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Trailer Watch: A24’s Bodies, Bodies, Bodes
A new trailer has been released for A24’s forthcoming slasher comedy Bodies, Bodies, Bodies, which is set to hit theaters later this summer. Directed by Dutch actor/filmmaker Halina Reijn with a script by playwright Sarah DeLappe (and based off a story by “Cat Person” writer Kristen Roupenian), the film follows a “nihilistic” friend group that decides to play the titular murder-mystery game on a stormy night in one of their lavish mansions. What starts as a drug-fueled party game soon morphs into a real-life witch hunt when one of the friends is viciously murdered. Frantic to find the killer and […]
by Natalia Keogan on Jul 12, 2022 -
Apply for the Lynn Shelton “Of a Certain Age” Grant
The Lynn Shelton “Of a Certain Age” Grant is now accepting applications. The unrestricted $25,000 cash grant will be offered to a woman, non-binary or trans filmmaker 39 years or older who has not yet helmed a narrative feature. The grant was established by Northwest Film Forum alongside Duplass Brothers Productions in 2020 after Lynn Shelton’s untimely passing. Some of the late, Seattle-based director’s films include We Go Way Back (her 2006 debut feature), Humpday (2009), Laggies (2014) and Sword of Trust (2019). Shelton was inspired to make her first film at age 39 after learning that French auteur Claire […]
by Natalia Keogan on Jul 12, 2022 -
Back to One, Episode 211: Jeanne Tripplehorn
Fresh out of Juilliard, Jeanne Tripplehorn’s first screen role was Basic Instinct. That started a 30+ year run of films like The Firm, Waterworld, Sliding Doors, and series such as Criminal Minds, Big Love, and her latest, The Terminal List for Amazon. In this episode, she talks about her love for extensive research, the most important tools for an actor—confidence, relaxation, and focus; how the happenings off-screen affect what’s on the screen; and why, at this point in her career, she just wants to play. Plus we get the scoop on her preternatural ability to sing classic rock songs in […]
by Peter Rinaldi on Jul 12, 2022 -
“This Experience Really Felt Rare”: Justin Ducharme on Sundance Native Lab 2022
With the Sundance Native Lab having returned to a (hybrid) in-person model for the first time in two years, Filmmaker asked 2022 fellows to reflect on their recent experiences through short diary entries. Read the rest of the 2022 cohort’s responses. It’s an interesting thought process trying to find the right words to describe my time at the Sundance Film Festival’s Native Film Lab. From the beginning. there was an obvious feeling of kismet, an almost too good to be true energy to have when going into any creative development lab, let alone one from an institute like Sundance. But I guess […]
by Filmmaker Staff on Jul 12, 2022 -
“I’m Talking Emotional Tension in the Room”: Taietsarón:sere “Tai” Leclaire on Sundance Native Lab 2022
With the Sundance Native Lab having returned to a (hybrid) in-person model for the first time in two years, Filmmaker asked 2022 fellows to reflect on their recent experiences through short diary entries. Read the rest of the 2022 cohort’s responses. After a week of online Zoom meetings and activities, it was finally time to fly to Santa Fe for our in-person portion of the Native Lab. My first time traveling in ages. One of the rare flights during the end of the pandemic. As soon as I got to the gate, I immediately recognize two other people going to the lab […]
by Filmmaker Staff on Jul 12, 2022 -
“The Excitement Everyone Is Feeling Is Infectious”: Daniel Pewewardy on Sundance Native Lab 2022
With the Sundance Native Lab having returned to a (hybrid) in-person model for the first time in two years, Filmmaker asked 2022 fellows to reflect on their recent experiences through short diary entries. Read the rest of the 2022 cohort’s responses. I will begin this by saying that my path to the Sundance Native Lab is anything but traditional. I was born in Lawton, Oklahoma and currently live in Wichita, Kansas where I work as a public librarian. Before 2022, the only writing anyone would associate with me was stand-up jokes and memes. Filmmaking was a lifelong passion of mine, but something I […]
by Filmmaker Staff on Jul 12, 2022 -
“I Can Create and Be Grounded in My Own Path”: Tiare Ribeaux on Sundance Native Lab 2022
With the Sundance Native Lab having returned to a (hybrid) in-person model for the first time in two years, Filmmaker asked 2022 fellows to reflect on their recent experiences through short diary entries. Read the rest of the 2022 cohort’s responses. Sundance Native Lab was a transformative time that deeply reaffirmed my practice, giving me confidence in my work that I never had before. A huge part of it was being grounded by other Indigenous writers in my cohort and in the care of such amazing leaders such as Moi—I felt I was in a safe space to share my script in its […]
by Filmmaker Staff on Jul 12, 2022 -
“The Collaboration Process Is What Makes Filmmaking Feel Like Home”: Anpa’o Locke on Sundance Native Lab 2022
With the Sundance Native Lab having returned to a (hybrid) in-person model for the first time in two years, Filmmaker asked 2022 fellows to reflect on their recent experiences through short diary entries. Read the rest of the 2022 cohort’s responses. Before the fellowship, I was feeling anxious. It’s a new environment with new people, cool people. I consider myself introverted, and thus out of my comfort zone. I was still in disbelief that I got chosen for the Full Circle Fellowship; I couldn’t believe that people would want to listen to me. I wasn’t sure of my voice as an […]
by Natalia Keogan on Jul 12, 2022 -
Notes from New Mexico: Sundance Institute Native Lab 2022 Participant Diaries
This May, the Sundance Native Lab kicked off with a unique two-pronged approach. From May 2-6, fellows met solely online, greeting each other and introducing their projects virtually through Zoom. The following week, from May 9-14, the Native Lab took place in Santa Fe, New Mexico—the first time fellows were able to convene in-person at the Lab’s Southwestern outpost since before the pandemic. Established in 2004, the Native Lab at Sundance connects emerging Indigenous filmmakers with seasoned industry mentors, engaging in a series of workshops that focus on fortifying the fellows’ writing, directing, and technical skills. Several Full Circle fellows, […]
by Filmmaker Staff on Jul 12, 2022 -
Super 8 Dream Sequences and Jump Scares: DP Brett Jutkiewicz on The Black Phone
It’s fitting that The Black Phone, an adaptation of Joe Hill’s short story, was shot in Wilmington, North Carolina. Forty years ago, it was the fertile imagination of Hill’s father—Stephen King—that birthed the city’s film industry. Needing a sprawling estate for an adaptation of King’s novel Firestarter, Italian producer Dino De Laurentiis settled on an antebellum plantation in Wilmington. Pleased with the experience, De Laurentiis made the coastal town his America base of operations, shooting three more King films there (Silver Bullet, Maximum Overdrive and Cat’s Eye) and constructing what is now EUE/Screen Gems Studios—the very soundstages that The Black […]
by Matt Mulcahey on Jul 11, 2022
