So I’m making my first short documentary. Tentatively titled Sole Doctor, it’s an observational-style film about George, an African-American cobbler who, after keeping shop for 50 years in Portland, Oregon, plans to retire and pass the business on to his son, Joshua. As I’ve chronicled in previous journals for Filmmaker, as a first-time filmmaker, I knew enough to seek advice from the pros before proceeding, and then I made sure to hire a good DP and sound mixer. But, of course, as much as I planned ahead, I still hit some bumps along the road — like our first shoot, when we planned to film […]
by Paula Bernstein on Nov 3, 2016Months ago, I got the crazy idea to write, produce and direct my first documentary. I wasn’t completely unrealistic — I knew enough to start small with a short, micro-budgetfilm. I also knew I could count on a supportive network of documentary filmmakers — including pros such as Doug Block, Marshall Curry, Laura Nix, Tracy Droz Tragos, Robert Greene, and others — to help guide me through the process. Later in this piece, I’ll share some of their invaluable wisdom. But first, here’s a bit about my film and my process so far. I had been on the lookout for a subject that […]
by Paula Bernstein on Aug 25, 2016In recent decades, some of the best documentary films — including Oscar-winners such as Bowling for Columbine and Searching for Sugar Man, and, more recently, festival favorites Point and Shoot and Meet the Patels — have have relied on animation to tell compelling nonfiction stories in nontraditional ways. It’s a technique audiences have grown accustomed to and nonfiction filmmakers have learned to adopt with varying degrees of success. While in the past, documentary purists might have posited that animation had no place in non-fiction storytelling, it’s now largely accepted that even observational documentaries involve some degree of manipulation. If anything, by using animation in a documentary, the manipulation is more […]
by Paula Bernstein on Jun 23, 2016Following her “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the documentary The Winding Stream, Beth Harrington. The film premieres Saturday, March 15 at 7 PM at the Ritz Theater on Sixth St. Filmmaker: Why this movie? Why did you decide to do it? Harrington: I’m a filmmaker and a musician, and about ten years ago I made a film about women rockabilly singers called Welcome to the Club. It did well, […]
by Danielle Lurie on Mar 11, 2014