A jury headed by Joel and Ethan Coen awarded the Palme d’Or to Jacques Audiard’s immigrant drama Dheepan at the 2015 Cannes Film Festival, which concludes today. The film tells the story of a Tamil fighter fleeing the Sri Lankan civil war who improvises a family — a wife and daughter — in order to better seek asylum in what turns out to be an inhospitable France. The award was something of a surprise, with most English-language journalists pegging either Laszlo Nemes’ Holocaust drama Son of Saul or The Assassin, a period martial-arts picture from Taiwanese master Hou Hsiao-Hsien for […]
Below you’ll find the as-of-now lineup for the Cannes Film Festival, which takes this play this year from May 13 to 24. A few notes: there will be more titles added to competition soon (fingers crossed for the new Apichatpong Weerasethakul), and this isn’t the full extent of the festival. Next week will see the announcement of the Directors’ Fortnight and Critics’ Week sections, and there are other less prominent parts of the festival (such as the ACID sidebar) that also have yet to be unveiled. A special shout-out to Roberto Minervini, whose excellent Stop the Pounding Heart debuted at Cannes […]
I, I wish you could swim I, I wish you could swim Like the dolphins, like dolphins can swim Though nothing, nothing will keep us together We can beat them, for ever and ever Oh we can be heroes David Bowie, “Heroes” “How could I do the movie without that song?” Brazilian director Karim Aïnouz asks rhetorically. I’ve just noted the few jabs he’s taken for ending his vibrant new film with the arguably overused Bowie anthem. “That’s the song that actually started Futuro Beach for me. Maybe it was excessive, but I don’t care.” Italics mine: the polite, affable […]
Working nights and weekends while in Detroit shooting Oz the Great and the Powerful, James Franco turned what started out as directing exercise into an unusual anthology film directed by a dozen students from his NYU Graduate Film School class. Based on the life and poems of C.K. Williams, The Color of Time is unlike most anthology films in that its sections are intercut with each other, and it’s unlike most film school-derived works in that it stars A-list talent like Franco, Mila Kunis and Jessica Chasten. The film itself, however, is no by-the-numbers biopic; instead, it seeks to translate […]
Portrait of Jason Milestone Films — November 11 One-man show, fueled by one scotch bottle, in Shirley Clarke’s living room, one tough night only: Portrait of Jason is a spontaneous monologue delivered by hustler/aspirant cabaret artist Jason Holliday. Prompted and interrogated by a sometimes-exasperated crew, Jason is sharp on race and sex and self-deluding about himself. If his bravado is a necessary survival skill for survival as a queer black man in mid-20th-century America, there’s still a queasy charge in experiencing repeated whiplash as a viewer pinging back and forth between empathy and revulsion. This second volume in Milestone’s restorations […]
Stony Brook Southampton’s 20/20/20 intensive filmmaking course offers participating students an opportunity to learn the practical and technical tricks of the trade from Killer Films’ Christine Vachon and Pamela Koffler. Over the course of 20 weeks, the graduate-level program pairs lecture-style master classes from Killer and visiting filmmakers like Todd Haynes with development and production workshops so that each writer-director walks away with her own completed short at the end of a 20-day boot camp. Lauren Wolkstein, one of our 2013 25 New Faces of Film, reprises her role this summer as a 20/20/20 mentor for the workshop phase, and spoke […]
In conversation below with fellow writer/director Todd Solondz, Ira Sachs calls his latest work,Love is Strange, “a middle-aged film” — not because it’s focused on midlife issues, but because “it has perspective on both what youth felt like as well as what aging can lead to.” That’s a beautiful formulation by Sachs on this warm and generous New York movie that charms by unexpectedly opening its perspective across both neighborhoods and generations. Love is Strange opens with a flurry of activity as two older gay men — a music teacher (Alfred Molina) and painter (John Lithgow) — take advantage of […]
Portland-based Jon Raymond has four screenplay credits, all in the last decade, to his name, but his iMDB page only tells half the story. Raymond began his career and is still well known as a writer of novels and literary short fiction, and his film career has come not from the usual Black-Listed spec script but from adaptations of his work co-authored by a director/collaborator/friend, Kelly Reichardt. Two stories from his short story collection Livability, “Old Joy” and “Train Choir,” became Reichardt films (Old Joy and Wendy and Lucy, respectively), with the two co-authoring their scripts. That work, and the […]
Full disclosure: I consider the industrious Robert Greene a friend, but that makes me no less cautious in deeming his new film Actress a big deal. This collaborative psychodrama follows and subjectively sculpts his friend/neighbor Brandy Burre’s attempt to simultaneously separate from her longtime boyfriend and return to the acting world she left for suburban motherhood. (Greene’s written for Filmmaker about deciding to premiere his fourth feature at this year’s True/False.) Burre is introduced in a bright red dress standing before a kitchen sink, moving in ambiguously charged slow-mo. Is it true that, as she muses, “I tend to break […]
A Sundance heavy set of additional titles has been announced for this year’s New Directors/New Films series, taking place at MoMA and the Film Society of Lincoln Center from March 19 – 30. I covered the first announcement back in January, noting that the festival’s obscure spirit was alive and well, though the recent inclusions appear to be verging on BAMcinemaFest territory, with such buzzed titles as Obvious Child, Dear White People, She’s Lost Control, The Babadook, To Kill A Man and A Girl Walks Home Alone At Night. I’ve enjoyed the festival for international discoveries, and we still have plenty of those too: Fish & Cat […]