Bait
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Ready or Not, the Emmys Are Coming
To quote Schitt’s Creek’s Moira Rose: My favorite season? Awards. And for some of us, it’s a year-round venture. Weeks before the Academy Awards took place on March 15, I began tracking the dozens of shows that would soon be campaigning for Emmys. The Emmys take place each year in September, but like its cinematic counterpart, the preparation begins many months earlier. After all, Oscar futures are currently being debated as Cannes rolls into its second week. Similarly, the Emmy luncheons, billboards, screenings, and Q&As have been in the works for a long time already. But we’re now in the […]
by Tyler Coates on May 20, 2026 -
“With Digital You Have to Spend a Lot of Money Before It Becomes Free”: Mark Jenkin on His Hand-Processed 16mm Bait
If you’ve heard much at all about Bait, the breakthrough feature of British filmmaker Mark Jenkin, it’s likely concerned the anachronistic means by which he’s constructed the experimental drama. Shot on a hand-cranked Bolex camera in black-and-white 16mm, then hand-processed by Jenkin himself with an assortment of unusual materials that lend scratchiness to the images, the film offsets potential accusations of gimmickry in making these aesthetic choices relevant to evoking something specific about where it’s set, an unnamed fishing village in the county of Cornwall in southwest England. As writer Ian Mantgani describes in his review for Sight & Sound, […]
by Josh Slater-Williams on Aug 30, 2019 -
New Directors/New Films 2019 Critic’s Notebook: Monos, Manta Ray, Bait
[A selection of films from the ND/NF program, including Bait, are currently playing online for free on Festival Scope from April 8-April 22.] As it unveiled its 48th edition last week, New Directors/New Films—the annual collaboration between the Film Society of Lincoln Center and the Museum of Modern Art—could justifiably tout itself as a fount of international cinematic discovery. Although most of its programming is cherry-picked from other major festivals, including Venice, Berlin and Sundance, its 12-day spree of screenings ushers a new wave of ascendent film talent into town for a Manhattan debut (or in some cases, an encore) as spring […]
by Steve Dollar on Apr 1, 2019
