Boyhood
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23 Paces to Baker Street, Mildred Pierce, Linklater and Almodovar, and More: Jim Hemphill’s Home Video Recommendations
In a career-spanning interview with Polly Platt for the DGA oral history series, director Henry Hathaway dismissed his 1956 thriller 23 Paces to Baker Street as a throwaway, one of those studio assignments he took without much relish. It’s yet another example of why filmmakers cannot be trusted when it comes to their own films, for while the material is slightly shopworn (and owes an enormous and obvious debt to Hitchcock’s Rear Window), Hathaway frames it with meticulous care and artistry. The movie follows Van Johnson as a blind playwright who thinks he overhears a crime being plotted; after the […]
by Jim Hemphill on Feb 24, 2017 -
39 Movies Released in 2014 Shot on 35mm
Last year, I posited that Boyhood‘s use of 35mm seemed to be a kind of special effect as much as anything: committing to film ensured an internally continuous look over 12 years of production whose uniqueness would survive despite a digital intermediate and no prints being struck for American release. This type of use of 35mm, separate from its ongoing viability as an exhibition format, was one common reason cited for its use in 39 2014 US releases originating in whole or substantial part from it. That’s a list that’s probably not complete: collating the release calendar against the technical specifications primarily quickly […]
by Vadim Rizov on Jan 15, 2015 -
2014: The Year in 11 Film Festivals
The start of the Sundance Film Festival is when film festivals traditionally reboot. A new wave of films comes in with the new year and festival films that have been trotting around the globe throughout 2014, especially the last three months of the year, will fall by the wayside. The changing modes of distribution of recent years, and the increased number of films being released, has meant that frequently the only time to catch certain films – often the best of the year – is at film festivals. A few years ago, some were questioning whether film festivals were still relevant, […]
by Kaleem Aftab on Jan 13, 2015 -
The Top 10 Movies, in Their Own Ways, of 2014
I’m not much for year-end listmaking — the release calendar variables for potential inclusion are pretty limited, so it feels like a pointless exercise in rearranging the same 20 pieces as everybody else, and I’ve probably written about the movies in question enough for the time being by year’s end. It is, nonetheless, the tail end of the season where people put out their lists and justifications, so I’ve laid out ten arbitrary categories that allow me to tout some titles, released in the US in 2014 unless otherwise noted. Best DTV Casualty Few people have reshaped the multiplex landscape as much in […]
by Vadim Rizov on Jan 12, 2015 -
Boyhood Wins Heterodox Award, Paris is Burning Honored with Legacy Award at Cinema Eye Honor’s Inaugural Honors Lunch
In a new annual lunchtime ceremony, Cinema Eye Honors awarded today the Filmmaker-sponsored Heterodox Award to Richard Linklater’s Boyhood and feted Jennie Livingston’s Paris is Burning with its Legacy Award. Linklater as well as Livingston and her collaborators were all on hand to accept their awards at midtown’s Etcetera Etcetera. Of the divide between documentary and fiction, Linklater, who was on hand to accept the award, said, “I don’t even call it ‘a blurry line’… I’ve never really drawn a particular line between documentary and fiction.” Continuing, he said, “[Boyhood] is not a documentary but it’s certainly a document. It’s […]
by Scott Macaulay on Jan 6, 2015 -
“Richard Helped Me Think About Myself”: 5 Questions for Boyhood’s Ellar Coltrane
There are few breakout roles that can top having your life documented on screen over the course of 12 years. Ellar Coltrane grew up in front of millions of eyes playing the role of young Mason in Richard Linklater’s Boyhood. It’s near impossible for audiences not to relate to Mason’s character as he navigates school, friendships, moving, relationships and family. But Boyhood is also a film that leaves a lasting impression from its sum over its parts. The power of experiencing the characters transform over a dozen years is one that lets viewers appreciate more their own lives and changes. The […]
by Ariston Anderson on Jan 2, 2015 -
Editing Boyhood: Dealing with Changing Technology
The filming of Boyhood, shot over 12 years, posed some unexpected challenges in post-production. At a recent meeting of the Boston Creative Pro Users Group, First Assistant Editor Mike Saenz explained the difficulties of the editing process, made more complicated by changes in technology that occurred over that 12-year period. Begun as what Saenz called “an indie side project” by director Richard Linklater, Boyhood was originally edited using Final Cut 3, as they couldn’t afford to rent an Avid system for 12 years. A couple of years into the project, they switched to Avid Xpress, a lower-end system from Avid. They […]
by Michael Murie on Dec 10, 2014 -
Watch: Boyhood Behind the Scenes Featurette
As Boyhood continues to steamroll the Critic’s Awards, here’s an exclusive behind-the-scenes look from Hulu at the 12 year production. Linklater discusses everything from the conception of the project and its autobiographical elements, to the evolution of his working relationship with Ellar Coltrane, and the visual consistency of the film. The short also features interviews with Patricia Arquette Coltrane, Lorelei Linklater and Ethan Hawke from Year One to Year 12.
by Sarah Salovaara on Dec 9, 2014 -
Cinema Eye Honors Announces 2015 Heterodex Nominees
The Cinema Eye Honors for Nonfiction Filmmaking today announced the five nominees for its annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine, a publication of IFP. The Cinema Eye Heterodox Award honors a narrative fiction film that imaginatively incorporates nonfiction strategies, content and/or modes of production. The five films nominated this year for the Cinema Eye Heterodox Award are: Boyhood directed by Richard Linklater Heaven Knows What directed by Josh and Benny Safdie A Spell to Ward off the Darkness directed by Ben Rivers and Ben Russell Stop the Pounding Heart directed by Roberto Minervini Under the Skin directed […]
by Filmmaker Staff on Dec 8, 2014 -
The 30th Film Independent Spirit Awards Nominations
The nominations are out for the annual Film Independent Spirit Awards bestowed by Film Independent. As the logo above suggests, the Film Independent Spirit Awards will be celebrating their 30th anniversary with this edition. Leading the nominations count is Birdman with six nominations, followed by five apiece for Selma, Boyhood and Nightcrawler. Note the special awards for Inherent Vice and Foxcatcher, both of whose budgets exceed the $20 million cap for regular award eligibility. The awards are announced February 21, and their official site can be found here. BEST FEATURE (Award given to the producer. Executive producers are not awarded.) […]
by Filmmaker Staff on Nov 25, 2014
