6580 Results for “production”
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JORGE MICHEL GRAU, “WE ARE WHAT WE ARE”
In We Are What We Are, first time Mexican helmer Jorge Michel Grau creates a deeply unsettling portrait of contemporary Mexican urban life which steady grows into many things all at once: a sincere family drama, an earnest exploration of the moral implications of cannibalism and a ribald satire of the seemingly intractable political and economic corruption that is haunting present day Mexico. All moody nighttime vistas and grim, claustrophobic interiors, Grau’s film manages both social commentary and grisly, bone-chilling terror the old-fashioned way, but it still manages to have a depth of human feeling that isn’t the stock and […]
by Brandon Harris on Feb 16, 2011 -
IFP NARRATIVE LAB APPLICATION LAUNCHES TODAY
The IFP Narrative Lab launches its online application today. From the website: IFP’s Independent Filmmaker Labs is the only program in the world currently supporting first-time feature directors in post-production to complete, market and distribute their films. Focusing exclusively on low-budget features ( Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. The Lab is really an excellent program that provides a wealth of intensive mentorship having to do with all the aspects of filmmaker that follow production. Recent Lab films include such Sundance selections as Pariah, […]
by Scott Macaulay on Feb 15, 2011 -
A DAUGHTER’S TALE: DEBRA GRANIK’S “WINTER’S BONE”
This piece was originally printed in the Spring 2010 issue. Winter’s Bone is nominated for Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Debra Granik & Anne Rosellini). The Ozark mountain holler that is the setting for Debra Granik’s fierce and extraordinary Winter’s Bone seems carved away from much of what signifies as “contemporary America” in cinema today. The movie, which won the Grand Jury Prize at Sundance this year, dwells in a landscape that imbues it with the starkness of classic Western frontier drama. Seventeen-year-old Ree Dolly is the single-minded heroine who […]
by Scott Macaulay on Feb 14, 2011 -
The Map
Alice Munro wrote a short story once called “Deep Holes,” and it’s as fitting a title as any when one considers her body of work. Munro has made a career out of writing the same short story over and over again, but because that story is shot through with an incredible amount of depth, with endless bottoms of nuance and complexity and minor shifts and adjustments each time, it constantly amazes. Jonathan Franzen (who himself rewrote his 2001 classic novel The Corrections as the even better Freedom), reviewing Munro’s 2004 collection Runaway, nailed it: I like stories because it takes […]
by Zachary Wigon on Feb 14, 2011 -
FILMMAKER MAGAZINE LOOKING FOR BUSINESS WRITERS
Last Fall I posted a call for new writers to submit their work, and from that reach-out I connected with several folks whose bylines you have seen on our site and in our pages over the last few months. Now, I am specifically looking to connect with experienced writers interested in covering the business (i.e., financing, production, distribution and marketing) sides of independent film. If you are a published writer who has done hard news and investigative reporting on the film business and would be interested in writing for Filmmaker, please drop me a line at editor.filmmakermagazine AT gmail.com.
by Scott Macaulay on Feb 11, 2011 -
“LOST IN SUNSHINE” — CROWDFUNDING TRANSMEDIA R&D
Writer/director Jentri Chancey emailed to tell me about her and producer Lorrie Marsh’s approach to developing their independent film project, Lost in Sunshine. She writes: We’ve been continuously working to lift this project from its feet for the past two years. Our approach is to reach out to our (target) audience before the movie’s ever made. And creating an online prequel by expanding narratives, and enhancing audience participation via games, etc., is how we’re attempting to do it. Instead of raising money for actual film production costs right now, we’re raising funds so that we can use fan input, digital […]
by Scott Macaulay on Feb 7, 2011 -
JUST LIKE THE U.N., BUT DIFFERENT: ROTTERDAM PRODUCER LABS
Sometimes you wind up in a place where you do not have something that everyone else has. So it was being a young American producer at the Rotterdam Cinemart Labs, straight off the plane from Sundance. Think: Independent Film Model Congress. I and my fellow American, Billy Mulligan, found ourselves on Day One in a “Speed Dating” scenario, spending five minutes each with our new international producer friends. From this and the subsequent wine-fueled dinner, I understood quickly that for all the different backgrounds and accents (Bosnian-inflected Scotch English being the prize winner in this department), we were all quite […]
by Alicia Van Couvering on Feb 6, 2011 -
MAKING LOW-BUDGET, INDIE ACTIONER “RETRIBUTION”
Retribution is a low-budget indie action film that its producers at Openview Cinema plan to release April 1, 2011. Producer Cody Norris sent me the below trailer, and I asked him for more info on how they got the movie, directed by Colten Kidwell, made. Here’s what he wrote: We made Retribution with a tiny budget. Our actors were all volunteers, we were given the use of all our locations, we borrowed or made props, and we didn’t hire any additional crew. When we couldn’t buy things, we improvised. Production lasted more than a year because our actors were volunteers […]
by Scott Macaulay on Feb 6, 2011 -
Cold Weather and Everything You Wanted to Know About Genre
Honestly, what the hell is up with genre these days? It’s a tricky thing to get a handle on, but we all have an idea of what’s happening in the independent film world: as production financing has dried up in a world where cinema is, simply put, not generating as much revenue as it used to, independent filmmakers who might be more at home making “art” flicks have decided to mix their interests with more familiar genre narratives. Catfish, which generated more intellectual-thought-content-per-minute than any other 2010 release, was sold as (and contained elements of) a Blair Witch-esque thriller, set […]
by Zachary Wigon on Feb 2, 2011 -
Pioneer Director David Lowery
To create a feature with a genuine sense of mystery pulsing beneath the filmed veneer is a rare accomplishment, but to achieve that in a short film? Next to impossible. However, Pioneer — David Lowery’s tender, moody short — is an absolute cryptogram. Little more than a father (well-played by musician/actor Will Oldham) telling a tall and violent tale about an absent mother to his young son, Pioneer manages to stay within the confines of a bedroom yet utterly transports the audience to the high altitudes of childhood imagination. Lowery’s facility to direct children was on fine display with his […]
by James Ponsoldt on Jan 28, 2011
