Christine Vachon
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In Full Frame: Director Rose Troche and Sundance Institute’s John Nein on Restoring the Lesbian Classic Go Fish
“It’s very much like having a kid out there in the world doing its own thing,” said writer/director Rose Troche last month as she was finishing the restoration of her debut feature Go Fish, which screened as part of Sundance’s 40th Edition programming this week, three decades after its original premiere at the festival. “It’s one of those films that has never gone out of the conversation, this funky movie made for $17,000 that launched these careers.” Troche is right —while many films from Sundance in the ’90s never made the leap to digital distribution, the lesbian drama Go Fish […]
by Scott Macaulay on Jan 27, 2024 -
Behind the Lens at the SCAD Savannah Film Festival 2023
As the US’s largest university-run fest, the SCAD Savannah Film Festival (October 21-28) smartly caters to an overwhelmingly collegiate audience, which means bringing in loads of celebrities for red carpet events (Kevin Bacon! Ava DuVernay! Eva Longoria!) balanced with veteran Hollywood craftspeople for numerous nuts and bolts panels (this year’s Artisans series included “The Creators of Worlds: The Artisans of Oppenheimer”). Not to mention there’s a puppy dog enthusiasm with which these young industry aspirants gobble up the eight-day “celebration of cinematic excellence.” It’s both contagious and, for someone like me long past their dorm room years, dauntingly exhausting. (FOMO […]
by Lauren Wissot on Nov 6, 2023 -
Watch: Producers and Executives Discuss “The State of Independent Films” With The Wrap
Yesterday, The Wrap presented a virtual panel comprised of “legends” (as the panelists laughingly preferred to “veterans”) in the independent film industry to discuss the current financing, production and distribution landscape—and what it might mean for rising writers, directors and producers. Moderated by producer and former agent Cassian Elwes of Elevated Films, guests on the panel include iconic indie producer and co-founder of Killer Films Christine Vachon, Blacklist founder Franklin Leonard, 30West co-president and CEO Micah Green (a company which Green describes as an “investment business focused on the independent arena”) and Rena Ronson, Partner & Head of Independent Film, […]
by Filmmaker Staff on May 11, 2023 -
The 25th SCAD Savannah Film Festival Presents Wonder Women: Producers (the Christine Vachon Edition)
Moderated by Darrien Gipson, Executive Director of SAGindie, this year’s Wonder Women: Producers discussion at the SCAD Savannah Film Festival was a must-catch, mostly for two glaringly obvious reasons, with the first being the wide diversity of the participants. Alongside white Brits Alison Owen (Elizabeth, Saving Mr. Banks, perennial panelist and SCAD Savannah Film Festival Advisory Board member) and manager/producer Laura Berwick (Belfast, All is True, and Sir Kenneth’s longtime rep), there was the English-Jamaican writer/actress/producer Nicôle Lecky (Mood, The Moor Girl) and American actress/producer Jurnee Smollett (Lovecraft Country, Birds of Prey). Then there was the second reason—the presence of “grande dame” of indie […]
by Lauren Wissot on Nov 8, 2022 -
Five Questions for Casey Neistat about His SXSW-Premiering David Dobrik Documentary, Under the Influence
When Casey Neistat, along with his brother Van, made Filmmaker‘s 25 New Faces list in 2006, he had already made over 300 shorts that had played at film festivals, museums and online. Three years later he launched an HBO series. But Google Neistat now and the information panel for the 40-year filmmaker offers a single blunt ID: “American YouTuber.” It was only in 2010 that Neistat began posting his work on YouTube and in 2015 that these postings became daily, a profusion of content (and subscribers — 12 million) that have made him a progenitor of a newer generation of […]
by Scott Macaulay on Mar 12, 2022 -
‘We Know You, But You Guys Don’t Know Us’: Female Filmmakers Talk Diversity And Inclusivity At IFP Week
Gender and inclusivity are two key buzzwords floating about the film world these days, but how are these ideas being implemented? Are they being implemented? And are these issues always binary, black and white? Talking to filmmakers who aren’t Caucasian, male and/or cis, you don’t get clear-cut answers. You don’t always get encouraging answers, though you sometimes do. One gets the impression that this is an industry struggling with ideas that may change it radically, and that some people — even well-meaning allies — are still glomming onto old traditions. These issues were confronted directly during IFP Week, particularly at the […]
by Matt Prigge on Sep 19, 2018 -
Film Schools in a Time of Disruption
At YouVisit Studios in midtown Manhattan, Ben Leonberg, Scott Riehs and Alice Shindelar, three recent graduates of the film MFA program at Columbia, bring their education to bear in rather unexpected ways. They are still, in a sense, filmmakers — Leonberg a creative director, Shindelar a writer/director and Riehs a creative producer, each aspiring to one day make a feature. But as their day job they practice filmmaking of a very different type: together they conceive, write and shoot commercial content that YouVisit calls “interactive virtual experiences.” They work in 360-degree video and with virtual-reality headsets. They experiment with new […]
by Calum Marsh on Jun 16, 2017 -
Politics of Style: Restoring and Rediscovering Apparatus Films
“I want to make films on the other side of fashion, on the other side of taste,” whispers a melancholic starlet into a velvety black void. It’s the 1930s, and the alluring actress — known in Europe as “La Divina” — has been brought to Hollywood to vamp in commercial confections alongside an American matinee idol. She doesn’t fit in. She wants to play real roles, like Dorian Gray or Christ. Her nervy agent is bewildered. “That’s art!” he scoffs. “Who’s gonna to pay for that?” Brooke Dammkoehler’s 45-minute La Divina (1989), a buoyant pastiche of Golden Age melodrama by way […]
by Paul Dallas on Oct 20, 2016 -
The Campaign to Revive Early Films from Christine Vachon and Todd Haynes
Led by IFP founder Sandra Schulberg, who serves as its president, the nonprofit IndieCollect is working to conserve independent cinema. In just two years, the company has rescued and archived more than 3,500 film negatives, according to Schulberg, the president of IndieCollect. IndieCollect recently located the master picture and sound elements for eight of the shorts Vachon and Haynes produced in the ’80s and ’90s with Barry Ellsworth under their non-profit Apparatus banner. Apparatus backed a number of other directors, including Suzan-Lori Parks, Mary Hestand, Susan Delson, Brooke Dammkoehler, Larry Carty, and Evan Dunsky. Now the company has launched a Kickstarter campaign with hopes of raising […]
by Paula Bernstein on Jun 28, 2016 -
Upstream and Downstream: 5 Observations about Independent Film Distribution at the 2016 Midpoint
The following article appears in our Spring, 2016 print edition and is appearing from behind our paywall today for the first time. Will 2016 be remembered as the year that Amazon and Netflix gobbled up the indie film market? Probably. While the two online behemoths could always change their strategies in the next several months, the ramifications of their first quarter dominance stretched far and wide, sending shockwaves through the business. But there were other changes afoot, as well. Here are five industry trends that continue to linger long after Park City. 1. The Enduring Impact of Amazon and Netflix Okay, Amazon […]
by Anthony Kaufman on Jun 16, 2016
