution at a worse time. I strolled into the DGA in Los Angeles for day one of the Film Independent Filmmaker Forum optimistic and eager. I left it determined to batten down the hatches in preparation for stormy seas ahead. Veteran producer Jeremy Thomas (Creation, The Last Emperor, Crash) keynote opened with the concession that […]
I received the following note from a filmmaker who is witnessing the shrinking of what was once a reliable niche — the low-to-no budget gay film. Hey Scott– LOVE your editor’s note “from the future”. I follow your twitter already– just had to write you to react to this piece. Right now, I’m typing in an Atlanta hotel room and tonight my movie, PORNOGRAPHY, is closing the Atlanta LGBT film festival. I flew from the Portland LGBT a few days ago, and tomorrow I’m in Tampa at that fest. (I’m missing our closing night of Dallas OUTTAKES tonight.) I’ve been […]
TOM HARDY AS THE EPONYMOUS LEAD IN WRITER_DIRECTOR NICOLAS WINDING REFN’S BRONSON. COURTESY MAGNOLIA PICTURES. At a time when Danish cinema boasts a large number of first rate directors, Nicolas Winding Refn stands out among his peers for his raw talent and ambition. The son of filmmaker Anders Refn, Refn was born in Copenhagen in 1970 but spent much of his teenage years living in New York, which had a great impact on his cinematic sensibility. He started film school at the American Academy of Dramatic Arts, but was expelled for throwing a desk at a wall, one of a […]
Through a bizarre anomaly in the space-time continuum, I received the following email in my in-box. It’s dated March 30, 2010, so it’s from the future. Since what’s being discussed hasn’t happened yet, I can’t, of course, vouch for its authenticity, but the internet routing and DNS server codes all seem accurate. I’m going ahead and posting it because this filmmaker’s thinking is interesting, but I’m redacting his name and the name of his film so as to protect his privacy. — S.M. Dear Friend, What a tumultuous but exciting two months since our film, REDACTED, premiered at Sundance! Thanks […]