production | Filmmaker Magazine

KICKSTARTING OPEN INDIE

As you may have read, Four-Eyed Monsters co-creator Arin Crumley has launched a new project, OpenIndie, that aims to create a new model for the distribution of independent film. I’ll let Crumley explain it: As Crumley notes, OpenIndie is using Kickstarter to fundraise towards its goal of $10,000. With 17 days to go, OpenIndie needs just over $7,000. If you’re intrigued after seeing the video, please consider heading over there and contributing. A $100 contribution gets you a one-hour consulting session with Crumley on the distribution of your own film. Also, check out this latest podcast from Lance Weiler and […]

by Scott Macaulay on Oct 11, 2009

HOW DRAMA DIED AT THE FILMMAKER FORUM

Film Independent‘s Filmmaker Forum is underway this weekend, and we asked writer/director Zak Forsman to attend and report back. Here’s the first of his posts. I’ve just locked picture on my first feature-length motion picture and it seems I couldn’t be entering the world of distribution at a worse time. I strolled into the DGA in Los Angeles for day one of the Film Independent Filmmaker Forum optimistic and eager. I left it determined to batten down the hatches in preparation for stormy seas ahead. Veteran producer Jeremy Thomas (Creation, The Last Emperor, Crash) keynote opened with the concession that […]

by Scott Macaulay on Oct 11, 2009

PONDERING THE FUTURE OF THE LOW-BUDGET GAY FILM

I received the following note from a filmmaker who is witnessing the shrinking of what was once a reliable niche — the low-to-no budget gay film. Hey Scott– LOVE your editor’s note “from the future”. I follow your twitter already– just had to write you to react to this piece. Right now, I’m typing in an Atlanta hotel room and tonight my movie, PORNOGRAPHY, is closing the Atlanta LGBT film festival. I flew from the Portland LGBT a few days ago, and tomorrow I’m in Tampa at that fest. (I’m missing our closing night of Dallas OUTTAKES tonight.) I’ve been […]

by Scott Macaulay on Oct 9, 2009

MARKETING INDEPENDENT MEDIA IN A DIGITAL WORLD

Here’s Mike Johnston’s second post from the Future of Music Conference. One of the most important considerations for most musicians or filmmakers is to have their work exposed to as wide an audience as possible. The existing model of taking a product to market is still alive but it is no longer the only way to do it. That model depended on the acquisition of funding from a major record label or film studio for production expenses, distribution and major commercial exposure (promotion). Trying to navigate this avenue is full of potholes for the indie artist due to the inherent […]

by Scott Macaulay on Oct 8, 2009

Sets and the City: On the History of Smithereens

Susan Seidelman’s landmark 1982 debut feature, Smithereens, recently made its Cable VOD debut on Cinetic’s FilmBuff channel. It will soon be made available on iTunes, Amazon VOD, and more. Seidelman reflects on the origins of her Manhattan indie classic as it finds new audiences today. I moved to New York City in the mid 1970s, to go to NYU film school. At that time the grad school was housed in a funky building on East 7th street and Second Ave — a space it shared with a rock club called the Fillmore East. The mid-to-late ’70s was a transitional time […]

by Jason Guerrasio on Oct 8, 2009

SEIDELMAN ON SMITHEREENS AND INDIE IN THE ’80S

“Thinking back on it,” director Susan Seidelman writes, “there was something wonderfully naive about the way the film came together. We never thought about how (or if) the film would get distributed, or how it would be marketed. This was just a film I wanted to make that attempted to capture the spirit of a certain time and place. Fortunately, it ended up getting accepted to the Cannes Film Festival and then got picked up for distribution by New Line Cinema. But that was never something we calculated or even thought about when we first set out to make Smithereens.” […]

by Scott Macaulay on Oct 7, 2009

OF CRISES, FALL DAYS AND NEW POSSIBILITIES AT THE WOODSTOCK FILM FESTIVAL

Several familiar faces, including my own, spoke at the Woodstock Film Festival on a panel entitled “The Changing Face of Independent Film.” I moderated, and the panelists were directors Rick Linklater and Ira Sachs; Cinetic’s John Sloss; and Big Beach’s Peter Saraf. As four of the five of us attended the Indiewire/MoMA/Zipline summit on the crisis in independent film production and distribution, I began by asking what the term “crisis” meant for them. Sloss spoke about the vanishing studio specialty divisions and with them the erosion of the indie film business model that requires a marketplace with well-funded buyers. He […]

by Scott Macaulay on Oct 7, 2009

Shari Roman, R.I.P.

Filmmaker, writer and critic Shari Roman, a friend to many in our community, including all of us at Filmmaker, died September 9 at Mt. Sinai Hospital in New York after a short illness. Her passing took us by surprise as she told few people that she was sick. Indeed, many heard the news only after a small family memorial was held on the 13th. Readers of Filmmaker will remember Shari’s byline, as she wrote for us on numerous occasions, penning interviews, reports, festival coverage, and, in Spring, 2002, our cover story on Matthew Barney and his Cremaster series — the […]

by Scott Macaulay on Oct 4, 2009

PARANORMAL ACTIVITY HEADS FOR EXPANDED RELEASE

Congratulations to 2008 Filmmaker 25 New Face writer/director Oren Peli, whose Paranormal Activity is not only a fantastic, genuinely scary independent horror film but now also the poster child for successful studio release experimentation. Quick recap: Peli’s film, shot with a three-person crew in seven days was bought by Dreamworks at Slamdance, 2008. Rumors were that the studio would shelve the film in favor of a remake, but there was always one problem: like The Blair Witch Project, Paranormal Activity depends on a feeling of casual verisimilitude. Throw in a name actor and that’s blown, and beef up the production […]

by Scott Macaulay on Oct 4, 2009

Antonio Campos, Afterschool

EZRA MILLER IN WRITER-DIRECTOR ANTONIO CAMPOS’ AFTERSCHOOL. COURTESY IFC FILMS. To call Antonio Campos a precocious talent would be to understate his abilities. Amazingly, the 26-year-old writer director, a native of New York City, has already spent half of his young life making films. Campos directed his debut short, Puberty (1997), at the age of 13 as part of a New York Film Academy program, and over the course of his teens made numerous shorts – both fiction and documentary – including First Kiss (2001), Pandora (2002) and Who’s Your Daddy? (2004). At 21, he had his short film […]

by Nick Dawson on Oct 2, 2009

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