Warning: If you haven’t seen both seasons of Twin Peaks, Fire Walk With Me and the first five episodes of Twin Peaks: The Return – turn around. David Lynch warned us. Weeks before the revival of his surrealist soap opera, Variety reported that Fire Walk With Me would be “very important” to understanding Twin Peaks: The Return. Five episodes in, it’s clear Lynch wasn’t kidding. Even fans of the original series who plowed through the maligned second season – overcoming Confederate flags and pine weasels – have found themselves baffled by references to Phillip Jeffries, the Blue Rose, or the Owl Cave Ring. Fire Walk With Me, we’ve […]
by Soheil Rezayazdi on Jun 5, 2017Director, screenwriter and boatbuilder (!) Sam Kuhn is in Cannes premiering his short film, Möbius — described as “a moth-eaten tale of magic and mutation half remembered by a teen poet who’s beloved lies lifeless in a stream” — in Critic’s Week. Filmmaker asked Kuhn, who hails from the Pacific Northwest, to keep a diary of his experiences, which rapidly went from jet-lagged to deeply strange. Here is his final entry; click here for them all. CODA Full night sleep. First in what feels like forever. Hit the 4:00 PM day-after-screening of Twin Peaks in a Toronto Raptors jacket gifted […]
by Sam Kuhn on May 28, 2017(Spoilers follow.) It’s not surprising that David Lynch has a lot to get out of his artistic system after, effectively, 11 years of dormancy on the moving-image front. In interviews, Lynch has said that he thinks of this new “season” as an 18-hour movie “shown not in a big theater, but it’s shown as cinema on television.” Having slammed through four episodes in one night, I’d take him at his word: the tonal transition he accomplishes in that time is amplified when absorbed as one unit, and I suspect the final unveiled product will benefit from being viewed in as close to one […]
by Vadim Rizov on May 24, 2017While David Lynch fans eagerly await the premiere of the new Twin Peaks on Sunday, a documentary that peers deep into the iconic director’s life is currently making its way around theaters across the U.S. After premiering last year in Venice to rave reviews, we caught David Lynch: The Art Life at the American Film Festival in Wroclaw, Poland toward the end of its festival circuit. The film will play local dates this summer before being sent out to the film’s thousand-plus Kickstarter backers who have been waiting on the documentary since its 2012 campaign. The film’s young director, Jon Nguyen, […]
by Ariston Anderson on May 17, 2017Whereas previous Twin Peaks trailers have featured pretty much nothing in the way of images from the cult show’s return, this teaser actually drops us into the look of the new season. It’s creepily tantalizing.
by Filmmaker Staff on May 12, 2017What makes Mulholland Drive the quintessential David Lynch film? In the run up to the return of Twin Peaks, Leigh Singer digs into Lynch’s 2001 masterwork, split-screen comparing and contrasting it with the entirety of his career to demonstrate how it enfolds his many preoccupations and characteristic images.
by Filmmaker Staff on Apr 25, 2017Andreas Halskov’s video essay analyzes David Lynch’s visual references, finding nods to Edward Hopper, Suspiria and Laura, among others, across his work. Warning: contains full-frontal nudity and, via Dario Argento, some graphic violence.
by Filmmaker Staff on Apr 4, 2017The latest trailer-but-not-really for the much-anticipated return of Twin Peaks has David Lynch “in character” as FBI agent Gordon Cole eating a donut.
by Filmmaker Staff on Dec 19, 2016Uncanny, unsettling, disturbing, surreal — David Lynch’s work summons up no shortage of adjectives. But one that gets applied surprisingly rarely is scary. But precisely because of its inflection of horror with the qualities listed above, Lynch’s films can be terrifying in a much deeper way than your normal, well-executed jump-scare thriller. The folks at Blumhouse certainly know horror, and this week site contributor Gregory Burkart posted a nicely curated list of annotated clips speaking to Lynch’s ability to scare, particularly nailing a couple that have long haunted this Lynch fan. The first is from Eraserhead, the “ooh, you are […]
by Scott Macaulay on Aug 25, 2016David Lynch’s earliest short film is in fact a home movie, and he’d prefer it be labeled as such: a record of the artist Bushnell Keeler (an important figure for Lynch) sailing. The young director is briefly visible throughout.
by Filmmaker Staff on Aug 15, 2016