Cara Mertes
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“The Lingua Franca of Non-Fiction Filmmaking Should be the Language of Cinema, Not Grant Applications”: Sundance Documentary Film Program Director Tabitha Jackson at DOC NYC
“We have to make artful films,” declared Tabitha Jackson at this morning’s DOC NYC keynote. Her thoughtful and engaging address — accompanied, half-jokingly, by what she dubbed her first attempt at Powerpoint — was filled not with statistics about audience reach or NGO partnerships but instead illustrations drawn from documentaries as well as poetry, visual art and experimental films. Indeed, this Director of the Sundance Documentary Film Program — one of the field’s most important funders — could not have been clearer about the direction she intends to bring to the program when she said, to applause, “The lingua franca […]
by Scott Macaulay on Nov 17, 2014 -
SUNDANCE DOC CREATIVE PRODUCING LAB DIARY #2: RACHEL LIBERT
Here is part two of Rachel Libert’s diaries from the Sundance Labs. Read part one here. The busloads of people arriving at the Sundance Resort for the Creative Producing Summit signaled the end of the Creative Producing Lab. Twenty narrative producers, twenty documentary producers and dozens of high-level industry representatives are sequestered in the privacy of the Wasatch Mountains. We’re participating in an information marathon. We are a think tank in which our collective brainpower evaluates the industry and its future. For the Documentary Creative Producing Lab fellows there’s a palpable shift from our tight knit group discussions about the […]
by Scott Macaulay on Aug 28, 2010
