Austin in the ‘80s was a college town dressed up as a state capitol, attracting a steady stream of students, dreamers, and dropouts hanging out on the edge (literally and metaphorically) of the University of Texas campus, where Lee Daniel and Rick Linklater screened foreign flicks and postmodern masterpieces in a DIY venue above a coffee shop. Daniel and Linklater brought revival-house sophistication to a community of misfits and film fanatics when they formed Austin Media Arts (now the Austin Film Society) in 1985. The pair lived down the street from their repertory cinema in a West Campus residence that […]
by Barbara Purcell on Mar 1, 2022When Toby Leonard, programming director at Nashville’s Belcourt Theatre, returned to the space for the first time since the COVID-19 shutdown began, a six-foot cardboard display for Never Rarely Sometimes Always struck his eye. Eliza Hittman’s film was four days into the first week of a planned platform release before it was pulled from theatrical exhibition and hadn’t yet made it to the Belcourt, but its physical teaser remained. “How many of these things were there and how many did they send around the country?,” Leonard wondered. Then he took it down. As exhibitors and distributors initially adjusted to no theatrical releases for […]
by Vadim Rizov on May 18, 2020As a native Texan and dutiful SXSW attendee traveling to the Czech Republic, I was thrilled to hear that Richard Linklater and the Austin Film Society would be the subject of a Tribute at this year’s Karlovy Vary Film Festival. The 53rd edition of the Czech-based event that concluded July 7 screened an early print of Linklater’s $23,000 indie phenomenon Slacker (of which he introduced wearing an Astros baseball jersey); Eagle Pennell’s 1983 cult classic Last Night at the Alamo; Robert Rodriguez’s inaugural low-budget hit El Mariachi; and Tom Huckabee and William Van Overbeek’s surreal, image-laden doc Death of a […]
by Tiffany Pritchard on Jul 12, 2018The Austin Film Society hosted a media-exclusive lunch this past Friday to discuss their most exciting current project: the redesign and expansion of their cinema and event space. Presented by Founder & Artistic Director Richard Linklater, CEO Rebecca Campbell, Head of Film & Creative Media Holly Herrick, architect Michael Hsu and Designtrait, the afternoon stressed a shared belief in making a place for Austinites to discover artistically significant cinema old and new. A repertory house, a first-run theater, a shrine to great records and beautiful poster art, and an event space equipped to host a multitude of special gatherings: it’s clear that the AFS […]
by Erik Luers on Mar 14, 2017From January through May this year, Richard Linklater hosted a series of screenings at the Austin Film Society of his favorite films from the ’80s followed by post-screening Q&A’s. One of his selections was Dennis Hopper’s perverse 1980 tour-de-force Out of the Blue. After the screening, Linklater had a story to tell about seeing Hopper present the film in Houston in 1983 and then taking those in attendance to a racetrack, where he surrounded himself with sticks of dynamite and set them off. You can first watch Linklater describe the evening in question and Hopper’s thinking — that the simultaneous […]
by Vadim Rizov on Jul 16, 2014Sundance often faces criticism from the independent film community as being inaccessible and too commercial. Two weekends ago Austin Studios, the Sundance Institute and the Austin Film Society held the sold-out “#ArtistServices Austin Workshop,” proving Robert Redford’s initial vision of supporting truly indie film is strongly intact. The day-long event was focused on educating filmmakers about the business side of fundraising, marketing, and distribution for small movies. Filled with local filmmakers like Two Step director Alex Johnson and Before You Know It director PJ Raval and producer Annie Bush, the raw hanger space (Austin Studios is located on the site […]
by Eric M. Levy on May 20, 2014Take a look at Andrew Disney’s website — with his commercials, music video work et al. neatly assembled in their own sections — and you’ll see a very well-organized director adept at representing himself. An NYU alum, Disney (yes, he’s related, though not closely) made his feature debut with 2011’s Searching for Sonny, shot in his hometown of Fort Worth. Now an Austin resident, Disney returns with Intramural, a comedy of arrested development about a group of friends who get their fifth grade football team back together. Pitched as being in the vein of Wet Hot American Summer and Hot […]
by Vadim Rizov on Apr 17, 2014Emerging filmmakers got a kick-start today courtesy of the Austin Film Society’s 2012 Texas Filmmakers’ Production Fund (TFPF). The AFS backed 16 narrative and documentary (short and feature length) projects with over $89,500 in cash grants in addition to $6,000 of Kodak film stock and $15,000 in productions services. Since its inception in 1996, the AFS has granted $1.3 million to 344 projects. Past winners include Heather Courtney for her award-winning Where Soldiers Come From and Kyle Henry for his Cannes entry Fourplay: Tampa. Here’s a list of this year’s recipients: A FORCE IN NATURE Hayden Yates A biopic of an 89 […]
by Byron Camacho on Aug 29, 2012(Richard Linklater’s seminal indie feature was released 20 years ago this summer. In celebration, 24 Austin-based filmmakers have crafted Slacker 2011, a collage/montage/homage, which premiered on August 31 at the Austin Film Society. For our part, we’re posting Nelson Kim’s essay on the film, which originally ran at Hammer To Nail on January 5, 2009. Buy the Criterion edition on DVD, or watch it at Amazon Instant.) A young man (the then-31-year-old writer, director, and producer) gets off a bus in Austin, hails a cab, and tells the driver about his theory that every choice we make in life creates […]
by Nelson Kim on Sep 1, 2011Screening Times: Sunday March 13th, 9:30pm (Rollins Theatre), Tuesday March 15th, 9:30pm (Westgate), Friday March 18th, 11:30am (Paramount Theatre) The story of a Eastern religious obsessive vlogger and idiot savant whose social ineptitude only rivals his desire to create Web Art, Austin based director Anlo Sepulveda’s Otis Under Sky follows the title character as he falls in love with a kleptomaniac, womanizing lesbian and conceives of an Internet-based Art project to connect people spiritually via the Web. Filmmaker: How did you first conceive of Otis Under Sky? Sepulveda: The inspiration for Otis was a soft-spoken, somewhat awkward bull rider named […]
by Brandon Harris on Mar 15, 2011