In one of our occasional Filmmaker podcasts, director, artist and writer Alix Lambert interviews here stunt coordinator Mike Watson, whose work can be seen on HBO’s Westworld, which has its season finale tomorrow night. In addition to Westworld, Watson’s over 70 credits include films like Django Unchained, Hail Caesar!, Lost Highway, Rambo 3 and Silverardo. He was also the stunt coordinator for HBO’s Deadworld, which Lambert wrote for, and for the network’s subsequent David Milch series, John from Cincinnati, on which Lambert was an associate producer. In this wide-ranging conversation, the two discuss Watson’s background, what makes a good fight […]
by Scott Macaulay on Dec 3, 2016Filmmaker and Filmmaker contributor Alix Lambert is a guest producer on this week’s Theory of Everything, where she learns that it’s not just hipsters causing a revival in the audio cassette format but prisoners. Indeed, for most prisoners, cassettes are the only music delivery device they’re allowed. Listen to her episode, “Analog Time,” embedded here, as Lambert talks to some incarcerated men for whom cassette tapes are an escape, a salve, and even a medium of exchange. Meanwhile, Zach Taylor and Georg Petzold are finishing Cassette, “a feature-length documentary that celebrates the past, present, and future of an endearing musical […]
by Scott Macaulay on May 30, 2016As part of our lead-up to the 2015 Sundance Film Festival, yesterday we published producer Mynette Louie’s advice for Sundance newcomers. Today we’re following up with eight suggestions from veterans of the ’14 and ’13 editions. Read on for advice, much of which you should take and some you will hope you don’t have to… — SM Ana Lily Amirpour (director, A Girl Walks Home Alone at Night): The day I arrived at Sundance I got terrible news that my production designer Sergio De La Vega passed away in a sudden tragic accident. So that night we were drinking at […]
by Scott Macaulay on Jan 21, 2015In October, timed to the New York Film Festival U.S. premiere of his film, Jauja, Lisandro Alonso was the second director in residence at the Film Society of Lincoln Center. The Film Society invited Filmmaker to report on Alonso’s various events — lectures, Q&As and sessions with students in both New York and Boston — and we asked filmmaker and contributor Alix Lambert. Jauja is produced by and stars Viggo Mortenson, who shares a tie with Lambert. He and David Cronenberg watched her The Mark of Cain film while researching Russian tattoos for Eastern Promises, and Mortensen’s Perceval Press published […]
by Scott Macaulay on Nov 6, 2014“It’s Better in Mentor.” A shot of that roadside sign offers an early irony in director Alix Lambert’s new documentary, named after the Ohio town — and high school — where five students committed suicide between 2005 and 2010. Focusing on two families who brought lawsuits against Mentor High, alleging that its administration ignored a clear pattern of student bullying that led to the deaths of their children, Mentor is both heartbreaking and soberly resolute in its inquiry into the institutional forces and “culture of conformity” that fail young members of our communities. As she has done in her previous […]
by Scott Macaulay on May 1, 2014Ambiance Man is a new comedy web series from MOCAtv created and directed by filmmaker (and sometime Filmmaker contributor) Alix Lambert and starring, as the eponymous superhero, Portlandia‘s Fred Armisen. The concept, Lambert says, hails from her teens, when she imagined a superhero who would sweat the small stuff. She tells MOCA, “Ambiance Man is a series about a super hero who fixes what we really need fixed in our day-to-day lives. While most super heroes are focused on preventing the end of the world, Ambiance Man is focused on transforming the moments that feel like the end of the […]
by Scott Macaulay on Dec 22, 2013Documentarian, director, visual artist, and author Alix Lambert has yet another new project making its way around the world. CRIME: The Animated Series — directed in partnership with award-winning animator Sam Chou — debuted as part of MOCAtv in Los Angeles back in July (here’s Filmmaker’s post about that event). One of these animated tales, CRIME: Joe Loya — The Beirut Bandit, is playing the Toronto International Film Festival this week (click here for dates and times) and is sure to have audiences talking about just more than it being the shortest film to screen at TIFF. In the two-minute short, […]
by Lisa Y. Garibay on Sep 10, 2013Published in 2008, Alix Lambert’s Crime is one of the most fascinating books on the subject, bringing together in one gorgeously-produced volume interviews with various artists and dramatists who have chronicled crime as well as actual criminals themselves. But the book is just one element of Lambert’s practice surrounding this topic. Her Crime has taken the form of gallery shows, theater pieces and now, animated films. This week Lambert and animator Sam Chou will launch Crime: The Animated Series at the Museum of Contemporary Art in Los Angeles. From MoCA: MOCATV presents a screening of short animated episodes from our […]
by Scott Macaulay on Jul 8, 2013Filmmaker — and occasional Filmmaker contributor — Alix Lambert (The Mark of Cain, Bayou Blue) recently directed three dreamy, color-drenched music videos for the band KVB. Using a similar approach to performance footage but layering different imagery for each track, the three songs — “Captives,” “Hands” and “Shadows” form a loose trilogy. From the InCase/Room 205 site: While on a recent tour of the Western United States, London-based The KVB moved heaven and earth to make this wonderfully meditative 3-part episode possible. Working with award-winning documentary filmmaker Alix Lambert (The Mark of Cain), cinematographer Conor Simpson, engineer Griffin Rodriguez and […]
by Scott Macaulay on Jun 9, 2013Filmmaker and Filmmaker contributor Alix Lambert directed the new Shearwater video, which just went online. It’s from their new Animal Joy album, and, appropriately, there is animal imagery. I asked Alix about the origins of the video’s concept, and she emailed back: When I first listened to the song, I just wrote down the lyrics that most jumped out at me. The bloody nose became a thread that I wanted to go through the film. Jonathan wanted to include Nicholas Kahn’s wonderful costumes, which I was thrilled about and from there I felt like there should be some kind of […]
by Scott Macaulay on Mar 28, 2012