6582 Results for “production”
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“My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal
With over 50 credits to his name, including Life Animated, A Walk into the Sea and the Emmy-nominated Boy’s State, composer T. Griffin brings sure melodies, inventive arrangements and a clever blending (and treatment of) of acoustic instruments with electronics to his film scoring work. Both an omnivorous listener and a performing musician — he’s a former member of Vic Chestnutt’s band and has performed for live film/media events by artists such as Sam Green — Griffin is invigoratingly thoughtful about the role of music in film, and his scores benefit from that inquisitive process. They buzz with musical ideas while […]
by Scott Macaulay on Jul 14, 2021 -
“I Could Only Shoot When I Had Increments of $200 to Spend”: Lizzie Borden on Working Girls, Harvey Weinstein and Changing Perceptions of Sex Work
Highly respected but rarely screened, Working Girls, Lizzie Borden’s 1986 feature about a group of women working an extended shift in a Manhattan brothel, finally makes its way to home video this week thanks to the Criterion Collection. Presented in a new 4K digital restoration, the film is long overdue for reappraisal, and not merely due to the struggles currently faced by sex workers throughout the COVID-19 pandemic. Borden’s previous feature, Born in Flames, was defiantly scrappy and overtly political. Working Girls represents an upgrade in production value while retaining Borden’s unwavering interest in feminist politics, race relations, workers’ rights […]
by Erik Luers on Jul 14, 2021 -
Shooting on a Moving Period Russian Train: Juho Kuosmanen on Cannes 2021 Competition Premiere Compartment No. 6
In Juho Kuosmanen’s debut feature The Happiest Day in the Life of Olli Mäki, a Finnish boxer (and baker) gets a title shot at Helsinki Olympic Stadium against the American featherweight champion. At their joint press conference, the Finnish media is desperate to hear from their distinguished foreign guest: “What do you think of our country?” The real Olli Mäki lost by second-round TKO, but this movie about a small nation jostling for recognition on the world stage took top honors at Un Certain Regard in 2016. Kuosmanen is back at Cannes this year and he’s gone up a class: […]
by Mark Asch on Jul 13, 2021 -
“We Had No Idea about the LSD, or that Napa Had a Farm….”: Mike Plante and Jason Willis on Their Cramps/Mutants Punk Doc, We Were There To Be There
One of the most storied shows of the punk era was seen by just a tiny audience at an unlikely venue — a California mental hospital. The punk rockabilly band The Cramps and theatrical art-punk band The Mutants played the Napa State Hospital on June 13, 1978, one of a series of concerts programmed at the institution for its residents during that era. What made this concert different was its documentation — it was recorded on old Sony equipment by Bay Area documentarian Joe Rees and his Target Video crew. “Somebody told me you people are crazy, but I’m not […]
by Scott Macaulay on Jul 13, 2021 -
Cannes Film Festival 2021 Critic’s Notebook 3: Drive My Car, Bergman Island
“I am not really necessarily interested in performance, per se, but in emotion,” Ryûsuke Hamaguchi told Vadim Rizov back in 2019 when asked how meaningful the work of Jacques Rivette was to him. The answer went on to more or less say “not very,” which is even more incredible now that his new three-hour Murakami adaptation, Drive My Car, has landed, so absorbed with the art and nuances of rehearsal and performance that the French New Waver will inevitably be the default assumed touchstone once again. Indeed, Drive My Car is, along with its 40-page source material (found in Murakami’s […]
by Blake Williams on Jul 13, 2021 -
Editor’s Letter
Often when I sit down to write this letter each quarter, I’ll scan through our InDesign file and take note of themes or subject matters that flow from article to article across the issue. Sometimes, a business issue will be represented in multiple stories, or several directors will unexpectedly share the same creative inspiration or working method. This time, as I flipped through the pages of this summer 2021 edition, one thing jumped out: There’s no article tied to the COVID-19 pandemic. A year ago, the digital pages I flicked through remained that way. For the first and only time […]
by Scott Macaulay on Jul 12, 2021 -
After the Goldrush: NFTS, the Blockchain and Independent Film
“One week, I didn’t know what an NFT was,” says producer and director Adam Benzine. “Seven days later, I had the first film out as an NFT, and seven days after that, CNN wanted me on as an expert on NFTs.” Benzine is referring to a time just a few months ago—March 2021—when his documentary, Claude Lanzmann: Spectres of the Shoah, a 2015 short about the maker of the classic Holocaust documentary Shoah, was announced as the “first Academy Award nominee to be released as an NFT.” Issued on the Rarible NFT trading site, Benzine’s NFTs (they were released in […]
by Scott Macaulay on Jul 12, 2021 -
Knowledge Can Be Scary
No North American city is more synonymous with Bronx-born George Romero than Pittsburgh. A trip to the nearby Monroeville Mall (the setting of Romero’s 1978 satirical screed on mass consumerism, Dawn of the Dead) brings you face-to-face with the horror director himself—a bronze bust of Romero’s head greets shoppers outside Dick’s Sporting Goods. When the filmmaker unexpectedly passed away in 2017, he was at work on his newest sequel, Road of the Dead, in Toronto. News of his death from lung cancer prompted online tributes from the film community, not that Romero would have encouraged any public-facing praise: “I had […]
by Erik Luers on Jul 12, 2021 -
A Colander in the River of the World: On Decolonizing Film Studies
American film studies and production programs are undergoing a major structural overhaul. A long-burgeoning movement comprised of academics and filmmakers are calling for the full decolonization of syllabi and cinematic offerings within these courses, which have historically foregrounded work by straight, white men as the pinnacle of what’s worth studying and emulating. Many academics and scholars hesitate to use the term “decolonize” broadly for fear of rendering it into a tepid buzzword (or worse, deflating the term to a borderline-meaningless liberal t-shirt slogan), yet it’s become an essential framework for many who wish to make meaningful changes within the confines […]
by Natalia Keogan on Jul 12, 2021 -
Beautiful Syllabus Design
Is there any document more compelling than a good syllabus? I have a collection of favorites in a folder on my desktop and often daydream about following a particular professor’s list of screenings, readings and writing prompts to create my own individual class, a kind of private self-improvement gambit or—even better—a venture into some fantastic cinematic territory still unknown to me. A good syllabus is a treasured resource; a great syllabus, though, with its hints and errant connections, exudes the magic of possibility and epiphany. As an example, I remember reading my colleague Priya Jaikumar’s syllabus for a graduate seminar […]
by Holly Willis on Jul 12, 2021
