6560 Results for “production”
-
TAXI RIDERS: KOO AND ZACH LIEBERMAN
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the IFP has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production […]
by Scott Macaulay on Oct 14, 2011 -
THE MAKING OF A “GRASSROOTS” MOVEMENT: INTRODUCTIONS
The Making of a ‘Grassroots’ Movement’ is a series of posts that are meant to serve as a case study on transmedia marketing, social engagement and distribution for an independent film called ‘Grassroots‘. Stephen Gyllenhaal – my boss – says that running a film marketing and distribution campaign without studio distribution is a lot like running a grassroots political campaign. I am here to tell you that the two are, indeed, very similar: You live in the realm of hope, try to retain the project’s integrity, work with called-in favors, unguaranteed outcomes, creative work-arounds and half-truths. You court official-dom, but also […]
by Saskia Wilson-Brown on Oct 13, 2011 -
Margaret — A Hammer to Nail Review
(Without any fanfare, Margaret was released theatrically by Fox Searchlight on Friday, September 30, 2011. Visit the film’s official website to learn more.) Oh boy. Oh wow. If your idea of a rewarding time at the movies is a symphonic drama that aches with the blood, sweat and tears of real life while simultaneously upholding the finest traditions of opera, of theater, of poetry, of literature, look no further than Kenneth Lonergan’s Margaret. Much has been written about the unfortunate legal brouhaha surrounding the film’s post-production — it was shot in 2005 while here we are twiddling our thumbs in […]
by Michael Tully on Oct 13, 2011 -
TAXI RIDERS: PAOLA MENDOZA
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the IFP has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production […]
by Scott Macaulay on Oct 13, 2011 -
TAXI RIDERS: ALRICK BROWN
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the IFP has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production […]
by Scott Macaulay on Oct 12, 2011 -
TAXI RIDERS: DEE REES
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the IFP has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production […]
by Scott Macaulay on Oct 11, 2011 -
TAXI RIDERS: JESSICA ORECK
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the IFP has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production […]
by Scott Macaulay on Oct 10, 2011 -
IFP EMERGING VISIONS PROGRAM…REFLECTIONS
Now that I’m a seasoned blogger with two blog entries under my belt, this entry concludes my foray into this type of writing with my reflections on the Emerging Visions Program. Just as my first blog entry received positive feedback, a colleague praised my second entry. All this praise could go to my head, particularly since this last time he was so earnestly descriptive about the piece, calling it: “Wonderfully wonderful. Wonderful wonderful. Wonderfully.” He’s adorable – he’s European and is still mastering English adjectives. But his sentiment rings true. The entire experience was overwhelming, and I’m not sure I […]
by Lanre Olabisi on Oct 9, 2011 -
THE ARIZONA UNDERGROUND FILM FESTIVAL 2011
It’s surprising that the Arizona Underground Film Festival is only in its fourth year since it’s got the vision and confidence of fests that have been around a lot longer. The brainchild of founder/director David Pike, who handles acquisitions for locally based BrinkDVD, AZUFF seems to have a strong sense of film camaraderie and community on its side. (Indeed, stepping out of the hot Tucson sun and into the downtown art-house The Screening Room – one of the venues of the Arizona International Film Festival, which I covered back in April – to pick up my press pass, I was […]
by Lauren Wissot on Oct 8, 2011 -
COCK OF THE WALK: THE NEW YORK FILM FESTIVAL (PART THREE)
Three films, three male protagonists, all of whom fall for extended periods of time from their elevated perches. In this, the final installment of my coverage of the 49th edition of the New York Film Festival, we see how their descents are manifest in the newest works of three proven talents — okay, all of them men: British director Steve McQueen, the American Alexander Payne, and Frenchman Michel Hazanavicius. Michael Fassbender’s sexually obsessed Brandon, a seemingly calm, self-contained Manhattan business exec who keeps his personal life to himself in McQueen’s Shame (pictured above), would have been a much more challenging, certainly […]
by Howard Feinstein on Oct 7, 2011
