This is the second year for NYC’s CineCina Film Festival, which is flying relatively under-the-radar relative to its titles. Per its press releases, CineCina is “the only New York-based film festival dedicated to promoting excellent Chinese films,” and it’s true that the lineup features a smattering of new Chinese films. But it also has one Cannes premiere, Elia Suleiman’s It Must Be Heaven, that wasn’t at NYFF; the overdue first NY screening of Yuri Bykov’s Russian class-conscious Die Hard riff The Factory; a reprise screening of NYFF selection The Wild Goose Lake (at $20 a pop, $10 cheaper than tickets for main slate NYFF […]