6580 Results for “production”
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“It’s a Good Thing We Didn’t Shoot in New Zealand”: Writer-Director Laurel Parmet and Producer Kara Durrett on The Starling Girl
The following interview first ran as part of our Sundance 2023 coverage. The Starling Girl releases in theaters today in NYC and LA via Bleecker Street, with more cities to follow. — Editor Telling the story of Jem Starling (Eliza Scanlen), a 17-year-old living in a Christian fundamentalist community in rural Kentucky, Laurel Parmet’s debut feature, The Starling Girl, has been years in the making, Parmet first began writing the screenplay in 2017, soon after the premiere of one of her shorts and the wrap of another. Like her previous work, The Starling Girl positions the viewer within the complex […]
by Erik Luers on Jan 23, 2023 -
“A Progressive Set of Best Practices That Evolves With the Industry”: The Documentary Cinematographers Alliance
Despite its recent formation during the fall of 2021, the Documentary Cinematographers Alliance has already put forth a comprehensive guideline of “best practices” DPs should advocate for and adhere to while working on any given nonfiction shoot. This document also serves as a rubric for directors and producers to measure the safety, sustainability and collaborative nature of their documentary project. The DCA also acts as a de facto community hub for DPs all around the country, with group chats and festival panels organized to connect these below-the-line workers—and, most importantly, provide a safe place for transparently sharing their wages, various […]
by Natalia Keogan on Jan 23, 2023 -
“The Set Was Built Inside a Real House”: DP Fran Fernández-Pardo on MAMACRUZ
When family matriarch Cruz (Kiti Mánver) discovers porn during what began as an innocent Internet search, she is awakened to a passionate sensuality that she’s spent her entire life successfully repressing. Unsatisfied by her husband and consumed by newfound curiosity, she joins a women’s sex therapy group in order to better understand her body’s carnal needs. DP Fran Fernández-Pardo tells Filmmaker about shooting MAMACRUZ, the Spain-set film from Venezuelan director Patricia Ortega. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]
by Filmmaker Staff on Jan 23, 2023 -
“The Main Goal Was To Make the Audience Connect With an Unusual Protagonist”: Editor Fàtima de los Santos on MAMACRUZ
A routine Internet search turned pornographic discovery is what prompts Cruz (Kiti Mánver), a devoutly religious grandmother, to experience a latent sexual awakening. Though she’s initially stricken with a classic case of God-fearing shame, Cruz embarks on a path of sensual self-discovery via a local women’s sex therapy group in MAMACRUZ, Patricia Ortega’s latest film. Editor Fàtima de los Santos discusses how she got the audience to connect with an “unusual” protagonist, how she aided in changing the MAMACRUZ‘s narrative structure and the difficulty of working on a film without background music. See all responses to our annual Sundance editor […]
by Filmmaker Staff on Jan 23, 2023 -
“Losing That Location Was a Blessing in Disguise” | Andrew Bowser, Onyx the Fortuitous and the Talisman of Souls
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? The finale of our film takes place in a cemetery. Our plan was to shoot on location at a cemetery that was 15 minutes away from our primary mansion location (where the bulk of our film was shot). Days before the finale was to be filmed, we lost the cemetery location. It was run by the city and I think […]
by Filmmaker Staff on Jan 23, 2023 -
“I Became Unexpectedly Pregnant!” | Ella Glendining, Is There Anybody Out There?
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? The most unpredictable event I faced while making my very personal documentary is that I became unexpectedly pregnant! I immediately recognized this as an obstacle to the story I’d originally set out to tell, but equally felt strongly that it was a gift, both to me and the film. I allowed the pregnancy and becoming a parent to become an […]
by Filmmaker Staff on Jan 22, 2023 -
“Independent Media Can Strengthen Tribal Sovereignty”: Rebecca Landsberry-Baker and Joe Peeler on Bad Press
While freedom of the press has certainly been a newsworthy topic these past few years, those of us in the US can at least take comfort in (i.e., take for granted) the fact that our First Amendment firmly protects this inalienable right. That is, unless you happen to likewise be a citizen of one of the sovereign nations sprinkled throughout this occupied land—aka Indian Country—where only a handful of tribes have seen fit to enshrine such a guarantee into their constitutions. Which is a problem not just for the average, truth-seeking Native populace at large, but especially for a dogged […]
by Lauren Wissot on Jan 22, 2023 -
“Pregnancy Became Integrated as a Storyline” | Alison O’Daniel, The Tuba Thieves
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I truly welcome the unexpected, the miscommunicated, the “obstruction” as a co-author of the film. When I started this project, I decided I would make a film as a listening project that is not tethered to the ears. I am d/Deaf/hard of hearing. I can hear, but constantly experience fallout from mishearing things and I second-guess what I hear, because […]
by Filmmaker Staff on Jan 22, 2023 -
“We Had To Shoot the African Scenes in Greece” | Anthony Chen, Drift
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? For Drift, we had several key scenes in the film that were set in Liberia, Africa. I always imagined shooting those scenes on the African continent, possibly in Nigeria. But as we made the film during the pandemic, it became impossible for the scheduling and logistics to work, especially on our budget. There were too many unknown factors and risks that […]
by Filmmaker Staff on Jan 22, 2023 -
“I Realized That a Sauna Is Not Just for Cleaning the Body, but Also the Soul”: Anna Hints on Smoke Sauna Sisterhood
Debuting January 22 in the World Cinema Documentary Competition, Smoke Sauna Sisterhood is an intimate look at a tradition that UNESCO has added to its “Representative List of the Intangible Cultural Heritage of Humanity.” This might appear to be a heavy designation for a way to sweat out stress. Unless, of course, one happens to be South Estonian like director Anna Hints, who grew up with the knowledge that for centuries smoke saunas have also been a place of life (birth) and death. For the small group of women that have generously allowed Hints to serve as a cinematic fly-on-the-wall […]
by Lauren Wissot on Jan 22, 2023
