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Chayse Irvin on Shooting Blonde in Digital Black and White and God’s Creatures in 35mm Color
This week, Netflix’s Blonde and A24’s God’s Creatures head to streaming and theaters, respectively. The digitally-shot Blonde is a highly stylized look at the life of Marilyn Monroe, shifting aspect ratios and alternating between color and monochrome while employing extreme wide angle lenses, body cam mounts, infrared and more to expressionistically convey Monroe’s perspective. God’s Creatures is the antithesis—austere and somber, captured on 35mm, with an observational point of view distanced from the main characters, a mother in a small Irish fishing village whose life crumbles after providing a false alibi for her son. The films do share one thing in common—cinematographer […]
by Matt Mulcahey on Sep 29, 2022 -
“We Often Speak of the Film as a ‘Making-of-a-Ghost’ Story”: Saela Davis and Anna Rose Holmer on God’s Creatures
The brackish waves of the Atlantic are a source of livelihood and peril for the inhabitants of a coastal Irish fishing village in God’s Creatures, the directorial work of Saela Davis and Anna Rose Holmer. Aileen O’Hara (Emily Watson) is the manager of a local fishing plant, tasked with sifting through daily catches of oysters and haddock on a whirring conveyor belt and preparing them for market. She is diligent yet warm, providing a maternal presence for many of her employees, namely young Sarah (Aisling Franciosi, The Nightingale). During an ordinary shift, Aileen and a handful of other employees witness […]
by Natalia Keogan on Sep 29, 2022 -
Metrograph Tribute to the Brothers Young Recalls Heroic Era in Indie Filmmaking
Since the passing in January of Irwin Young, chief mensch at New York’s fabled DuArt Film Lab, there has been an outpouring of tributes and reminiscences, including a packed memorial at Lincoln Center in May. But no tribute has been more on point than “The Process: A Tribute to Robert and Irwin Young,” the Metrograph’s recent 24-film series dedicated to Irwin, the lab’s owner, and older brother, director Robert M. “Bob” Young, for the epic contributions they jointly made to the American indie film scene from the 1960s through the 1990s. For the big screen is precisely where the Young […]
by David Leitner on Sep 28, 2022 -
Cobra Kai Star Xolo Maridueña on His Year of Acting Revelations (Back to One, Episode 222)
Xolo Maridueña has been playing Miguel Diaz on the hit series Cobra Kai for five seasons, starting when he was 16 years old. On this episode, he talks about how preparing for his dream role as Blue Beetle (in the eponymous D.C. superhero movie coming out next year) sent him down a road that expanded his acting capabilities in new and exciting ways. Plus he talks about William Zabka’s positive influence on him, and the ways that played into how he took on his leadership duties when he got to be number one on the call sheet. Back To One […]
by Peter Rinaldi on Sep 27, 2022 -
Trailer Watch: Charlotte Wells’s Aftersun
The trailer has arrived for Aftersun, the feature debut from Scottish writer/director (and former 25 New Faces of Film) Charlotte Wells. The film chronicles the relationship between a doting father and his pre-teen daughter, specifically through the lens of a formative vacation they took to a resort in Turkey. After premiering at this year’s Cannes Critics’ Week to much acclaim, Aftersun was selected for further festival programming at Telluride, TIFF and will now screen at the 60th New York Film Festival. The film’s official synopsis reads: At a fading vacation resort, 11-year-old Sophie treasures rare time together with her loving […]
by Filmmaker Staff on Sep 27, 2022 -
Trailer Watch: Nina Menkes’s Brainwashed: Sex-Camera-Power
Independent filmmaker Nina Menkes (Queen of Diamonds, The Bloody Child, Phantom Love) returns with Brainwashed: Sex-Camera-Power, a documentary that uses clips from hundreds of films to demonstrate the pervasiveness of the male gaze in the dominant cinematic canon—and the real-world misogyny that Menkes believes these depictions abet. Originally conceived as a presentation that the filmmaker gave at film festivals or as stand-alone talks, the documentary takes images from films like Vertigo, Once Upon a Time…in Hollywood and Titane in order to make its argument. The film also features an array of prominent women and non-binary industry figures speaking to the […]
by Filmmaker Staff on Sep 26, 2022 -
San Sebastian Film Festival at 70
It might have been notching up its 70th birthday, but rather than reminisce about the past San Sebastian continues to focus on new voices, as evidenced by a set of award winners full of up- and-coming talent. Though the festival on Spain’s northern Basque Country coast managed to continue during the pandemic, this year was the first time since 2019 that a real sense of normality resumed. That meant more guests were able to return as restrictions eased—including David Cronenberg and Juliette Binoche, both picking up life-time achievement Donostia Awards—while masks were no longer required in cinemas. Picking up his […]
by Amber Wilkinson on Sep 26, 2022 -
Fincher Upstairs, Raimi Downstairs: DP Zach Kuperstein on Barbarian
On a rainy night in a rundown Detroit neighborhood, Tess (Georgina Campbell) arrives at her Airbnb rental only to find the abode double booked and Keith(Bill Skarsgård) already nestled comfortably inside. That’s about all Barbarian’s refreshingly cryptic trailer gives you, along with a few glimpses of the subterranean terror that awaits. So, that’s all I’m going to give away about the plot as well, other than to say that whatever you expect from Barbarian after its first act is most decidedly not what you’re in store for. With the movie in theaters, cinematographer Zach Kuperstein spoke to Filmmaker about recreating […]
by Matt Mulcahey on Sep 22, 2022 -
Moara Passoni on the Origins of the Brazilian Filmmakers Collective
Today the short film streaming platform Argo launches two new playlists of films by eight members of the Brazilian Filmmakers Collective. Below, Moara Passoni, one of Filmmaker‘s 25 New Faces, discusses the genesis of the group. — Editor Toward the end of 2013, I moved to New York to launch director Petra Costa’s first feature-film Elena. At the time, we used to joke that we were “the incredible army of Brancaleone” — young Brazilians, mostly women, out to conquer Hollywood. We managed a thumping opening weekend, but it didn’t go far beyond that. That would all change some years later, […]
by Moara Passoni on Sep 22, 2022 -
“A Club You’ve Always Wanted To Be a Part Of”: Abigail Disney and Kathleen Hughes on DCTV Firehouse Cinema’s Inaugural Film The American Dream and Other Fairy Tales
Founded in 1972, DCTV (Downtown Community Television Center) has the distinction of being one of the rare permanent cinema landmarks in NYC. Housed in a striking firehouse on Lafayette Street in Chinatown, the non-profit media center has long been the one of the most prominent documentary production and film education centers in the country. After a storied legacy of hosting various educational programs, folding-chair screenings, master classes, panel discussions and Chinatown-specific community events, on its 50th anniversary the building will now finally house its own specialized cinema. “We don’t make films for ourselves, we make films for people to see […]
by Natalia Keogan on Sep 22, 2022
