6576 Results for “production”
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5 Questions for Yosemite Writer/Director Gabrielle Demeestere
Distracted fathers and sons left to their own devices; father surrogates and the salve of friendship — these are the themes that circle around Gabrielle Demeestere’s lovely and composed feature debut, Yosemite, which opens today in New York from Monterey Media at the IFC Center. Based on two short stories by James Franco (taken from the same collection that led to the film Palo Alto), as well as Demeestere’s own original material, Yosemite is set in 1985, when pre-adolescent dangers are symbolized by mountain lions descending from the wilds into this Northern California town, and when father-son bonding trips into […]
by Scott Macaulay on Jan 1, 2016 -
“Looking for False Performance Beats”: Editor Fred Raskin on The Hateful Eight
As the first film to be shot in the Ultra Panavision 70 format since Khartoum in 1966, Quentin Tarantino’s The Hateful Eight has deservedly garnered a lot of attention for its cinematography; shot in an extra-wide aspect ratio on a 65mm negative, it’s undeniably a spectacular showcase for director of photography Robert Richardson’s visual gifts. Subtler, but perhaps even more impressive, is the contribution of editor Fred Raskin, who assembles the 2.76:1 images like a maestro of space, timing, and movement. At over three hours in its Christmas Day “roadshow” edition, The Hateful Eight doesn’t have an extraneous frame – […]
by Jim Hemphill on Dec 28, 2015 -
The Designated Mourner: Son of Saul
“You failed the living for the dead,” Abraham (Levente Molnar) chides fellow Hungarian Jew Saul Auslander (Geza Rohrig) in the bowels of Auschwitz-Birkenau in October, 1944. It’s a damning comment, almost a charge of treachery: That is the occasion for the single act of resistance by camp inmates against the occupying Germans. Given recent Russian advances, the Nazis pushed to quickly liquidate not only those who had defied the odds, who had survived unimaginable brutality, epidemics, and freezing temperatures, but also the camp’s naïve newcomers right upon arrival. The latter actually believed they were disrobing for a group shower before […]
by Howard Feinstein on Dec 18, 2015 -
A Spoiler-Free Review of Star Wars: Episode VII — The Force Awakens, A Film by J.J. Abrams
When confirming RSVPs for the one and only Episode VII press screening in NYC, Disney’s email included some more-severe-than-usual boilerplate about spoilers and embargoes: “In order to give audiences around the world the opportunity to enjoy Star Wars: The Force Awakens to its fullest and allow them to discover its surprises and plot twists in the cinema, we respectfully ask that you as press continue to be our partners on this journey, and we ask that you refrain from revealing spoilers and detailed story points in your coverage, including on social media.” This is a little corporate-slimy (I’m a partner now? Do […]
by Vadim Rizov on Dec 16, 2015 -
Short Film Premiere: The Nutcracked (NSFW), by Alexandra Nicole Hulme & Celia Rowlson-Hall
Just in time for the holidays is a new realization of the classic Nutcracker — a NSFW, burlesque-themed version full of seasonal cheer, pasties, stripper poles, classical portraiture and surprisingly high production values — choreographed, directed and performed by Alexandra Nicole Hulme and 25 New Face Celia Rowlson-Hall. Rowlson-Hall’s MA is one of our favorite independent features of the year, so this new short is truly an early present. Here are the filmmakers describing the piece: We have dreamed for years now of creating a two-person Nutcracker in which we perform all the roles. We wanted to take this traditional […]
by Scott Macaulay on Dec 15, 2015 -
“If the Film is the Producer’s Baby, We Fully Adopt that Baby”: Silje Glimsdal on Film Sales
I’m talking to a young director at a film festival who hasn’t seen any movies in the festival’s program, except several in the retrospective slate. He doesn’t like to watch many contemporary films, he explains, because he’d rather be influenced only by the classic greats. Sort of pretentious, I think, not to support the work of his peers. Also, a little sneaky, to excuse himself from typical film festival banter, dodging the obligatory ego-stroking or untimely bad-mouthing that everyone else endures. But the director’s resistance to new festival favorites is not a personal judgment on their quality, he insists, but a […]
by Taylor Hess on Dec 15, 2015 -
Dial it Down a Little: Disney Lets You Shape Actors’ Performances with New Face Director Software
The director Ruben Östlund shoots wide in 4K, composing the individual shots for films like Force Majeure by, in post-production, pushing in and moving from side to side. Now, Disney Research has developed a new tool, Face Director, that offers directors even greater possibilities; it crosses the final frontier in post-production manipulation: actors’ performances. Whereas, previously, directors would shape a performance by using multiple takes or, in post, skillful editing and music, with Face Director directors can alter performance by modulating them between two extremes. From Disney’s page: We present a method to continuously blend between multiple facial performances of […]
by Scott Macaulay on Dec 13, 2015 -
TASER Tries to Discredit Killing Them Safely Documentary
It’s not unusual for filmmakers digging into difficult truths to face backlash or even retaliation. The Church of Scientology, for instance, launched a smear campaign against director Alex Gibney after his film Going Clear: Scientology and the Prison of Belief addressed some of the religion’s questionable practices. Now TASER International has tried to discredit the new documentary Killing Them Safely, which raises serious questions about the safety of TASER guns, by posting negative reviews on various web sites, including Amazon.com, iTunes and IMDB. Because TASER employees used their real names when posting these reviews, it’s been easy to spot these fake reviews (after Berardini shared […]
by Paula Bernstein on Dec 11, 2015 -
A Neighborhood Movie Mentored by Spike Lee: Michael Larnell on Cronies
Michael Larnell grew his black-and-white debut feature Cronies through New York University’s Graduate Film program. Executive produced by NYU professor and project advisor Spike Lee, Larnell’s film follows three young men living in St. Louis as they discuss women, drugs, and other salacious topics of interest to innocently pass the time over a twenty-four hour period. A nonchalant, unassuming look at how men externalize their emotions, Cronies’ pleasures derive from its layered, amusing screenplay, documentary-inspired character interviews, and conflicted study of how far one will go to protect their brethren. As Cronies opens this Friday in IFP’s Screen Forward screening series, I spoke with Larnell about the decision […]
by Erik Luers on Dec 11, 2015 -
Stinking Heaven Filmmakers Create Limited Edition VHS
Stinking Heaven, Nathan Silver’s latest film, opens in select theaters this week and is available digitally at Fandor. But distributor Factory 25 is also making the new lo-fi rehab drama available in VHS. If any film deserves a VHS release, it’s Stinking Heaven, which is set in 1990, when VHS was still the norm, and was shot on Betacam video. Set at a communal home for former substance abusers, Silver’s fifth feature has a gritty, documentary feel to it which lends itself to the outmoded VHS format. Factory 25 founder Matt Grady explained the genesis of the VHS edition. “I’ve been […]
by Paula Bernstein on Dec 11, 2015
