Barry Jenkins and Adele Romanski know what IFP Week is like. They know what it’s like to pitch a passion project. They even know what it’s like when time — in Jenkin’s case, several years — elapses between features. When the writer/director and producer, respectively, of Moonlight swung by this year’s Filmmaker Talks day at IFP Week, it was a kind of victory lap. After all, their last film together took home three Oscars, including Best Picture, on top of a towering pile of other accolades. But they used their talk with moderator Scott Macaulay, Filmmaker‘s Editor-in-Chief, to remember when life was […]
by Matt Prigge on Sep 18, 2017IFP, Filmmaker‘s parent organization, announced today programs to be included in its annual signature event, IFP Week. They include, I’m excited to say, an opening day hosted by Filmmaker timed to the celebration of this magazine’s 25th Anniversary and 100th issue. On Sunday, September 17, I and other Filmmaker editors and writers will be moderating a day of presentations and discussions at BRIC with speakers who’ve been important our collective history, including Oscar-winning filmmakers Barry Jenkins and Adele Romanski of Moonlight; Josh and Benny Safdie of Good Time; and Emmy-nominated director Dee Rees of the forthcoming Netflix release Mudbound. The running […]
by Scott Macaulay on Aug 15, 2017Occasionally a movie has the look and feel of something totally original, immediately allowing one to see the protean leap its maker has taken from novice to master. Someday, when the American movie landscape is no more, simply the purview of art historians who live on Mars or on ocean front property in what we used to call Indiana, people will still regard Barry Jenkins’s startlingly effective Moonlight as a unique and supple flower, the kind of heartrending experience that gives rise to the notion that motion pictures can be a lasting, emotionally resonant art form. Drawn from MacArthur “genius” […]
by Brandon Harris on Oct 20, 2016Adele Romanski, producer (The Myth of the American Sleepover) and director (Leave Me Like You Found Me), passed along this link to her latest short production: Mission Chinese, a stylish and bloody revenge fantasy directed by Cole Schreiber and David Parker. The short is a branded-content piece for the New York/San Francisco men’s store, Freeman’s Sporting Club, and is a collaboration between Freeman’s, Mission Chinese (the New York/San Francisco-based restaurant) and Sunday Paper, Schreiber and Parker’s start-up production company, whose work you’ve seen on this site before. It was shot by James Laxton (The Myth of the American Sleepover, Medicine […]
by Scott Macaulay on Jun 18, 2012Producer Adele Romanski has built quite a filmography in a very short time. Last year, she opened David Robert Mitchell’s nostalgia-laced sleeper-hit Myth of the American Sleepover. And less than two months ago, she made a splash at Sundance with Katie Aselton’s Black Rock (which sold to LD Entertainment). Throw in a stint as a Sundance Producer’s Lab Fellow, plus several projects in development (including Mitchell’s Sleepover followup Ella Walks the Beach and Adam Bowers’ We’re A Wasteland) and it should become obvious that Romanski has been, to say the least, busy. So when did she find time to direct […]
by Jane Schoenbrun on Mar 12, 2012SXSW has announced their complete 2012 feature film slate. Over 90 films will screen across the festival’s ten categories, including the already announced opening night premiere of Joss Whedon’s Cabin in the Woods and a special preview screening of Lena Dunham’s new HBO series Girls. New additions include the sixteen films premiering in narrative and documentary competition. The eight films competing on the narrative side include Booster, directed by Matt Ruskin, Eden, directed by Megan Griffiths, Gayby, directed by Jonathan Lisecki, Gimme the Loot, directed by Adam Leon, Los Chidos, directed by Omar Rodriguez Lopez, Pilgrim Song, directed by Martha […]
by Jane Schoenbrun on Feb 1, 2012Over at IFP, filmmaker and comedian Adam Bowers has a hilarious new blog entry entitled “Why Filmmakers Don’t Need Money.” In the post, Bowers argues that poverty breeds creativity. As he writes: “Think about it: when do filmmakers make their best movies? When they’re at their most miserable and desperate. Raging Bull pulled Scorsese out of his biggest career slump, and Beethoven’s 4th saved David Mickey Evans after the disastrous Beethoven’s 3rd, which obviously suffered from too many studio notes (“Can we have him destroy FEWER dining rooms?” What idiots!). So, if you really want to help a filmmaker create […]
by Jane Schoenbrun on Jan 25, 2012Producer Adele Romanski (The Myth of the American Sleepover, The Freebie) is stepping into the director’s chair with Leave Me Like You Found Me, and she is raising post-production funds on Kickstarter. You can read our interview with Adele about Myth this past summer and check out her Kickstarter video below. From the Kickstarter page: A few years back while on a camping trip in California, I had the idea to shoot a film in a national park. The idea was to try and capture something small and intimate and beautiful within the backdrop of something vast and expansive and […]
by Scott Macaulay on Dec 20, 2011I’m posting an email I received from producer Adele Romanski here (with permission) for a couple of reasons. The first is that I completely endorse the message, which is trying to get everyone to go see David Robert Mitchell’s Myth of the American Sleepover (pictured) when it opens July 22. The film is a gem — visual, expressive and fresh, with the screen loving its young actors. Mitchell gently guides his ensemble tale of young summertime love and impending adulthood through, in places, the intimate crevices of a European art film without any trace of pretension. The film has an […]
by Scott Macaulay on Jul 11, 2011The Innkeepers‘ star Sara Paxton, glam at the Driskill Hotel premiere afterparty. In Ti West’s excellent horror picture, wearing a red hoodie and blue jeans she plays a tomboyish hotel clerk and amateur ghost hunter. A fantastic idea — as part of its Film Design Awards, SXSW hosts a poster design competition, displaying all the entries in lobby gallery. Myth of the American Sleepover producer Adele Romanski and Visit Films sales agent Ryan Kampe at the Kodak Filmmaker’s Brunch. Forget barbecue. Grilled cheese is the food of Austin. The sandwich here is from The Big Cheese, inside the convention hall. […]
by Scott Macaulay on Mar 15, 2011