6583 Results for “production”
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“Can You Shoot Action?” Director Gina Prince-Bythewood and Editor Terilyn A. Shropshire on The Old Guard and Love & Basketball’s 20th Anniversary
A summer action movie (based on a pre-existing comic book) starring Charlize Theron may feel like a familiar recipe for a blockbuster hit. But as envisioned by Gina Prince-Bythewood, The Old Guard is less cookie-cutter, multiplex fodder than a humanist portrait of independent contractors who just happen to be immortal beings keeping the peace. From the Crusades through the Civil War and, as the film opens, America’s current War on Terror, the old guard consists of its leader, Andy (Theron) and three men (Matthias Schoenaerts, Marwan Kenzari and Luca Marinelli) who have fought in every war the world has ever […]
by Erik Luers on Jul 14, 2020 -
Spring 2020 SFFILM Rainin Grant Winners Announced
SFFILM announced today the seven narrative feature films that will receive a total of $195,000 in funding in the Spring, 2020 round of its SFFILM Rainin grants. Awarded twice annually, the funds support films in the “next stage of their creative process,” which can range from screenwriting to post-production, and which “will have significant economic or professional impact on the Bay Area filmmaking community and/or meaningfully explore pressing social issues.” The panelists who reviewed the finalists’ submissions are Sofia Alicastro, SFFILM Artist Development Manager: Filmmaker Programs; Sophie Gunther, SFFILM Artist Development Manager: Film Funds; Anne Lai, SFFILM Executive Director; Angela […]
by Scott Macaulay on Jul 14, 2020 -
Back to One, Episode 116: Ron Cephas Jones
Ron Cephas Jones won a Emmy for his work on the hit series This Is Us. His latest series, Truth Be Told, just got picked up for a second season on Apple TV. In this episode, he takes us back to his early days at LAByrinth Theater in New York City, starring in Stephen Adly Guirgis’ Jesus Hopped The A Train, and explains how Philip Seymour Hoffman, who was directing, forever changed his approach to work. He also talks about the importance of collaboration for the actor, why the script never leaves him in the days leading up to production, […]
by Peter Rinaldi on Jul 10, 2020 -
Bruce Lee: His Greatest Hits, Hair and Wild Palms: Jim Hemphill’s Home Video Recommendations
It’s often hard for me to avoid using superlatives when writing about the work done by the Criterion Collection, and they’ve made it even more difficult with their new Blu-ray set Bruce Lee: His Greatest Hits, a seven-disc package that ranks with the company’s best releases – which means it’s one of the best Blu-ray releases ever, period. The box contains the four features martial arts icon Lee made at the height of his powers (The Big Boss, Fist of Fury, Way of the Dragon, and Enter the Dragon) as well as two films cobbled together after his premature death […]
by Jim Hemphill on Jul 10, 2020 -
“A Sequel to a Film That Doesn’t Exist”: Max Barbakow on Palm Springs
Setting a record for most expensive acquisition in Sundance history, Max Barbakow’s debut feature, Palm Springs, sold jointly to Neon (theatrical) and Hulu (streaming) for a reported $17.5 mil and 69 cents (it broke the previous record by 69 cents). Early press described the film as a sci-fi twist on the 1993 comedy, Groundhog Day; trading in SNL’s Bill Murray for another alum, Andy Samberg, Barbakow welcomes the comparison. With the marketable hook firmly established (Harold Ramis meets Shane Carruth!), Palm Springs ultimately becomes a film about two strangers brought together by an agonizing event: a cringeworthy wedding in Palm Springs. […]
by Erik Luers on Jul 9, 2020 -
Filmmaker’s Summer 2020 Issue is Online and Available for Purchase
As previously announced, Filmmaker‘s Summer 2020 issue is being published as a PDF, and it’s now online and available for single-issue purchase. It’s our largest page-count ever (244 pages!), and our designers, Caspar Newbolt and Charlotte Gosch, tweaked the whole design to make it a beautiful and comfortable experience on both a tablet and a laptop in either portrait or landscape view. For the first time, we’ve also enabled the issue to be purchased individually as a PDF for $5.95, and you can do that by clicking here or on the button below using PayPal or your credit card. On […]
by Scott Macaulay on Jul 9, 2020 -
“… Every Night I Dream That I am Shooting a Film”: DP Benoit Delhomme on Life in Lockdown
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor During the two months of lockdown in Paris, I lived alone in my painting studio. All the paintings I have made for the last 30 years are there, waiting patiently to […]
by Filmmaker Staff on Jul 8, 2020 -
“At Present, Many of Us are Living in the Conditions of My Speculative Fiction…”: Alison Nguyen on Her Isolated, Computer-Simulated Character, “Andra8”
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor In 2019, I began making a video work about a computer-generated woman living and working in isolation in a virtual void. From the apartment where she’s been placed, this simulacral subaltern, […]
by Alison Nguyen on Jul 8, 2020 -
“I Miss 35mm Films the Most:” Gabo Arora on Not Watching Movies
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor I miss 35mm films the most. Especially as my new wife and I have a strict no-streaming policy at home that we had in place pre-COVID. We didn’t want to turn […]
by Filmmaker Staff on Jul 8, 2020 -
“Being a Filmmaker Sometimes is a Privilege”: Linghua (Lily) Qi on a Documentarian’s Responsibility
In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor In many ways, I feel the responsibility of documenting the world more than ever because we’re living the history, and I hope there’s a way I can tell the history or […]
by Filmmaker Staff on Jul 8, 2020
