I’ve written here before about my fondness for director Michael Ritchie, particularly his streak in the 1970s when he made one great movie after another about the dark side of the American competitive spirit. Most of his best films – Downhill Racer (1969), The Candidate (1972), The Bad News Bears (1976) – are wry meditations on what it really means to win (and lose) in a culture where winning is valued above all else; one of the most memorable moments in all of his work comes at the conclusion of The Candidate, when Robert Redford’s senatorial candidate wins his election […]