Amy Hobby
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Karin Chien, Amy Hobby and Tabitha Jackson Are New Documentary Fellows at Harvard’s Shorenstein Center
Harvard’s Shorenstein Center announced today the three film professionals who comprise their Spring 2024 cohort of documentary film fellows. Producer and distributor Karin Chien, producer and former executive Amy Hobby, and former director of the Sundance Film Festival as well as Sundance’s Documentary Film Program Tabitha Jackson will, according to a press release, “join the Center under the auspices of the newly-established Documentary Film in the Public Interest research initiative and will spend the semester conducting research and engaging with the Harvard Kennedy School community about the challenges facing the field and its impact on civic life.” “The Documentary Film […]
by Scott Macaulay on Feb 9, 2024 -
Support Tangerine’s Juice Fund to Boost Emerging Female Talent
You’ve seen the abysmal statistics about women filmmakers, yet they still manage to shock. According to a recent study by the Center for the Study of Women in Television and Film at San Diego State University, the number of women directing the top 250 grossing films declined by 2% over the past 17 years. And that’s just one measurement. In 2013, Amy Hobby and Anne Hubbell launched Tangerine Entertainment with the express purpose of giving voice to more female directors. Now they are raising funds on Seed&Spark to support The Juice Fund, an annual award which recognizes women directors who have […]
by Paula Bernstein on Dec 9, 2015 -
How Do You Take a Meeting? Learn How at the IFP’s Made in New York Media Center
There are resources to help you pitch your screenplay, and even articles for writers and directors on how to behave at a general meeting, but a broader discussion of how producers, directors and anyone else in the film business should play it when work talk moves off email to IRL is strangely absent from our tutorial landscape. Our friends at Tangerine Entertainment, Amy Hobby and Ann Hubbell, aim to change that with their workshop, “How to Take a Meeting,” occurring at the IFP’s Made in New York Media Center on March 3. Full information is below, and note the special […]
by Scott Macaulay on Feb 24, 2015 -
Little Accidents Director Sara Colangelo Wins Tangerine Juice Award at the Hamptons
Congratulations to Filmmaker 25 New Face Sara Colangelo, who was awarded today the Tangerine Juice Award at the Hamptons International Film Festival. Created to honor a female first- or second-time narrative feature director, the prize comes with $1,000 cash and five hours of consultation with Tangerine Entertainment. Starring Elizabeth Banks, Boyd Holbrook and Chloe Sevigny, Little Accidents is a drama set in the aftermath of the disappearance of a teenager in a small American coal-mining town. It premiered at Sundance 2014 and will be released by Amplify. “The competition for our award was tough this year,” said Tangerine co-founder Anne […]
by Scott Macaulay on Oct 11, 2014 -
Tangerine Entertainment Announces “Juice Fund” to Support Women Directors
Tangerine Entertainment, Anne Hubbell and Amy Hobby’s start-up production company focusing on women directors, has announced the Juice Fund, “a donation-based initiative focused on changing the landscape for women filmmakers.” The Juice Fund’s financing will be crowdsourced. Those interested in Tangerine’s goal of supporting women directors and increasing their presence in the film industry can make tax-deductible donations via New York Women in Film and Television. From the press release: The initial $25,000 raise for the Juice Fund will be used to instigate concrete change in three ways: Rewarding – Ten participating U.S. festivals will present cash Juice Awards to […]
by Scott Macaulay on Aug 8, 2013 -
IFP’s ANNUAL SCRIPT TO SCREEN CONFERENCE
Ah, there’s nothing quite like the smell of pitches in the morning. This past Saturday, the IFP kicked off its annual Script to Screen Conference with five brave writers pitching their scripts to a panel of producers and agents. Although all the panelists agreed that it was useful for writers to compare their projects to other films (a practice known as “using comps”) Peter Van Steemburg, the Director of Acquisitions at Magnolia Pictures, warned against using obvious ones such as “Juno or Napoleon Dynamite,” recommending that if you are pitching something that’s a lot like another movie, you should […]
by Mary Anderson Casavant on Mar 7, 2011
