Atomos Shogun
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Atomos Announces 7” HDR Field Monitor/Recorders that can Display Log Footage
Atomos has announced the Atomos Flame series of field monitor/recorders. These new units feature 7” 1920x 1080 resolution screens with 1,500 nits of brightness — four times the brightness of their existing screen. Atomos claims it’s the world’s brightest and widest dynamic range panel in a field monitor. But what is HDR footage? Atomos CEO and co-founder Jeromy Young explains that if you have a camera that shoots in a Log format, and that will output that over SDI or HDMI, you already have an HDR camera. The problem is that it can be difficult to see what that Log image is […]
by Michael Murie on Mar 22, 2016 -
2015: Camera and Monitor Gear in Review
Looking back on 2015, while there were few real stand-out innovations, the advances in the world of cameras and gear continued to march relentlessly forward. Cameras This was the year that Panasonic finally shipped their 4K Varicam 35, but for the indie filmmaker it was probably the announcement of the $4,000 Panasonic AG-DVX200 4K camera — which features a Four-Thirds sensor — that was more interesting. Ideal for run-and-gun documentary work, you might think of it as the GH4 with better audio and a good fixed zoom lens. For the narrative filmmaker, or those that want/need a bigger sensor, the […]
by Michael Murie on Dec 30, 2015 -
4 Observations from a First Time NAB Experience
This was my first year at the gear-head mecca of NAB. It definitely did not disappoint, and I had a blast attending, checking out new gear (which you can see a list of here) and finally meeting some people I’ve only had contact with in the online world. Here are some of my overall impressions about what I saw (or didn’t see) on the showroom floor and the conference itself. Very Few Surprises and Not a Whole Lot of New 4K The #1 question I keep getting asked is, “What was the best thing you saw?” And I really don’t […]
by Joey Daoud on Apr 29, 2014 -
5 Things I Learned about the Panasonic GH4 at NAB
I have been a big fan of Panasonic’s GH line since the GH2. When the GH3 was announced I was first in the cyber line for pre-orders and same deal when the GH4 went up. This time I opted to get the YAGH Interface Unit package. My thought process was I’d have a “real camera” setup that can handle XLR audio (I hate dealing with a second recorder and syncing audio), I could jam-sync the timecode on multicam shoots, and then I’d be set up to just rent a 4K recorder for high-end jobs that needed 10-bit 422 recording. I […]
by Joey Daoud on Apr 21, 2014
