Chloe Zhao
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“How Do You Connect with Someone with a Camera? It’s a Hard Thing to Talk About”: DP Joshua James Richards on Shooting Nomadland
A compelling portrait of one woman’s survival in the new economy, Nomadland won the Golden Lion at the Venice Film Festival and the People’s Choice Award at the Toronto International Film Festival. Adapted from a book by Jessica Bruder, it was written, edited and directed by Chloé Zhao. This is the third collaboration between Zhao and cinematographer Joshua James Richards, following Songs My Brother Taught Me (2015) and The Rider (2017). Richards won the Best Debut Cinematography at the EnergaCamerimage Festival for Songs My Brother Taught Me. This year Camerimage awarded its Golden Frog to Richards for Nomadland. Frances McDormand, […]
by Daniel Eagan on Feb 19, 2021 -
Moving Through the Frame
Like The Searchers, Nomadland is bookended by a pair of doorways: on one side, the post-Baby Boom American Dream of domesticity and stability; on the other, the siren’s call of the wanderer, beckoning toward the unknown. In the film’s opening frame, Fern (Frances McDormand) stands in the doorway of a storage unit in Empire, Nevada. The Great Recession has swallowed the mining town whole; the 60-something widow takes one last glance at the remnants of her life, packed away in boxes, and climbs into her Ford Econoline van, headed toward the horizon. A year passes before Fern darkens another symbolic […]
by Matt Mulcahey on Feb 10, 2021 -
Advance Team
“I suppose you want to talk about her process,” says producer Dan Janvey when I tell him I’d like to learn about the producing team’s work with Chloé Zhao on Nomadland. Well, yes, I say—but not because I and Filmmaker readers aren’t familiar with it. After all, Filmmaker has covered Zhao’s work since 2013, when she appeared on our 25 New Faces list before the production of her debut feature, Songs My Brothers Taught Me. We spoke with her for a feature interview about that film and for her follow-up, The Rider, our spring 2018 cover feature, watching her develop […]
by Scott Macaulay on Feb 10, 2021 -
Post Empire
Empire, Nevada, “felt like a town suspended in the 1950s, as if the postwar economy had never ended,” writes Jessica Bruder in her nonfiction book, Nomadland: Surviving America in the Twenty-First Century. The small mining town consisted of four main roads, lined with homes populated by the workers of United States Gypsum, the manufacturer of Sheetrock. Subsidized rents were as low as $250 a month, the company covered TV and internet and, as one resident told Bruder, there were “no gangs, no sirens, no violence.” But economic forces caught up with Empire. In 2011, U.S. Gypsum, a company with a […]
by Scott Macaulay on Feb 10, 2021 -
Trailer Watch: Chloé Zhao’s Nomadland
The first trailer for Chloé Zhao’s Nomadland, which has been scoring critic’s nods all season (it just place first in Indiewire’s critic’s poll), just dropped. Wrote Steve Dollar out of the New York Film Festival, “McDormand’s performance, which maps as much brooding interiority as it surveys Fran’s uncertain road ahead, is the unvarnished, flinty thing Oscar nominations are made of, and the mutual intensity of focus that she shares with Zhao locks in on the most minor of details. It’s a story of ‘how’ as much as ‘why,’ and the way scenes build up out of the smallest moments, glances, […]
by Scott Macaulay on Dec 14, 2020 -
Rodeo Dream: Chloé Zhao on The Rider
The Rider, Chloé Zhao’s miraculous second feature, possesses a narrative that feels both as old as time and riveting in its newness: A young rodeo star has a tragic accident and must battle adversity on his way to recovery. You know this story. Except, through Zhao’s eyes, “redemption” looks different from what we’ve been conditioned to expect in a culture built on stories of success and celebrity. Every character on screen in The Rider is a real person, playing a version of themselves. But this is not a documentary. The performances in The Rider are exhilarating and deep and true. […]
by James Ponsoldt on Mar 8, 2018 -
Pingyao Year Zero: A Report from China’s First Authority-Approved, Privately Operated Film Festival
Much has been written on the proliferation of film festivals over the last two decades or so. Tentacular events in whose midst commercial imperatives and nobler intentions (or alleged such) dialectically coexist, festivals can be many things, but rarely do they feel as vital and unprecedented as the first edition of the Pingyao Crouching Tiger Hidden Dragon International Film Festival (PYIFF). Unprecedented indeed it was, for the festival founded by the Chinese director Jia Zhangke is the first ever in China to be approved by the authorities but operated by a private company. This organizational set-up allowed its founder and […]
by Celluloid Liberation Front on Jan 2, 2018 -
Parting Shot: Chloé Zhao
When Filmmaker interviewed Chloé Zhao in 2013 for our 25 New Faces series, the Beijing-born writer/director said she was inspired by her childhood in China to set her first feature within the Native American community at North Dakota’s Lakota Pine Ridge reservation. “There are lies everywhere,” she said. “You felt like you were never going to be able to get out.” That feeling of struggle, and of a desire to escape, suffuses Zhao’s evocative Songs My Brother Taught Me, a Sundance Dramatic Competition entry that receives its New York premiere this spring at Film Forum. Her teenage protagonists — Johnny […]
by Scott Macaulay on Jan 20, 2016 -
“Did I Waste Everyone’s Time?”: Songs My Brothers Taught Me | Director Chloé Zhao
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? My biggest fear making Songs was the fact that life doesn’t wait around for us to capture it. We worked with mostly non-actors who are from Pine Ridge. The casting process was endless. However, because it takes time for a narrative film to go into production, we started losing our cast to different life circumstances. That fear forced me to go ahead and make the film without the intended […]
by Filmmaker Staff on Jan 29, 2015
