It’s been awhile since I sat down to chat with director Jeremiah Zagar, one half of Brooklyn-based Herzliya Films, which he runs with his producer Jeremy Yaches, so I was pretty excited to hear about their latest venture, Starved For Attention. A short film series created at the behest of Doctors Without Borders and VII Photo designed to highlight childhood malnutrition around the world Starved For Attention also seems to be the rarest of public service announcements, doubling as works of cinematic art. I spoke briefly with Zagar as he was preparing for the release of the eighth doc in […]
More Reports: Filmmaking in Afghanistan, L.A. Rebellion, Elinor Bunin Munroe Film Center amphitheater.
Director Sam Neave and his producer/star Marjan Neshat are both Iranian born, but the films they tend to make together, which include the unfortunately titled 2003’s Sundance entry Cry Funny Happy and their terrific new two shot high-wire act Almost in Love, tend to focus on the romantic travails of upper-middle-class Westerners. As such, they are naturals for the American independent festival scene, where such films usually find their natural constituency, that being other upper-middle-class Westerners. Not so for Almost in Love, their daring second feature collaboration, which had its world premiere this past weekend at the 5th Abu Dhabi […]
In sticking with our “Do Your Homework” theme, this week on the conversation we dissect one aspect of the micro-budget equation – crowdfunding. As someone who is about to use Kickstarter for the first time, I felt it was best to leave you in the capable hands of someone who had not only successfully met his goal, but who doubled it. Zak Forsman is no stranger to the world of microbudget filmmaking and I love his advice on crafting a great campaign. At IFP week I heard tons of questions from filmmakers on how to wrestle the task of a […]
It was bound to happen. An unnamed actress has filed suit against IMDb for revealing her real age. The actress, known only as “Jane Doe” in the suit against Amazon.com, IMDb’s parent company, is seeking $75,000 in compensatory damages and $1 million in punitive damages, plus lawyers’ fees. The alleged misconduct occurred after the actress signed up for IMDbPro in 2008; as filmmakers know, this is a different process than creating a public profile (or having one created for you), which had presumably already been done. Soon after joining IMDbPro, she saw her actual age on her public profile. Since […]
Holly Willis explains what film schools need to explore to stay relevant in the future.
Is independent filmmaking a calling, like a religion? The Rev. Megan Hollaway looks at the religious impulse in Todd Rohal’s priest comedy, The Catechism Cataclysm. Photograph by Henny Garfunkel
This week Cinereach announced $350,000 in grant funding going towards 17 documentary, fiction and hybrid projects. Ten projects are receiving Cinereach support for the first time, while seven are receiving additional funds. Over 1,000 applications were received from filmmakers hailing from over 70 countries. The recipients, who include one Filmmaker 25 New Face (Rebecca Richman Cohen), are below. For more information on Cinereach, visit their site. Call Me Kuchu Dir. Katherine Fairfax Wright & Malika Zouhali-Worrall | Uganda | Nonfiction | In Post-Production As state-sanctioned homophobia reaches new heights in Uganda, David Kato, the country’s first openly gay man, will […]
“Some films go deep,” filmmaker Tiffany Shlain said at the Sundance premiere of her documentary, Connected. “Mine goes wide.” Indeed, Shlain’s film does go wide — it’s like a rubber band stretching in multiple directions while not breaking. Examining the ways in which technology can productively unite our global citizenry, Connected details nothing less than the history of consciousness and its arrival within today’s always-on, hyper-wired mind. Through voiceover narration and breezy montage, Connected explores the right brain/left brain split and its effect on social and economic organization, and it highlights the transformative potential of today’s communication tools. As a […]
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the IFP has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production […]