In our Fall 2011 cover interview with David Cronenberg about his film A Dangerous Method (which will be online for the first time later this week), we asked about the use of historical documentation in replicating Freud’s period. One of the most interesting notes was his use of the film and photographs of the French neurologist Jean-Martin Charcot in recreating the condition of hysteria as seen in Keira Knightley‘s character. Filmmaker: Jean-Martin Charcot, who was Freud’s mentor, had photographically documented hysterical women. Cronenberg: That’s right. There was silent film of the era that we watched at that time. On […]
by Peter Bowen on Nov 20, 2011Select stories from our Fall issue are now available. You can now read online our interviews with Melancholia‘s Lars von Trier (before announcing he would no longer give interviews), Sean Durkin and Elizabeth Olsen chat about Martha Marcy May Marlene, we get biblical about The Catechism Cataclysm with thoughts from the Reverend Megan Hollaway and we look at what film schools need to achieve to be relevant in the future. Plus, the Culture Hacker and Industry Beat columns. The issue hits stands next week, but you can read it now on your desktop by subscribing to our digital issue. Learn […]
by Jason Guerrasio on Oct 24, 2011Below-The-Line Blues. By Anthony Kaufman
by Anthony Kaufman on Oct 23, 2011What If 5th Graders Ruled Your Storyworld? By Lance Weiler
by Lance Weiler on Oct 23, 2011A dark character study of a girl escaping a cult, Sean Durkin’s feature Martha Marcy May Marlene is an impressive debut that also highlights the talents of this year’s Sundance breakout actress,
Elizabeth Olsen. By Jason Guerrasio | Photograph by Henny Garfunkel
Though Lars von Trier’s mouth gets him into trouble, the Dane’s incredible story-telling talents are well under control. Melancholia, his latest, is a masterfully beguiling tale of sisters, depression and the end of the world. By Zachary Wigon
by Zachary Wigon on Oct 23, 2011More Reports: Filmmaking in Afghanistan, L.A. Rebellion, Elinor Bunin Munroe Film Center amphitheater.
by Mary Anderson Casavant on Oct 21, 2011Holly Willis explains what film schools need to explore to stay relevant in the future.
by Holly Willis on Oct 19, 2011Is independent filmmaking a calling, like a religion? The Rev. Megan Hollaway looks at the religious impulse in Todd Rohal’s priest comedy, The Catechism Cataclysm. Photograph by Henny Garfunkel
by Rev. Megan Hollaway on Oct 18, 2011