Ben Foster
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Music Video: Emily Wells’ “Pack of Nobodies,” Directed by Ben Foster
With five films in theaters this year, including specialty hit Hell or High Water, as well as a turn in the St. Anne’s production of A Streetcar Named Desire, actor Ben Foster is having what’s known as a moment. Now, add one other credit to his enviable run: his directorial debut with a music video for singer Emily Wells, “Pack of Nobodies.” And whereas most music videos feature performance and maybe one narrative storyline, Foster shoots Wells singing as well as five sets of actors in an interlocking series of emotional narratives. From the music video’s press release: The music […]
by Scott Macaulay on Aug 26, 2016 -
Lance Armstrong as Modern Crime Story: Stephen Frears on The Program
“When I’m out there, physically I’m not more gifted than anybody else. It’s just this desire. This hunger,” intones Ben Foster as Lance Armstrong in the opening narration of The Program. “My mom didn’t raise a quitter and I would never quit. That’s heart, man, that’s not physical. It’s not legs. It’s not lungs. That’s heart. That’s soul. That’s just guts.” That’s the great fallacy of the American underdog sports drama — if you have enough heart and enough guts, you can succeed. It’s the underlying myth of Rocky and even based-on-fact tales of athletic fortitude such as Hoosiers and […]
by Matt Mulcahey on Mar 21, 2016 -
DAVID LOWERY, ROONEY MARA SET TO TEAM ON NEW PICTURE
David Lowery, one of Filmmaker’s 2011 “25 New Faces,” is set to direct a new, “contemporary western” that teams him with three others from our annual talent survey. As announced by Deadline, Ain’t Them Bodies Saints is set to star Rooney Mara (picked for our 2009 list) and will be produced by a team including Jay Van Hoy and Lars Knudsen (from our 2006 list). Ben Foster and Casey Affleck are also attached; James Johnston, Toby Halbrooks, Amy Kaufman also produce; and the pic is repped by WME Global. Evolution Independent’s Cassian Elwes is putting together the financing. Lowery’s Pioneer […]
by Scott Macaulay on Apr 28, 2012 -
OREN MOVERMAN’S “RAMPART” — A REVIEW
Rampart is a hard-slamming action film … a disturbing portrait of a goon gone-amok … a subtle investigation of a sensitive man … an incisive dissection of a raging numbskull … a shrewd portrayal of a terribly wounded soul. Rampart is a film of extremes and subtleties swiftly moving yet rich in detail. If not expertly crafted and intricately woven, Rampart would quickly implode. Set in 1999 Los Angles, Rampart is about a dirty cop rushing into a train wreck with reality. The cynical and enraged 24-year LAPD veteran is locked in a whirlwind of events that rip him to […]
by Stewart Nusbaumer on Feb 7, 2012 -
“HERE” DIRECTOR BRADEN KING
Known for his stunning 1998 documentary, Dutch Harbor: Where the Sea Breaks Its Back, as well as countless music videos for musicians including Bonnie “Prince” Billy, Sonic Youth, and Dirty Three, director Braden King arrives at Sundance in Dramatic Competition with HERE. Set in Armenia — and in many ways starring Armenia — HERE is a love story camouflaged as a road movie, or perhaps it’s the other way around. The atmospheric film follows Gadarine and Will (played by Lubna Azabal and Ben Foster), an Armenian art photographer and an American satellite-mapping engineer, from the exact moment they notice each […]
by James Ponsoldt on Jan 28, 2011 -
“HERE” | co-writer-director, Braden King
[PREMIERE SCREENING: Friday, Jan. 21, 5:30 pm — Library Center Theatre] Looking back, the process of creating Here, which is ultimately a pretty romantic, landscape-obsessed road movie, was probably about as close you can get to some kind of Fitzcarraldo or Heart of Darkness experience anymore. I suppose I’m surprised that the finished film doesn’t seem to reflect that more. There are no massive battle sequences in the film; I didn’t get to play with any pyrotechnics (damn it), but Here was the first American feature film ever to shoot in Armenia. That provided fantastic advantages and disadvantages: unimaginable challenges, […]
by Filmmaker Staff on Jan 21, 2011 -
A KNOCK ON THE DOOR: OREN MOVERMAN’S THE MESSENGER |
By Ira Sachs
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Ira Sachs interviewed The Messenger co-writer-director Oren Moverman for our Fall 2009 issue. The Messenger is nominated for Best Supporting Actor (Woody Harrelson) and Best Original Screenplay (Alessandro Camon and Oren Moverman). The two Iraq war soldiers played by Ben Foster and Woody Harrelson in Oren Moverman’s astonishing directorial debut, The Messenger, serve in a different kind of military theater. It’s not in the Middle East but at home, here in […]
by Jason Guerrasio on Feb 18, 2010
