18133 Results for “”
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“We Needed To Embrace a Certain Amount of Ugliness”: DP Dustin Lane on Sometimes I Think About Dying
Daisy Ridley stars in Sometimes I Think About Dying, directed by Rachel Lambert and co-written by Kevin Armento, Stefanie Abel Horowitz and Katy Wright-Mead. Ridley plays Fran, an office worker who, as the film’s title suggests, is driven to such mind-numbing boredom that she often thinks about her own death to pass the time. That is, until a new employee named Robert (Dave Merheje) begins striking up conversation with her. Surprisingly, he manages to pique her interest, effectively breaking the monotony of her isolating office job. DP Dustin Lane tells Filmmaker how he crafted the visual language of the film […]
by Filmmaker Staff on Jan 19, 2023 -
“This ‘Space Problem’ Became Our Problem”: Ido Mizrahy on The Longest Goodbye
With NASA under “presidential orders” to land humans on Mars by 2033—and the industry titans of Silicon Valley rushing to make space exploration sexy again (not to mention cash in on that lucrative action)—it might be a good time to stop and ask not when our long-mission astronauts will launch, but rather who should be going and how they will survive. And not just physical survival, but mental and emotional, for even the Trekkiest among us may give pause before signing up for a years-long journey that requires relentless isolation, being stripped of any semblance of privacy and deprived of […]
by Lauren Wissot on Jan 19, 2023 -
23 Films We’re Anticipating at the 2023 Sundance Film Festival
The Sundance Film Festival is always the American independent scene’s bellwether. The festival’s curatorial decisions vault a select group of films — this year, 99 features out of 4,061 submitted — to the top tier of pictures receiving attention from distributors, critics, curators from other festivals and, through copious media coverage, audiences. And while longtime festival veterans — I’ve been attending since 1993 — are accustomed to the usual first-half rhythms (“the festival seems slow”; “the documentaries are stronger”; “did you hear Company X bought film Y for $Z million dollars!”), Sundance’s return to in-person combined with its first true hybrid […]
by Scott Macaulay on Jan 19, 2023 -
“To Change Reality, You Need to Change the Narrative”: E Mãlama Pono, Willy Boy Director Scott W. Kekama Amona at Hawaii International Film Festival 2023
At the end of the recent Hawai’i International Film Festival, Filmmaker reached out to director Scott W. Kekama Amona to learn more about E Mãlama Pono, Willy Boy, which won the festival’s Audience Award for Best Short Film. An astonishingly assured, measured debut, Willy Boy is one of the more important Native Hawaiian and indigenous titles to come out in recent years, successfully addressing issues like land-rights injustice, political disenfranchisement, police overreach and native identity in a concise narrative framework that takes place in only one day, from one character’s awakening to their eventual “awakening.” Shot in a steely, timeless black-and-white […]
by Jason Sanders on Jan 19, 2023 -
“Emanuele Asked Me to ‘Undertake the Journey’ With Him”: Editor Clelio Benevento on L’Immensità
After premiering at the 2022 Venice Film Festival, Italian director Emanuele Crialese’s latest feature L’Immensità makes its way Sundance in the festival’s “Spotlight” section. Co-written by Crialese alongside Francesca Manieri and Vittorio Moroni, the film is a semi-autobiographical account of the director’s coming of age in Rome during the ’70s. Editor Clelio Benevento discusses how he came to work on the film, the differences between his and the director’s work styles and the gratitude he has for his film school professors. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the […]
by Filmmaker Staff on Jan 19, 2023 -
ReelCall is Here to Make Networking and Staffing in the Industry Accessible to All (Sponsored)
Finding your team and talent for a project is a lot like dating. Have you ever wondered why companies like match.com, eHarmony and, more recently, apps such as Tinder and Bumble are so good at finding matches? They use data and inputs from their users to put the right people in front of each other. ReelCall uses that same idea to help creatives match on projects, jobs and roles to help find the right fit for each person. Do you have an idea for a project but don’t have the network to find other creatives to make your film come […]
by Filmmaker Staff on Jan 18, 2023 -
BMI Names Tracy McKnight, Vice President, Creative, Film, TV & Visual Media
BMI announced today that veteran music supervisor Tracy McKnight, whose work includes scores of independent films, has been appointed the performance rights organization’s new Vice President, Creative, Film, TV & Visual Media. From the press release: In this role, McKnight will lead the day-to-day functions of the Film, TV & Visual Media department. She will help identify and sign new affiliates to BMI, while continuing to cultivate and nurture relationships with the company’s industry-leading roster of film, TV and visual media composers. McKnight will also help develop programs and events that support career development and provide opportunities to highlight the […]
by Filmmaker Staff on Jan 18, 2023 -
Editor Walter Murch on the Golden Ratio, Recreating a ’70s-era Editing Room and The Conversation
Watching a documentary on film history, editor Walter Murch was struck by how different cinematographers tended to frame faces in close-ups similarly. “I noticed something peculiar,” he said. “No matter what the film was, the eyes of performers in close-up seemed to float along the same line from shot to shot.” Murch tested his theory by tying a string of knitting yarn across his television screen. Dividing measurements from above and below the line gave him 1.618, a number that represents phi, or the golden ratio. Further measurements of faces in close-ups—from the upper frame edges to hairlines, from chins […]
by Daniel Eagan on Jan 18, 2023 -
Trailer Watch: Hlynur Pálmason’s Godland
Watch the trailer for Godland, the third feature from Icelandic filmmaker Hlynur Pálmason. The film takes place during the late 19th century and follows a young Danish priest as he embarks on a grueling journey through the harsh yet stunning landscape of Iceland to establish a church and photograph the inhabitants of the then-remote Danish territory. In his dispatch out of Cannes last year, Blake Williams expands on the film’s sumptuous visuals and the film’s (albeit fictitious) historical reference: “The film is shot on 35mm and lets you know it by adopting what appears to have been an extremely hands-off […]
by Filmmaker Staff on Jan 17, 2023 -
“I Don’t Know How To Be a Product”: Saint Omer Star Guslagie Malanda (Back To One, Episode 236)
To say Guslagie Malanda plays Laurence Coly in Alice Diop’s Saint Omer feels incorrect; she becomes her. It’s a performance that holds such subtle power and authenticity that it’s easy to take it for granted. On this episode, Malanda explains why she turned down countless acting jobs after her first film, My Friend Victoria. She talks about the year-long pre-production period that she needed to prepare for the role, the nightmares that plagued her during that time, the breakthrough of learning to breathe, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, […]
by Peter Rinaldi on Jan 17, 2023
