On their very first date in 2013, Antonio Campos pitched The Staircase to Sofía Subercaseaux. It would be years before the now married team officially began work on the project. In the interim, their collaborations have included Christine (Sundance 2016), written and directed by Campos and edited by Subercaseaux, and Piercing (Sundance 2018), produced by Campos and edited by Subercaseaux. Campos became known for his acclaimed independent work with production company Borderline Films (Martha Marcy May Marlene, Simon Killer, James White). After directing episodes of The Punisher and The Sinner (the latter of which he also executive produced), he makes […]
by Taylor Hess on Jul 14, 2022Donald Ray Pollock was a late bloomer. It never occurred to him to become a writer, but when he was 45, having sobered up the previous decade, he had an epiphany. His dad had just retired from the same paper mill at which he worked. “I saw him go home and sit on the couch and pop a beer. And I thought, ‘That’s going to be me in another 20 years,” Pollock said. “And so I started examining what my options might be. All I knew was factory work, but I did love to read. And so I thought, ‘How […]
by Matt Prigge on Sep 22, 2020The inaugural year of Split Screens Festival, celebrating the art and craft of television, kicked off Friday night, June 2, at New York’s IFC Center, and it runs through June 8. The festival’s programming team is headed by Matt Zoller Seitz, Editor-in-Chief of RogerEbert.com, TV critic for New York Magazine and Vulture.com and author of several books on film and television. I attended the first full day of screenings and panels on Saturday, and it was an incredibly varied line-up. Following “The Evolution of TV Criticism,” which I’ll cover in a separate post, there was a showcase of the behind-the-scenes […]
by Audrey Ewell on Jun 5, 2017If you look at the long list of movies opening every weekend, not just in theaters but on digital platforms too, you probably feel like you can’t keep up. We feel the same way here at Filmmaker, with usually more films entering the marketplace then we’re able to devote meaningful editorial to. Invariably, some films slip through the cracks, while others may have been covered by us at their festival premieres months ago, with our coverage now buried in the depths of our CMS. So, we’re starting this “Recommended on a Friday” series of picks designed to help you navigate […]
by Scott Macaulay on Oct 14, 2016Before the recently-completed IFP Week fades too far from memory, we’ll wrap up our coverage with something new: an IFP Instagram Diary. We’ve already clocked how many times the words “branded,” “followers” and “content” were used at the event, and apparently social media is the future. Who knew? When Refinery29’s CCO Amy Emmerich urged during a panel, “Paramount Pictures should not be above Snapchat,” well, we figured we should hop on the social media bandwagon too. No, we don’t have a Snapchat yet – we will? The tag line for the conference, “Everybody Gets Creative,” acknowledges the way we’re all […]
by Meredith Alloway on Oct 3, 2016The story of Christine Chubbuck, the Florida news reporter who shot herself to death on live TV in 1974, was recounted in two separate films which premiered earlier this year at Sundance. Kate Plays Christine, the performative documentary from Robert Greene, was released last month and now Christine, Antonio Campos’ fictional version, has its first trailer. In addition to Rebecca Hall, who stars as the titular character, the dark drama features Michael C. Hall, Tracy Letts, Timothy Simons, J. Smith-Cameron, Maria Dizzia and John Cullum. The Orchard will release Christine on October 14.
by Paula Bernstein on Sep 15, 2016Christine certainly isn’t a coming-out performance for Rebecca Hall, a prominent and regular presence at the multiplex since her breakthrough part in 2006’s The Prestige. But her turn as Christine Chubbuck in Antonio Campos’s Christine (out this October from The Orchard) is a devastating assault on a part of unusual complexity. Chubbuck was a Sarasota, Florida, TV journalist who shot herself live and on-camera in July 1974. In the absence of much biographical information, Craig Shilowich’s script portrays Chubbuck as a vector of dueling, uncontrollable contradictions. Hall nails a number of different personality conflicts: she’s a sometimes-beloved colleague with loyal […]
by Vadim Rizov on Jul 25, 2016Sarasota TV journalist Christine Chubbuck shot herself live on-air in 1974 and died 14 hours later. The suicide footage exists on one two-inch tape, which is inaccessibly locked up in the vault of the former president of the Florida station (now part of ABC) Chubbuck worked at, so there are shades of Grizzly Man in Robert Greene’s Kate Plays Christine. The premise is that Kate Lyn Sheil’s preparing to play Chubbuck in a movie that will conclude with a recreation of the suicide, and the climactic question is whether the actress can go through with it. Scenes from this ostensible biopic (a fiction Greene uses to instigate the entire film; […]
by Vadim Rizov on Jan 25, 2016In the final clip from this roundtable discussion between host Russell Constanzo and directors Alex Karpovsky (Red Flag), Ry Russo-Young (Nobody Walks), Antonio Campos (Simon Killer) and Craig Zobel (Compliance), the quartet talks about the advantages of budgeting for reshoots and how they managed to edit during production. From April 1, the full hour-long roundtable conversation from which this clip is taken will be live on 4/1 at RamblingOn.tv.
by Nick Dawson on Mar 29, 2013In this week’s episode of Rambling On…, host Russell Costanzo talks to directors Alex Karpovsky (Red Flag), Ry Russo-Young (Nobody Walks), Antonio Campos (Simon Killer) and Craig Zobel (Compliance) about the parameters they put on success, and the pitfalls of being too focused on the perceived success of their movies. Check back next week for another episode of the show, exclusively here on the Filmmaker website.
by Nick Dawson on Mar 21, 2013