In the era of surveillance, what does it mean to be on camera? Theo Anthony’s All Light, Everywhere investigates the nature of objectivity, physics, and policing from a scientific and sociological perspective, questioning much the way an essay might. DP Corey Hughes shares what he brought to the film from his experience with music videos and the physicality of image capturing devices. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Hughes: I met Theo in Baltimore in 2017. At that […]